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Around the World in 25 Designs! Travel-loving jewelry designer Anne Potter takes you on a world tour of some of the most interesting and inspiring places in Europe, Latin America, Africa, and Asia. Follow along with her as she explores the people, art, architecture, and culture of each region and the aspects that inspire her jewelry designs. Without ever leaving the comfort of your own home you can:   • Craft a colorful tile bracelet that mimics the trencadís mosaics of Gaudì.   • Hand dye beads to create a stunning neckpiece inspired by ancient Incan knotted quipus.   • Weave simple yet striking beaded earrings inspired by the motifs of Persian kilim carpets.   • Upcycle colorful tin to create a gorgeous necklace that calls to mind the work of Senegalese metal sculptors.   • Join antique brass filigree pieces into a unique hand bracelet that evokes the patterns of traditional Indian henna tattoos.Detailed instructions and step-by-step photos demonstrate a wide range of jewelry-making techniques, including stringing, beadweaving, wirework, macramé, metal stamping, and chain maille. Whether you're an armchair traveler or a dedicated globe trekker, Global Style Jewelry will be your trusty guide to many dynamic and diverse places and projects.

A celebration of season, Flower Philosophy presents a selection of beautiful arrangements designed to free readers from the pressures of perfection and instead encourage creative freedom, intuition and original results.  Flowers are not perfect, and flower arranging shouldn’t be either. Anna Potter, author of best-selling Flower Fix, teaches us how to listen and learn from nature to create something truly original with 25 combinations of stems and foliage. Free yourself from a prescriptive, one- size-fits-all approach and let each unique bloom inspire you with this refreshingly honest and liberating florist’s guide.Featuring: A NEW PERSPECTIVE: Start with nature and let this inform your arranging A WEALTH OF PRACTICAL ADVICE: All the basic, essential information on flora, seasons, colour and arranging BUDGET-CONSCIOUS CHOICES: From small humble buds to large luxe flowers eg weed arrangements. Plus foliage, fruit, vegetables, sea shells and anything grown out of the ground. 25 FLEXIBLE FLOWER PROJECTS: Step-by-step, with options/prompts to encourage autonomy, originality, creativity PERSONAL TOUCHES: Author’s stories, poems, thoughts, experiences and musings FLORAL THERAPY: Tips to improve wellbeing with nature; tap into its mindful benefits throughout the arranging process A FLOWER THESAURUS: An unorthodox flower index of favourite and too-often-forgotten flowers, ideas for pairings, benefits to the senses and mood, meanings etc. Arranged by season, Anna Potter guides you through the process of creating your own wreathes, bouquets and installations, all using flowers that can be bought, found and foraged from your neighbourhood.Accompanied by stunning photography from India Hobson, this book provides the basic foundations to pick, choose and assemble with unlimited possibilities.

'If you're someone who dreams of penning a bestseller, read this book' The Week'What if the success of E.L.James and Dan Brown was not so random? What if there were an algorithm that could pick out the bestseller DNA concealed within these books before they're published? This is the audacious claim made by Jodie Archer and Matthew Jockers ... Smart, savvy and full of ideas' Fiona Wilson, The TimesGirl on the Train. Fifty Shades. The Goldfinch. Why do some books capture the whole world's attention? In The Bestseller Code, Archer and Jockers boldly claim that not only can mega-hits be explained and identified - but they've built the algorithm to prove it. Using cutting-edge text mining techniques, they have developed a model that analyses theme, plot, style and character to explain why some books resonate more than others with readers. Provocative, entertaining, and ground-breaking, The Bestseller Code explores the hidden patterns at work in the biggest hits and, more importantly, the real reasons we love to read.'Non-formulaic, eye-opening, deeply-researched - and really worth your time' GQ'When a story captures the imagination of millions, that's magic. Can you qualify magic? Archer and Jockers just may have done so' Sylvia Day, no.1 bestselling author'The claims are eye-grabbing . . . and also highly plausible' Robert Douglas-Fairhurst, Spectator'Thought-provoking and interesting ... Here is a book worth reading' David Bond, Financial Times

This survey of Sally Potter’s work explores her cinematic development from the feminist reworking of La BohÈme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual. Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter’s films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter’s work is a concern with the ways narrative circumscribes women's ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichÉs, and images. By contrast, later films like Orlando and The Tango Lesson create new and original narratives that place female acts, voices, looks, desires, and thoughts at their center. Fowler’s analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director.

The first design book that translates elements of nature--including flora, water, and wood--into elements of decor for beautiful, lived-in, bohemian interiors, from acclaimed designer and tastemaker Erica Tanov. Inspired by nature's colors, textures, and patterns, design icon Erica Tanov uses her passion for textiles to create beautiful, timeless interiors that connect us to the natural world. Now, in her first book, Design by Nature, Tanov teaches you how to train your eye to the beauty of the natural world, and then bring the outdoors in—incorporating patterns and motifs from nature, as well as actual organic elements, into simple ideas for everyday decorating and design. Design by Nature contains new and imaginative decorating ideas for an organic and bohemian style that mixes and layers rugs, pillows, throws, and drapery, and incorporates unique patterns and fabrics such as shibori, ikat, and jamdani, all stunningly photographed by renowned photographer Ngoc Minh Ngo.   With topics ranging from embracing imperfection in your home, to seeking out flea markets, to displaying your collections, Design by Nature takes an enduring and intuitive approach to design that transcends fleeting trends and encourages you to find your own personal style, source of creativity, and connection to the natural world. You don't need to travel to distant locales to find beauty; it's all around us, from the crackle of fallen leaves to the jagged bark of a tree.

Interrogating Popular Culture: Key Questions offers an accessible introduction to the study of popular culture, both historical and contemporary. Beginning from the assumption that cultural systems are dynamic, contradictory, and hard to pin down, Stacy Takacs explores the field through a survey of important questions, addressing: Definitions: What is popular culture? How has it developed over time? What functions does it serve? Method: What is a proper object of study? How should we analyze and interpret popular texts and practices? Influence: How does popular culture relate to social power and control? Identity and disposition: How do we relate to popular culture? How does it move and connect us? Environment: How does popular culture shape the ways we think, feel and act in the world?Illustrated with a wide variety of case studies, covering everything from medieval spectacle to reality TV, sports fandom and Youtube, Interrogating Popular Culture gives students a theoretically rich analytical toolkit for understanding the complex relationship between popular culture, identity and society.

Interrogating Popular Culture: Key Questions offers an accessible introduction to the study of popular culture, both historical and contemporary. Beginning from the assumption that cultural systems are dynamic, contradictory, and hard to pin down, Stacy Takacs explores the field through a survey of important questions, addressing: Definitions: What is popular culture? How has it developed over time? What functions does it serve? Method: What is a proper object of study? How should we analyze and interpret popular texts and practices? Influence: How does popular culture relate to social power and control? Identity and disposition: How do we relate to popular culture? How does it move and connect us? Environment: How does popular culture shape the ways we think, feel and act in the world?Illustrated with a wide variety of case studies, covering everything from medieval spectacle to reality TV, sports fandom and Youtube, Interrogating Popular Culture gives students a theoretically rich analytical toolkit for understanding the complex relationship between popular culture, identity and society.

Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballé could sing together? These are the kinds of questions which John Potter, a singer with the Hilliard Ensemble and Red Byrd, and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical 'moments of change' in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique.

Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballé could sing together? These are the kinds of questions which John Potter, a singer with the Hilliard Ensemble and Red Byrd, and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical 'moments of change' in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique.

Using a fourfold approach derived from symbolic anthropology, sociology, semiotics, and philology, Joy Hambuechen Potter focuses on the cornice, or frame tale, of the Decameron, its purpose, and its relationship to the stories. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Using a fourfold approach derived from symbolic anthropology, sociology, semiotics, and philology, Joy Hambuechen Potter focuses on the cornice, or frame tale, of the Decameron, its purpose, and its relationship to the stories. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Remarkable women have been at the forefront of history. They’ve changed the world and are leading the way to our future. But how much do you really know about the remarkable women who’ve shaped our world?We all know that. . . Frida Kahlo made her name as a painter Jane Austen wrote simple romance novels Men pioneered scientific breakthroughs in the pastAND that ancient people only worshipped strong male gods. . . Or did they. . . ? Because. . . OH NO THEY DIDN'T!Misconceptions about women from the past and present are everywhere, but none of them are true! In Oh No They Didn't: Remarkable Womenmyths are busted about over 50 remarkable women from politicians to legends, performers, activists, scientists, mathematicians, creatives and more.In this fresh and funny guide learn about inspiring womenfrom all over the world as well as their influence on history and popular culture. Stylishly designed and humorously illustrated by Sam Caldwell, Oh No They Didn't: Remarkable Women makes learning fun with unexpected facts and a playful, upbeat approach to non-fiction.Oh No They Didn't: Remarkable Women is the perfect inspiring guide for ALL young people to learn about the influential women who may have been left out of traditional history books and deserve to be celebrated.

Trailblazers have done extraordinary things throughout history. They’ve made incredible contributions to the world, from inventing common household objects we take for granted every day to breaking barriers in sports or medicine. But how much do you really know about the innovators who’ve shaped our world?Everyone knows that. . . Martin Luther King Jr. used every means possible to fight for civil rightsRuth Handler set up the toy company Mattel to createBarbie dollsWilliam Shakespeare came up with the story of Romeo and JulietAND that Florence Nightingale's family supported her dream of becoming a nurseOr did they. . . ? Because. . . OH NO THEY DIDN'T!Misconceptions about famous figures from the past and present are everywhere, but none of them are true! In Oh No They Didn't: Trailblazers myths are busted about over 50 trailblazers from politicians to legends, athletes, activists, scientists, company owners, creatives and more.In this fresh and funny guide written by Eric Huang, learn about inspiring innovators from all over the world as well as their influence on history and popular culture. Stylishly designed and humorously illustrated by Sam Caldwell, Oh No They Didn't: Trailblazers makes learning fun with unexpected facts and a playful, upbeat approach to non-fiction.Oh No They Didn't: Trailblazers is the perfect inspiring guide for ALL young people to learn about influential innovators, including the parts of their story that may have been left out of traditional history books or media. In this easy-to-read book, you're sure to discover lesser-known pioneers who deserve to be celebrated, too!

These are the dishes that fuelled great writing. Ever wondered what Iris Murdoch might have served for supper, or how Emily Dickinson took her tea? The Writer’s Table brings together dining habits and favourite recipes from some of the world’s most beloved authors, offering a delicious glimpse into their everyday lives and kitchen rituals. Each recipe is paired with a short introduction to the author and dish, along with clear instructions and modern ingredients, making it easy to recreate literary comfort food at home. With beautiful illustrations throughout, the book is a feast for the eyes as well as the table making you feel closer to the writers you love. Writers and recipes featured include: Leo Tolstoy’s Sour Schi  Jane Austen's White SoupColette's Cherry ClafoutisBarbara Pym's Toad-in-the-HoleTruman Capote's Chicken HashAndrea Camilleri's Sardines a beccaficoPerfectly giftable, irresistibly browsable and full of charm, The Writer’s Table is a celebration of food, creativity and the simple pleasures that connect us all. A must-have for readers, home cooks and anyone who’s ever wondered what their favourite author had for dinner.

Financial services regulators are tasked with balancing the conflicting roles of empowering and policing their regulated communities. In order to be effective, agencies must be able to accomplish both tasks. This analysis examines several determinants of effectiveness among U.S. bank regulators. Using statistical and narrative analyses, it examines factors that have contributed to the regulatory effectiveness of the National Credit Union Administration, Office of the Comptroller of the Currency, and Office of Thrift Supervision. The study focused on the relationships between regulatory ability to prevent failures and influences including agency longevity, ability to manage complexity, appointee and staff qualities, mission stability, regulatory style, and resources. Agency longevity and resources had the greatest impact on effectiveness among the cases that were examined. Additionally, this study proposes a typology that suggests that more effective regulators are able to balance information from their regulated communities with a public interest orientation. This allows them to have current information regarding emerging regulatory issues but also to avoid becoming too reliant on their supervised institutions for information. By not being overly reliant or out of touch with their regulated communities, agency can better foster regulatory resiliency.

Written for social science scholars who want to learn more about the qualitative way of thinking, this book addresses the full continuum of issues about the qualitative methodologies. At one end of that continuum are the deeply philosophical concerns of ontology and epistemology. At the other -- concrete -- end of that continuum are the practical issues of what is considered evidence: How does one go about gathering evidence? Where, when, and how does one analyze evidence? What are the alternative ways of dealing with tone and voice in writing qualitative research? The attention to practical, concrete issues makes this book useful as a handbook providing a great deal of vital information to scholars who want a guide to making decisions as they navigate their research questions through the qualitative realm.Uniquely qualified to write such a book, Potter has earned PhDs in both qualitative methods (with a concentration in linguistics and field studies) and in quantitative methods (with a concentration in social science theory and statistics). The book is not an ideological argument that glorifies one system of thinking while attempting to persuade the reader that other systems of thinking are bankrupt. Rather, the book presents a respectful, balanced analysis of the strengths and weaknesses of the qualitative approach.The book builds to a controversial final chapter entitled "Is Convergence a Possibility?" in which Potter synthesizes a conclusion from his analysis of a wide range of qualitative studies across three broad topic areas -- text focused research, audience focused research, and institution focused research -- and across seven major qualitative methodologies -- ethnography, ethnomethodology, reception study, ecological psychology, symbolic interactionism, cultural studies, and textual analysis. His conclusion is that not only is there a possibility of a convergence between qualitative and quantitative approaches, but that the convergence has already happened.The book includes an appendix in which 95 books and articles using the qualitative approach are abstracted and analyzed to illustrate key points of methodology and methods. It also includes subject and author indexes.

Written for social science scholars who want to learn more about the qualitative way of thinking, this book addresses the full continuum of issues about the qualitative methodologies. At one end of that continuum are the deeply philosophical concerns of ontology and epistemology. At the other -- concrete -- end of that continuum are the practical issues of what is considered evidence: How does one go about gathering evidence? Where, when, and how does one analyze evidence? What are the alternative ways of dealing with tone and voice in writing qualitative research? The attention to practical, concrete issues makes this book useful as a handbook providing a great deal of vital information to scholars who want a guide to making decisions as they navigate their research questions through the qualitative realm.Uniquely qualified to write such a book, Potter has earned PhDs in both qualitative methods (with a concentration in linguistics and field studies) and in quantitative methods (with a concentration in social science theory and statistics). The book is not an ideological argument that glorifies one system of thinking while attempting to persuade the reader that other systems of thinking are bankrupt. Rather, the book presents a respectful, balanced analysis of the strengths and weaknesses of the qualitative approach.The book builds to a controversial final chapter entitled "Is Convergence a Possibility?" in which Potter synthesizes a conclusion from his analysis of a wide range of qualitative studies across three broad topic areas -- text focused research, audience focused research, and institution focused research -- and across seven major qualitative methodologies -- ethnography, ethnomethodology, reception study, ecological psychology, symbolic interactionism, cultural studies, and textual analysis. His conclusion is that not only is there a possibility of a convergence between qualitative and quantitative approaches, but that the convergence has already happened.The book includes an appendix in which 95 books and articles using the qualitative approach are abstracted and analyzed to illustrate key points of methodology and methods. It also includes subject and author indexes.

In her lively and accessibly written book, Juliet McMaster examines Jane Austen’s acute and frequently uproarious juvenile works as important in their own right and for the ways they look forward to her novels. Exploring the early works both collectively and individually, McMaster shows how young Austen’s fictional world, peopled by guzzlers and unashamed self-seekers, operates by an ethic of energy rather than the sympathy that dominates the novels. A fully self-conscious artist, young Jane experimented freely with literary modes - the epistolary, the omniscient, the drama. Early on, she developed brilliantly pointed dialogue to match her characters. Literary parody impels her creativity, and McMaster’s sustained study of Love and Friendship shows the same intricate relation of the parody to the work it parodies that we later see with Northanger Abbey and the Gothic novel. As an illustrator herself, McMaster is especially attuned to the explicit and sometimes hilarious descriptions of bodies that preceded Austen’s famous reticence about physicality. Rather than focusing on the immaturities of the juvenilia, McMaster maps the gradual shifts in tone and emphasis that signpost Austen’s journey as a writer. She shows, for instance, how the shameless husband-hunting in The Three Sisters and the vigorous partisanship of The History of England lead on to Pride and Prejudice. Her book will appeal to Austen’s critics and to passionate general readers, as well as to scholars working in the fields of juvenilia, children’s literature, and childhood studies.

In her lively and accessibly written book, Juliet McMaster examines Jane Austen’s acute and frequently uproarious juvenile works as important in their own right and for the ways they look forward to her novels. Exploring the early works both collectively and individually, McMaster shows how young Austen’s fictional world, peopled by guzzlers and unashamed self-seekers, operates by an ethic of energy rather than the sympathy that dominates the novels. A fully self-conscious artist, young Jane experimented freely with literary modes - the epistolary, the omniscient, the drama. Early on, she developed brilliantly pointed dialogue to match her characters. Literary parody impels her creativity, and McMaster’s sustained study of Love and Friendship shows the same intricate relation of the parody to the work it parodies that we later see with Northanger Abbey and the Gothic novel. As an illustrator herself, McMaster is especially attuned to the explicit and sometimes hilarious descriptions of bodies that preceded Austen’s famous reticence about physicality. Rather than focusing on the immaturities of the juvenilia, McMaster maps the gradual shifts in tone and emphasis that signpost Austen’s journey as a writer. She shows, for instance, how the shameless husband-hunting in The Three Sisters and the vigorous partisanship of The History of England lead on to Pride and Prejudice. Her book will appeal to Austen’s critics and to passionate general readers, as well as to scholars working in the fields of juvenilia, children’s literature, and childhood studies.