Visar resultat för..."Sky Publishing Corporation"

A selection of harsh, sometimes violent, and often surreal stories by the premier young avant-garde Chinese woman writer.A couple moves with their young daughter to the seaside, only to be terrorized by hostile townsfolk, predatory seabirds, and the persistent sound of the waves. Two old friends spend their waning days traipsing amongst ruined walls, imagining bubbling brooks and lush marshland. An old man lives atop a bizarre wooden building in the clouds, where he is served pancakes by a hostile youth.These are the scenarios of just some of the stories in this generous new collection by Can Xue. Although rooted in the folk traditions of Chinese literature and the real conflicts of contemporary Chinese life, Can Xue's stories exist in a separate space and time where dreams and reality coalesce: tenderness quickly turns to violence, strange diseases are caught, and quaint landscapes become phantasmagorical. Can Xue's literary world is inhabited by ghosts, dying old men, street urchins, cobblers, farmers, cats, rats, and stray dogs. Much influenced by Borges, Kafka, and Bruno Schulz, this new collection of Can Xue's surreal stories confirms The New York Times' assessment that "reading Can Xue's fiction is like running downhill in the dark; you've got momentum, but you don't know where you're headed."

A NEW YORK TIMES BEST POETRY BOOK OF 2024WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRYFINALIST FOR THE NATIONAL BOOK AWARD FOR POETRYPublished here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them ‘wrong.’"

In his 1960s-1970s heyday, Rod McKuen was a phenomenally popular singer-songwriter as well as the bestselling poet in publishing history. To his legions of fans around the world, he was a voice of compassion and healing, as much a prophet as an author/entertainer. McKuen songs like “If You Go Away” and “Jean” earned him massive hits, while books like Listen to the Warm sold millions of copies.McKuen's huge sales and devoted following didn't stop the critics from calling his work sentimental kitsch cranked out for the money. Who was this enigmatic artist who aroused so much love and hatred? A Voice of the Warm: The Life of Rod McKuen is the first-ever biography of one of the 20th century's most popular and misunderstood pop-culture icons. Drawing upon extensive research and over 100 interviews, author Barry Alfonso tells how McKuen overcame childhood physical and sexual abuse to become a teenage radio host, film actor, and Beat-style poet before connecting with a vast audience as a writer and recording artist. McKuen's role as a pioneering gay rights activist who bridged the '60s generation gap with a message of love and tolerance help to make his story uniquely relevant today.

Each disparate object described in this book—a Caspar David Friedrich painting, a species of tiger, a villa in Rome, a Greek love poem, an island in the Pacific—shares a common fate: it no longer exists, except as the dead end of a paper trail. Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new vistas of how we can think about extinction and loss.With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

Each disparate object described in this book—a Caspar David Friedrich painting, a species of tiger, a villa in Rome, a Greek love poem, an island in the Pacific—shares a common fate: it no longer exists, except as the dead end of a paper trail. Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new vistas of how we can think about extinction and loss.With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

This title offers a coherent account of Freire's educational thought, including coverage of the reception and influence of his work and its relevance today. Paulo Freire is indisputably a major thinker in education. Daniel Schugurensky's volume offers the most coherent account of Freire's educational thought. This work is divided into: intellectual biography; critical exposition of Freire's work; the reception and influence of Freire's work; and, the relevance of the work today. This is a major international reference series providing comprehensive accounts of the work of seminal educational thinkers from a variety of periods, disciplines and traditions. It is the most ambitious and prestigious such project ever published - a definitive resource for at least a generation.

This provocative and unique anthology analyzes Quentin Tarantino's controversial Inglourious Basterds in the contexts of cinema, cultural, gender, and historical studies. The film and its ideology is dissected by a range of scholars and writers who take on the director's manipulation of metacinema, Nazisploitation, ethnic stereotyping, gender roles, allohistoricism, geopolitics, philosophy, language, and memory. In this collection, the eroticism of the club-swinging and avenging "Bear Jew," the dashed heroism of the "role-playing" French and German females, the patriotic fools and pawns, the amoral yokel, Lieutenant Aldo Raine, and the cosmopolitan, but psychopathic Colonel Landa, are understood for their true functions in what has become an iconoclastic pop-culture phenomenon and one of the classics of early twenty-first century American cinema. Additionally, the book examines the use of "foreign" languages (subverting English and image), the allegory of Austria's identity in the war, and the particularly French and German cinematic influences, such as R. W. Fassbinder's realignment of the German woman's film and the iconic image of the German film star in Inglourious Basterds.

This provocative and unique anthology analyzes Quentin Tarantino's controversial Inglourious Basterds in the contexts of cinema, cultural, gender, and historical studies. The film and its ideology is dissected by a range of scholars and writers who take on the director's manipulation of metacinema, Nazisploitation, ethnic stereotyping, gender roles, allohistoricism, geopolitics, philosophy, language, and memory. In this collection, the eroticism of the club-swinging and avenging "Bear Jew," the dashed heroism of the "role-playing" French and German females, the patriotic fools and pawns, the amoral yokel, Lieutenant Aldo Raine, and the cosmopolitan, but psychopathic Colonel Landa, are understood for their true functions in what has become an iconoclastic pop-culture phenomenon and one of the classics of early twenty-first century American cinema. Additionally, the book examines the use of "foreign" languages (subverting English and image), the allegory of Austria's identity in the war, and the particularly French and German cinematic influences, such as R. W. Fassbinder's realignment of the German woman's film and the iconic image of the German film star in Inglourious Basterds.

An extraordinary book, which enables us to consider the nature of God in the 21st Century through the lens of Dostoevsky's novels. The current rash of books hostile to religious faith will one day be an interesting subject for some sociological analysis. But to counter such work, is a book of the profoundest kind about the nature and purpose of religious belief. Terrorism, child abuse, absent fathers and the fragmentation of the family, the secularisation and the sexualisation of culture, the future of liberal democracy, the clash of cultures and the nature of national identity - so many of the anxieties that we think of as being quintessentially features of the early twenty first century and on, are present in the work of Dostoevsky - in his letters, his journalism and above all in his fiction. The world we inhabit as readers of his novels is one in which the question of what human beings owe to each other is left painfully and shockingly open and there is no place to stand from which we can construct a clear moral landscape.But the novels of Dostoevsky continually press home what else might be possible if we - characters and readers - saw the world in another light, the light provided by faith. In order to respond to such a challenge the novels invite us to imagine precisely those extremes of failure, suffering and desolation. There is an unresolved tension in Dostoevsky's novels - a tension between believing and not believing in the existence of God. In "The Brothers Karamazov", we can all receive Ivan with a terrible kind of delight. Ivan's picture of himself we immediately recognise as self-portrait. The god that is dead for him is dead for us. This Karamazov God of tension and terror is often the only one we are able to find. This extraordinary book will speak to our generation like few others.

This is the first biography in English of an extraordinary polymath whose great genius was stifled and finally extinguished by the Soviet Union. "Pavel Florensky: A Quiet Genius" is the first biography in English of an extraordinary polymath whose genius was stifled and finally extinguished by the Soviet Union. Today Pavel Florensky is often referred to as the Russian da Vinci. Florensky was, at one and the same time, a supremely gifted philosopher, mathematician, physicist, inventor, engineer and theologian. He was also a poet and wrote studies of history, language and art. Although he taught philosophy for most of his working life, his interests were wide-ranging and profound and included the study of time and space, the theory of relativity, aspects of language, and the properties of materials and geology. His book "The Pillar and the Ground of Truth" is widely seen as a masterpiece of Russian Orthodox theology. Eminent Russian scholar Avril Pyman looks at Florensky's life, from his childhood as the son of a railroad engineer to his mysterious death, and provides a populist perspective on his achievements."Pavel Florensky: A Quiet Genius" celebrates the life of this unjustly forgotten victim of the Soviet Union.

This is an international guide to using Vygotsky's theories to support children and schools in special needs education. After Piaget, Vygotsky is perhaps the most important educational theorist of the twentieth century. Support for schools and pupils with additional needs has been theorised in a number of ways over the last 100 years and much interest has been shown in the development and relevance of Vygotsky's ideas. It is ironic, therefore, that so little has been written about the practical application of such a perspective to the field. This book brings together researchers working in the UK and Denmark to reflect on the benefits to be had from taking such a stance on support for children and schools. All the contributors are connected with work that has been done at PPUK and CSAT research centres at the universities of Copenhagen and Bath. Both centres enjoy strong reputations for their contributions to cultural historical theory. The authors pursue issues raised by a post-Vygotskian approach and which make important contributions to the development of the fields of policy and practice.

This title brings a deconstructive perspective to theories of justice in the early and later work of Rawls, Habermas and Honneth. Deconstructing influential theories of justice by John Rawls, Jurgen Habermas and Axel Honneth, Miriam Bankovsky explores and critiques the early and later work of these three important liberal theorists. Bankovsky examines the commitments that all these thinkers make to a conception of justice as, in Rawls' words, an 'art of the possible' and the difficulties that such commitments present for their theories. Taking a deconstructive approach, the book argues that such a defence of possibility must be supplemented by an acknowledgment of the ways in which theory ultimately fails to reconcile the conflicting demands of 'justice' - namely, it's demand for responsibility for the other in the particular and for impartiality among all. In so doing, the book draws attention to the 'perfectible' (simultaneously possible and impossible) status of theories of justice, celebrating such perfectibility as the very condition for justice's critical function."Continuum Studies in Political Philosophy" presents cutting-edge scholarship in the field of political philosophy. Making available the latest high-quality research from an international range of scholars working on key topics and controversies in political philosophy and political science, this series is an important and stimulating resource for students and academics working in the area.

River that must turn full after I stop dyingSong, my song, raise grief to musicLight as my loves’ thought, the few sickSo sick of wrangling: thus weeping,Sounds of light, stay in her keepingAnd my son’s face – this much for honor— from “ ‘A’-11”At long last, here is the whole of Louis Zukofsky’s epic masterpiece “A” back in print with misprints corrected and a new, fresh introduction by the noted scholar Barry Ahearn. No other poem in the English language is filled with as much daily love, light, intellect, and music. As William Carlos Williams once wrote of Zukofsky’s poetry, “I hear a new music of verse stretching out into the future.”

A great mind and a formidable personality, Brahe is also the world’s most illustrious noseless man of his time. Told by Brahe and his assistants—a filthy cast of characters—Sublunar is both novel and almanac. Alongside sexual deviancy, spankings, ruminations on a new nose—flesh, wood, or gold?—Brahe (a choleric and capricious character) and his peculiar helpers (“I would rather watch her globes tonight than icy stars”) take painstainking measurements that will revolutionize astronomy, long before the invention of the telescope. Meanwhile the plague rages in Europe...The second in Voetmann’s triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.