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Hundreds of buildings, thousands of people, countless stories—there’s always more to learn about Penn State, no matter how much time you’ve spent there. This Is Penn State: An Insider’s Guide to the University Park Campus will enlighten anyone with an interest in the University, from visiting parents to lifelong State College residents.This Is Penn State documents the rich history beneath the surface of the Penn State experience, offering facts and figures, essays and anecdotes, obscure trivia, notable quotations, and a wealth of other information about Penn State’s past, present, and future. Forty of the University’s most prominent buildings and areas are highlighted, accompanied by more than 120 illustrations, ranging from historical photographs to architectural sketches of buildings not yet completed. Essays by veteran Penn Staters Leon Stout, Craig Zabel, and Gabriel Welsch cover Penn State’s history, architecture, and changing physical landscape. And when you want to get outside and see the campus firsthand, This Is Penn State is your guidebook to University Park. The four detailed maps take you on a west-to-east walking tour of Penn State’s buildings, allowing you to understand the development of each area of campus.Over the last 150 years, Penn State has been devoted to scholarship, research, and community service. In honor of the University’s sesquicentennial and in celebration of the Press’s fiftieth anniversary, the Penn State Press is proud to offer This Is Penn State as its gift to everyone who feels a connection with “dear old State.”

This volume includes William Penn's firsthand account of his 1677 travels in Holland and Germany while visiting Quaker congregations and preaching his message of religious toleration. It includes daily entries, in which Penn recounts his visits and meetings with various parties. Penn details numerous interactions with Quakers and those of other faiths, and the persecution he faced on the journey. Daily recollections are interspersed with texts of numerous letters, addresses, and epistles on Penn’s religious philosophy, along with notes on his own religious awakening and the religious climate of Europe at the time.This document serves to help readers understand Penn's early years, before he obtained the charter for Pennsylvania in 1681, and his background as a member of the Religious Society of Friends alongside its founder, George Fox.

Forestry education in Pennsylvania has a long, proud tradition, having begun earlier than in most other states. By 1897, twenty land-grant colleges, including Penn State, had introduced the subject of forestry, typically in botany courses. Professional forestry education in Pennsylvania originated in 1903, when the Pennsylvania State Forest Academy was founded at Mont Alto, and expanded in 1907 when the baccalaureate degree program started at the Pennsylvania State College.To mark the 100th anniversary of the School of Forest Resources in 2007, A Century of Forest Resources Education at Penn State reviews progress in the School’s academic programs and facilities and examines the accomplishments of some of our more prominent graduates and faculty. The events that led up to the founding are described first, featuring several pioneering men and their sole female peer. The principal developments of the initial fifty years then provide background for the ensuing expansion of the faculty, facilities, administrative organization, and graduates of the last five decades. Fascinating little-known tidbits—such as students hanging officials in effigy, an interloping bear in a classroom, administrative battles, and a tale of the original Nittany Lion—are interspersed among descriptive factual data.

When Evan Pugh became the first president of Pennsylvania’s Farmers’ High School—later to be known as The Pennsylvania State University—the small campus was in disrepair and in dire need of leadership. Pugh was young, barely into his 30s, but he was energetic, educated, and visionary. During his tenure as president he molded the school into a model institution of its kind: America’s first scientifically based agricultural college.In this volume, Roger Williams gives Pugh his first book-length biographical treatment. Williams recounts Pugh’s short life and impressive career, from his early days studying science in the United States and Europe to his fellowship in the London Chemical Society, during which he laid the foundations of the modern ammonium nitrate fertilizer industry, and back to Pennsylvania, where he set about developing “upon the soil of Pennsylvania the best agricultural college in the world” and worked to build an American academic system mirroring Germany’s state-sponsored agricultural colleges. This last goal came to fruition with the passage of the Morrill Act in 1862, just two years prior to Pugh’s death. Drawing on the scientist-academic administrator’s own writings and taking a wide focus on the history of higher education during his lifetime, Evan Pugh’s Penn State tells the compelling story of Pugh’s advocacy and success on behalf of both Penn State and land-grant colleges nationwide.Despite his short life and career, Evan Pugh’s vision for Penn State made him a leader in higher education. This engaging biography restores Pugh to his rightful place in the history of scientific agriculture and education in the United States.

Frederick Watts came to prominence during the nineteenth century as a lawyer and a railroad company president, but his true interests lay in agricultural improvement and in raising the economic, social, and political standing of Pennsylvania’s farmers. After being elected founding president of The Pennsylvania State Agricultural Society in 1851, he used his position to advocate vigorously for the establishment of an agricultural college that would employ science to improve farming practices. He went on to secure the charter for the Farmers’ High School of Pennsylvania, which would eventually become the Pennsylvania State University.This biography explores Watts’s role in founding and leading Penn State through its formative years. Watts adroitly directed the school as it was sited, built, and financed, opening for students in 1859. He hired the brilliant Evan Pugh as founding president, who, with Watts, quickly made it the first successful agricultural college in America. But for all his success in launching the institution, Watts nearly brought it to the brink of closure through a series of ruinous presidential appointments that led to an abandonment of the land-grant focus on agriculture and engineering.Watts’s influence in the agricultural modernization movement and his impact on land-grant education in the United States—both in his role with Penn State and later as US commissioner of agriculture—made him a leader in the history of agricultural and higher education. Roger L. Williams’s compelling biography of Watts reestablishes him in this legacy, providing a balanced analysis of his missteps and accomplishments.

While many recognize William Penn as the founder of Pennsylvania and a defender of religious liberty, much less is known about Penn as a man of faith. This wide-ranging history examines Penn as a deeply religious man who experienced personal triumph and success as well as tragedy and failure.After an introduction to Penn and his times, J. William Frost explores various aspects of Penn’s faith, including his conversion, service within the Society of Friends, moral teachings, and advocacy for toleration in England and religious freedom in Pennsylvania. He examines Penn as a figure whose contradictions reflect, at least in part, his turbulent times. Penn was a radical who converted to an outlawed religion and sought to transform English society, but he was also a conservative who supported monarchical authority in England and demanded deference in Pennsylvania. Penn was born under Puritanism and lived through three revolutions, five wars, and decades of religious turmoil. He died in the Age of Enlightenment, having gone from leader and shaper of the Society of Friends to king’s courtier to a prisoner accused of treason (though he was eventually exonerated).This intriguing history fills significant gaps in writings about Penn—particularly concerning Penn’s faith and its intersection with his work as a statesman and politician. It will appeal to those interested in William Penn, the history of Quakerism, and the history of religion in America.

While many recognize William Penn as the founder of Pennsylvania and a defender of religious liberty, much less is known about Penn as a man of faith. This wide-ranging history examines Penn as a deeply religious man who experienced personal triumph and success as well as tragedy and failure.After an introduction to Penn and his times, J. William Frost explores various aspects of Penn’s faith, including his conversion, service within the Society of Friends, moral teachings, and advocacy for toleration in England and religious freedom in Pennsylvania. He examines Penn as a figure whose contradictions reflect, at least in part, his turbulent times. Penn was a radical who converted to an outlawed religion and sought to transform English society, but he was also a conservative who supported monarchical authority in England and demanded deference in Pennsylvania. Penn was born under Puritanism and lived through three revolutions, five wars, and decades of religious turmoil. He died in the Age of Enlightenment, having gone from leader and shaper of the Society of Friends to king’s courtier to a prisoner accused of treason (though he was eventually exonerated).This intriguing history fills significant gaps in writings about Penn—particularly concerning Penn’s faith and its intersection with his work as a statesman and politician. It will appeal to those interested in William Penn, the history of Quakerism, and the history of religion in America.

Explains why and how ideocratic and totalitarian governments emerge, establish themselves, evolve, eventually collapse, and disintegrate or transform themselves into new ideocracies.Expanding upon the concept of totalitarianism, this study introduces the concept of ideocracy to encompass all those political systems that legitimize their actions by reference to an all-inclusive utopian ideology. It distinguishes pluralist systems, marked by competing schools of thought, from monistic systems in which a utopian ideology is dominant. Focusing on twentieth-century regimes, the authors develop Weberian ideal-type models to clarify different forms of ideocracy and pluralism; explore the ideal-type model of ideocracy; and analyze the dynamics of political life using models that allow readers to examine the contradictions and evolutionary paths of specific political systems. In addition, they examine diverse psychological, social, and environmental factors in analyzing the emergence of ideocracies and their subsequent evolution and emphasize that although these systems may persist for extended periods, they may also evolve into other forms of government through processes ranging from radical transformation to gradual erosion.

Crisscrossing the sprawling landscape of Robert Penn Warren, James H. Justus offers us the first comprehensive survey of Warren's complete canon, including the poetry of 1980. The temptation for everyone who has written on Warren, our most distinguished man of letters still active in American literature, asserts Justus, ""is to analyse those themes and moral situations that, because they recur so frequently and obsessively, constitute the massive centrality of an entire corpus."" Justus attempts ""to emphasise the ways by which we become aware of such themes and situations, the technical accomplishment of their rendering, which alone justifies our thinking of Warren as a literary artist."" The Achievement of Robert Penn Warren shows how Warren's work, his fiction, poetry, literary criticism, historical and personal essays, journalism, is shaped largely by the circumstances not only of his birth and early career as a border-state southerner but also oh his training and later career as a transregional artist and intellectual.Dividing his book into four parts, Justus discusses in Part I Warren's cycle of themes, the most enduring of which is self-knowledge, the very source of Warren's life work. He devotes Part II to Warren's poetry: the ""mannered archaism"" of his early work, the increasing mastery of the tendencies practiced by his fellow Agrarians, the metaphysical mode, and the advantage of technique in his most recent poems.Part III concern's Warren's nonfiction prose, with emphasis on Who Speaks for the Negro and I'll Take My Stand. In Part IV, Justus, analyses the novels as political and moral statements in Night Rider, At Heaven's Gate, and All the King's Men; as romance and history in World Enough and Time, Band of Angels, and Wilderness; and as ""art of transparency,"" in The Cave, Flood, Meet Me in the Green Glen, and A Place to Come To. Justus demonstrates Warren's relish for ""crowded densities of actuality"" as fulfilled in the novelist's skill in observing detail. ""No other writer has made so much out of our cultural artifacts. . . . WPA murals, big houses and shotgun bungalows, letters and broadsides.""Warren continues in a southern literary tradition. The values of the country and small town, those affecting attitudes toward social cohesion and Christian assumptions about the nature of man, are often seen in conflict with the values of a life governed by art and the academy. Justus also places Warren's work in the larger context of the various streams of American writing of the nineteenth and early twentieth centuries. He cites in particular Warren's unresolved relationship to Emerson and compares Warren to Mark Twain and Nathaniel Hawthorne.In examining Warren's technical accomplishments, Justus proclaims the novelist/poet to be a man whose distinguished career has surpassed those of Edmund Wilson and Allen Tate. Warren calls himself ""a little footnote"" in the long history of the intellectual tension between transcendentalism and puritanism. Certainly readers of The Achievement of Robert Penn Warren will begin to understand how Warren's discrete works relate to each other, how from poems to novels to prose, early and late ""nothing is lost."" The undertaking by Justus is massive; the accomplishment, monumental.

Amantha Starr, born and raised by a doting father on a Kentucky plantation in the years before the Civil War, is the heroine of this powerfully dramatic novel. At her father's death Amantha learns that her mother was a slave and that she, too, is to be sold into servitude. What follows is a vast panorama of one of the most turbulent periods of American History as seen through the eyes of star-crossed young woman. Amantha soon finds herself in New Orleans, where she spends the war years with Hamish Bond, a slave trader. At war's end, she marries Tobias Sears, a Union officer and Emersonian idealist. Despite sporadic periods of contentment, Amantha finds life with Tobias trying, and she is haunted still by her tangled past. ""Oh, who am I?"" she asks at the beginning of the novel. Only after many years, after achieving a hard-won wisdom and maturity, does she begin to understand that question.Band of Angels puts on ready display Robert Penn Warren's prodigious gifts. First published in 1955, it is one of the most searing and vivid fictional accounts of the Civil War era ever written.

The significantly revised version of Brother to Dragons appeared in 1979, twenty-six years after the original. It is, Warren wrote, ""in some important senses, a new work."" Told in the distinct voices of characters long dead and now gathered at an unspecified place and time, the poem recalls events leading to and resulting from the 1811 murder of a young slave by Thomas Jefferson's nephew. ""R.P.W."" is the narrator of the versified tale, whose poignant ending brings not only reconciliation among the ghostly figures but healing for Warren's persona as well.

Winner of the C. Hugh Holman AwardA central figure in twentieth-century American literature, Robert Penn Warren (1905- 1989) was appointed by the Library of Congress as the first Poet Laureate of the United States in 1985. Although better known for his fiction, especially his novel All the King's Men, it is mainly his poetry- spanning sixty years, fifteen volumes of verse, and a wide range of styles- that reveals Warren to be one of America's foremost men of letters.In this indispensable volume, John Burt, Warren's literary executor, has assembled every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren's poems- which, in some cases, appeared as many as six different times with substantive revisions in every line- as well as his typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in his hand, Burt has referred to Warren's personal library copies. This comprehensive edition also contains textual notes, lists of emendations, and explanatory notes.Warren was born and raised in Guthrie, Kentucky, where southern agrarian values and a predilection for storytelling were ingrained in him as a young boy. By 1925, when he graduated from Vanderbilt University, he was already the most promising of that exceptional set of poets and intellectuals known as the Fugitives. Warren devoted most of the 1940s and 1950s to writing prose and literary criticism, but from the late 1950s he composed primarily poetry, with each successive volume of verse that he penned demonstrating his rigorous and growing commitment to that genre. The mature visionary power and technical virtuosity of his work in the 1970s and early 1980s emanated from his strongly held belief that ""only insofar as the work [of art] establishes and expresses a self can it engage us."" Many of Warren's later poems, which he deemed ""some of my best,"" rejoice in the possibilities of old age and the poet's ability for ""continually expanding in a vital process of definition, affirmation, revision, and growth, a process that is the image, we may say, of the life process.