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After ten years living abroad, Tarquin Hall wanted to return to his native London. Lured by his nostalgia for a leafy suburban childhood spent in south-west London, he returned with his Indian-born, American fiance in tow. But, priced out of the housing market, they found themselves living not in a townhouse, oozing Victorian charm, but in a squalid attic above a Bangladeshi sweatshop on London's Brick Lane. A grimy skylight provided the only window on their new world: a filthy, noisy street where drug dealers and prostitutes peddled their wares and tramps urinated on the pavements. At night, traffic lights lit up the ceiling and police sirens wailed into the early hours.Yet, as Hall got to know Brick Lane, he discovered beneath its unlovely surface an inner world where immigrants and asylum seekers struggle to better themselves and dream of escape. Salaam Brick Lane is a journey of discovery by an outsider in his own native city. It offers an explicit glimpse of the underbelly of London's most infamous quarter, the real-life world of Monica Ali's bestselling novel.

When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city's music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions and give flight to their musical aspirations. This is a singular look at the complex music landscape in one of Africa's most dynamic cities.

In cities across the nation, communities of color find themselves resisting state disinvestment and the politics of dispossession. Students at the Center—a writing initiative based in several New Orleans high schools—takes on this struggle through a close examination of race and schools. This book builds on the powerful stories of marginalized youth and their teachers, who contest the policies that are destructive to their communities: decentralization, charter schools, market-based educational choice, teachers union-busting, mixed-income housing, and urban redevelopment. Striking commentaries from the foremost scholars of the day explore the wider implications of these stories for pedagogy and educational policy in schools across the United States and the globe. Most importantly, this book reveals what must be done to challenge oppressive conditions and democratize our schools by troubling the vision of city elites who seek to elide students’ histories, privatize their schools, and reinvent their neighborhoods.Contributors include Michael W. Apple, Wayne Au, Adrienne D. Dixson, Maisha T. Fisher, Joyce E. King, Pauline Lipman, and Vanessa Siddle Walker.

Tracing Dar es Salaam's rise and fall as an epicentre of Third World revolution, George Roberts explores the connections between the global Cold War, African liberation struggles, and Tanzania's efforts to build a socialist state. Roberts introduces a vibrant cast of politicians, guerrilla leaders, diplomats, journalists, and intellectuals whose trajectories collided in the city. In its cosmopolitan and rumour-filled hotel bars, embassy receptions, and newspaper offices, they grappled with challenges of remaking a world after empire. Yet Dar es Salaam's role on the frontline of the African revolution and its provocative stance towards global geopolitics came at considerable cost. Roberts explains how Tanzania's strident anti-imperialism ultimately drove an authoritarian turn in its socialist project and tighter control over the city's public sphere. This title is also available as Open Access on Cambridge Core.

A gathering of innovative, speculative fictions by writers of color, both established and emerging  The innovative fictions in Infinite Constellations showcase the voices and visions of 30 remarkable writers, both new and established, from the global majority: Native American/First Nation writers, South Asian writers, East Asian writers, Black American writers, Latinx writers, and Caribbean and Middle Eastern writers. These are visions both familiar and strange, but always rooted in the mystery of human relationships, the deep honoring of memory, and the rootedness to place and the centering of culture.The writers in this anthology mirror, instruct, bind and unbind, myth-make and myth-invert, transform and transmute, make us belly-laugh or hum our understanding, gasp or whisper gently, and remember that sometimes we need to holler and fight as we grieve. Any dangers herein, imagined or observed in poem and story, transport us: moving from latent to extant, then unleashed.This work does not presume; it presents and blossoms, creating a constellation of appearances, a symphony of belonging.“In collecting this work,” note editors Khadijah Queen and K. Ibura, “we felt humbled by the love threaded throughout the voices speaking to us in stories and poems that vault beyond expectation and settle in our consciousness as an expansion of what’s possible when we tend to one another with intention. We felt lifted, held aloft in these arrangements of language. We hope that as you read each story and poem, you will find the same sense of empowerment and celebration that we know has sustained us over countless generations, and in their beauty and humor and intelligence and complexity, continue to enrich us still.”CONTRIBUTORSGeorge Abraham / Kenzie Allen / Shreya lla Anasuya / Thea Anderson / Wendy Chin-Tanner / Alton Melvar M. Depanas / Yohanca Delgado / Jennifer Elise Foerster / Aerik Francis / AndrÉ O. Hoilette / Brian K. Hudson / K. Ibura / Pedro Iniguez / Ruth Ellen Kocher / Ra’Niqua Lee / Tonya Liburd / Kenji C. Liu / Shalewa Mackall / Lucien Darjeun Meadows / Melanie Merle / Juan J. Morales / Thirii Myo Kyaw Myint / Cindy Juyound Ok / Daniel JosÉ Older / Soham Patel / Lynn C. Pitts/ Kahadijah Queen / Sheree RenÉe Thomas /  Sarah Sophia Yanni / dg nanouk okpik / shakirah peterson

Brought into sharp focus by the events of 11 September 2001 in New York, this study examines the regrouping of the religious community and the reinvention of group identity in first and second-generation immigrants. By transplanting many of their institutions to the US (particularly in New York), Muslim immigrants succeeded in establishing their presence in the American landscape without arousing significant concern in the host community.

Brought into sharp focus by the events of 11 September 2001 in New York, this study examines the regrouping of the religious community and the reinvention of group identity in first and second-generation immigrants. By transplanting many of their institutions to the US (particularly in New York), Muslim immigrants succeeded in establishing their presence in the American landscape without arousing significant concern in the host community.