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SHORTLISTED FOR THE PEN TRANSLATION PRIZE“Beautiful and satisfying.”—Tor.com“A treat.”—New York Times Book ReviewAn unfulfilled college student hurtles through four parallel realities to explore the what-might've-been and the what-should-never-be in this Groundhog Day meets The Midnight Library–esque novel from one of Japan’s most popular authors, now available in a convenient pocket-sized portable Nomad Edition.Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.Then, a chance encounter with a self-proclaimed god sets the confused and distraught young man on a new course. Destiny will bring him together with Akashi, the blunt but charming sophomore he has a crush on—if he’s brave enough to make a move. Yet our protagonist cannot get beyond his profound disillusionment and the moment is lost. But what if there's a universe where he joined the club of his dreams, ditched Ozu for good, and was confident enough to get the girl? A realm of possibility opens up for our protagonist as time rewinds, and from the four-and-a-half-mat tatami floor of his dorm room, he is plunged into a series of adventures that will take him to four parallel universes. In each universe, he is given the opportunity to start over as a freshman, in search of a rose-colored campus life.The inspiration behind the much-loved anime series, Tomihiko Morimi's contemporary classic is a fantastic journey through time and space, where a half-eaten castella cake, a photograph from Rome, and a giant cavity in a wisdom tooth hold the keys to self-discovery. A time-traveling romp that speaks to everyone who has wondered what if, The Tatami Galaxy will win your heart over . . . and over . . . and over again.Translated from the Japanese by Emily Balistrieri

In the boiling heat of summer, a broken remote control for an air conditioner threatens life as we know it in this reality-bending, time-slipping sequel to The Tatami Galaxy. During a scorching August in Kyoto, our protagonist and his worst friend, Ozu, are locked in a glaring contest in a four-and-a-half-tatami-mat room. Ozu has spilled Coke on the air conditioner’s remote control—the only AC in Shimogamo Yusuisuiso, their famously shabby sweatbox of an apartment building. Vengeful and despairing, our protagonist discusses countermeasures with his secret crush, the reliably blunt Akashi, when Tamura, a strange young man with a bad haircut, appears.Tamura claims to be a time traveler from 25 years in the future, and shows off the time machine he uses to travel. Our protagonist has a brilliant idea: the sweetest revenge would be to go back one day in time and retrieve the functioning remote control. His simple fix is complicated by Ozu and several others who are also eager to take a ride back in time. But in attempting to alter the past, our protagonist foresees the world's extinction. Even more troublingly, Akashi mentions she’s bringing someone to the upcoming bonfire . . . and it's not him. Only one thing remains certain: it's going to be a very long month.Obliteration? Salvation? Coca-Cola? Castella cake? What does the time machine hold for our (not quite) heroes? It all depends on which one gets there first.Translated from the Japanese by Emily Balistrieri

*SHORTLISTED FOR THE PEN TRANSLATION PRIZE*An unfulfilled college student hurtles through four parallel realities to explore the what-might've-been and the what-should-never-be in this Groundhog Day meets The Midnight Library–esque time loop novel from one of Japan’s most popular authors.Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members. Then, a chance encounter with a self-proclaimed god sets the confused and distraught young man on a new course. Destiny will bring him together with Akashi, the blunt but charming sophomore he has a crush on—if he’s brave enough to make a move. Yet our protagonist cannot get beyond his profound disillusionment and the moment is lost. But what if there's a universe where he did join the club of his dreams, ditched Ozu for good, and was confident enough to get the girl? A realm of possibility opens up for our protagonist in this work of magical realism as time rewinds, and from the four-and-a-half-mat tatami floor of his dorm room, he is plunged into a series of adventures that will take him to four parallel universes. In each universe, he is given the opportunity to start over as a freshman, in search of a rose-colored campus life.The inspiration behind the much-loved anime series, Tomihiko Morimi's contemporary classic is a fantastic journey through time and space, where a half-eaten castella cake, a photograph from Rome, and a giant cavity in a wisdom tooth hold the keys to a unique coming of age and self-discovery. A time-traveling romp that speaks to everyone who has wondered what if, The Tatami Galaxy is a standout of modern Japanese literature and philosophical fiction that will win readers’ hearts over . . . and over . . . and over again.

In the boiling heat of summer, a broken remote control for an air conditioner threatens life as we know it in this reality-bending, time-slipping Japanese science fiction sequel to The Tatami Galaxy.During a scorching August in Kyoto, our protagonist and his worst friend, Ozu, are locked in a glaring contest in a four-and-a-half-tatami-mat room. Ozu has spilled Coke on the air conditioner’s remote control—the only AC in Shimogamo Yusuisuiso, their famously shabby sweatbox of an apartment building. Vengeful and despairing, our protagonist discusses countermeasures with his secret crush, the reliably blunt Akashi, when Tamura, a strange young man with a bad haircut, appears.Tamura claims to be a time traveler from 25 years in the future, and shows off the time machine he uses to travel. Our protagonist has a brilliant idea: the sweetest revenge would be to go back one day in time and retrieve the functioning remote control. His simple fix is complicated by Ozu and several others who are also eager to take a ride back in time. But in attempting to alter the past, our protagonist foresees the world's extinction. Even more troublingly, Akashi mentions she’s bringing someone to the upcoming bonfire . . . and it's not him. Only one thing remains certain: it's going to be a very long month.Obliteration? Salvation? Coca-Cola? Castella cake? What does the time machine hold for our (not quite) heroes? It all depends on which one gets there first.Translated from the Japanese by Emily BalistrieriQuirky College Comedy: Meet a group of Kyoto university students whose lazy summer is thrown into chaos by a spilled Coke, a broken AC remote, and the sudden appearance of a strange young man claiming to be from 25 years in the future.Low-Stakes Time Travel: When the mysterious visitor reveals his functioning time machine, the protagonist hatches a brilliant plan: travel back one day in time to retrieve the remote before the fateful accident. What could possibly go wrong?Slice of Life Sci-Fi: This story blends the mundane anxieties of a sweltering summer in a shabby apartment building with reality-bending adventures, as friends and rivals complicate the simple mission with their own temporal joyrides.A Sequel to The Tatami Galaxy: Fans of the original will delight in this return to a beloved world, where a simple twist of fate threatens to unravel the universe, and a secret crush’s social plans cause just as much panic as a potential time paradox.

Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion.Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.

In the Japanese language the word ‘ie’ denotes both the materiality of homes and family relations within. The traditional family and family house - often portrayed in ideal terms as key foundations of Japanese culture and society - have been subject to significant changes in recent years. This book comprehensively addresses various aspects of family life and dwelling spaces, exploring how homes, household patterns and kin relations are reacting to contemporary social, economic and urban transformations, and the degree to which traditional patterns of both houses and households are changing. The book contextualises the shift from the hegemonic post-war image of standard family life, to the nuclear family and to a situation now where Japanese homes are more likely to include unmarried singles; childless couples; divorcees; unmarried adult children and elderly relatives either living alone or in nursing homes. It discusses how these new patterns are both reinforcing and challenging typical understandings of Japanese family life.

In the Japanese language the word ‘ie’ denotes both the materiality of homes and family relations within. The traditional family and family house - often portrayed in ideal terms as key foundations of Japanese culture and society - have been subject to significant changes in recent years. This book comprehensively addresses various aspects of family life and dwelling spaces, exploring how homes, household patterns and kin relations are reacting to contemporary social, economic and urban transformations, and the degree to which traditional patterns of both houses and households are changing. The book contextualises the shift from the hegemonic post-war image of standard family life, to the nuclear family and to a situation now where Japanese homes are more likely to include unmarried singles; childless couples; divorcees; unmarried adult children and elderly relatives either living alone or in nursing homes. It discusses how these new patterns are both reinforcing and challenging typical understandings of Japanese family life.

Radical changes in the design of housing in post-war Japan had numerous effects on the Japanese people. Public policy toward housing provision and the effects of escalating land prices in Tokyo and a few other very large cities in the country from the mid- to late 1970s onward are examined, but it is dwellings themselves and the slow but steady shift from a floor-sitting to a chair-sitting housing culture in urban and suburban parts of the country that figure most prominently in the discussion.Central to the book is the author's translation of an account written by Kyoko Sasaki, an observant wife and mother, about the housing she and her growing family experienced during the 1960s, and subsequent chapters explore some of the issues that flow from her account. Chief among these are the small size and generally poor quality of the private-sector housing that Japanese of fairly ordinary means could afford to occupy in the early postwar years, the new design initiatives undertaken at about that time by public-sector housing providers and the diffusion of at least some of their initiatives to the housing sector as a whole, and the adjustments that the occupants of housing had to, or chose to, make as the dwellings available to them as renters or as owners changed in character. Attention is also paid to the structural requirements of dwellings and attitudes toward dwellings of diverse types in a country prone to earthquakes.

Welcome to a little corner of colouring joy with CutieColouring: Japan Cuties!Discover the perfect way to relax withthe very best of Japan, Cutie-style! Celebratethese adorable cuties, with colouring pages featuring simpleimages with clear outlines to fill with your favourite colours.  The perfect gift for friends and family… or yourself!Adorable and simple Japanese themes for calm andcute colouring funA gentle and peaceful way to passthe timeIllustrated on one side to help prevent bleed-through (don’tforget to use a protective paper sheet if using markers!)A soothing treat for colouring fans ofall ages. Get cosy with more than 45 adorable, bold and simple picturesto colour and complete.

First Published in 2005. Written by the author of glimpses of China and Chinese homes, this volume details the various indoor and outdoor features of traditional Japanese homes. Fully illustrated by the author, morse describes all aspects of Japanese domestic architecture, from the tiles used on the roofs, to the mats used on the floors; from the layouts of the rooms, to the housewares used to fill them. Then, he moves outside to delight the reader with the splendour of the flowers, trees and water features of the Japanese garden. Finishing with a chapter describing the differences and similarities between Japanese homes and those of the Ainu, Koreans and Chinese, this is one of the most comprehensive books written on the subject and is a must for lovers of all things Japanese.

Open Architecture for the People explores Japanese architecture and the three different phases of development between the years 1950 and 2018. Changing ways of life through differing generations have caused fluctuations in the building industry. This book demonstrates how each generation's expectations have resulted in discernible eras in architecture which can be examined collectively as well as in isolation. For example, the sudden increase in productivity from 1950 brought about by the Industrial Revolution flowed to the production of buildings and homes and designs were influenced by modern ideas.With over thirty black and white images to illustrate the changes, Matsumura brings to light architectural developments that have previously been confined to Japanese speaking academics. In doing so, the book broadens the scope for further architectural examinations internationally. It would be ideal for academics, students and professionals within the areas of architecture and urban planning, particularly those with an interest in Japanese architecture.

This book provides a comprehensive introduction to chado, the Japanese tea ceremony. Unlike other books on the subject, which focus on practice or historical background or specific issues, this book considers the subject from multiple perspectives. It discusses Japanese aesthetics and philosophy, outlines how the tea ceremony has developed, emphasizing its strong links to Zen Buddhism and the impact of other religion influences, and examines how chado reflects traditional gender and social status roles in Japan. It goes on to set out fully the practice of chado, exploring dress, utensils, location – the garden and the tea house – and the tea itself and accompanying sweets. Throughout, the book is illustrated both with images and with examples of practice. The book will be of interest to a wide range of people interested in chado – university professors and students, tourists and people interested in traditional Japanese arts.

This book provides a comprehensive introduction to chado, the Japanese tea ceremony. Unlike other books on the subject, which focus on practice or historical background or specific issues, this book considers the subject from multiple perspectives. It discusses Japanese aesthetics and philosophy, outlines how the tea ceremony has developed, emphasizing its strong links to Zen Buddhism and the impact of other religion influences, and examines how chado reflects traditional gender and social status roles in Japan. It goes on to set out fully the practice of chado, exploring dress, utensils, location – the garden and the tea house – and the tea itself and accompanying sweets. Throughout, the book is illustrated both with images and with examples of practice. The book will be of interest to a wide range of people interested in chado – university professors and students, tourists and people interested in traditional Japanese arts.

This latest collection of puzzles from the internationally acclaimed puzzlemaster Nob Yoshigahara covers a wide variety of puzzles from physical to visual, conceptual to mathematical. Solutions are provided in a separate section, which will help novices get on the right track, and will give seasoned aficionados a chance to check their work.

First Published in 2005. Written by the author of glimpses of China and Chinese homes, this volume details the various indoor and outdoor features of traditional Japanese homes. Fully illustrated by the author, morse describes all aspects of Japanese domestic architecture, from the tiles used on the roofs, to the mats used on the floors; from the layouts of the rooms, to the housewares used to fill them. Then, he moves outside to delight the reader with the splendour of the flowers, trees and water features of the Japanese garden. Finishing with a chapter describing the differences and similarities between Japanese homes and those of the Ainu, Koreans and Chinese, this is one of the most comprehensive books written on the subject and is a must for lovers of all things Japanese.

This latest collection of puzzles from the internationally acclaimed puzzlemaster Nob Yoshigahara covers a wide variety of puzzles from physical to visual, conceptual to mathematical. Solutions are provided in a separate section, which will help novices get on the right track, and will give seasoned aficionados a chance to check their work.

This volume focuses on recent scientific and technological developments in silicon-based (i.e., silicon nitride, SiAlONs, silicon carbide, silicon oxynitride) structural ceramics. Authors from academia and industry assess the current state of the art in slilicon-based structual ceramics. Industrial case studies are advocated to highlight the development and application of these materials in real engineering environments. Proceedings of the symposium held at the 104th Annual Meeting of The American Ceramic Society, April 28-May1, 2002 in Missouri; Ceramic Transactions, Volume 142.

Although so much of the life we care about takes place at home, this private space often remains behind closed doors and is notoriously difficult for researchers to infiltrate. We may think it is just up to us to decorate, transform and construct our homes, but in this book we discover a new form of ‘estate agency', the active participation of the home and its material culture in the construction of our lives. What do the possessions people choose to take with them when moving say about who they are, and should we emphasize the mobility of a move or the stability of what movers take with them? How is the home an active partner in developing relationships? Why are our homes sometimes haunted by 'ghosts'?. This intriguing book is a rare behind-the-scenes exposé of the domestic sphere across a range of cultures. Examples come from working class housewives in Norway, a tribal society in Taiwan, a museum in London, tenants in Canada and students from Greece, to produce a genuinely comparative perspective based in every case on sustained fieldwork. So Japan, long thought to be a nation that idealizes uncluttered simplicity, is shown behind closed doors to harbour illicit pockets of disorganization, while the warmth inside Romanian apartments is used to expel the presence of the state. Representing a vital development in the study of material culture, this book clearly shows that we may think we possess our homes, but our homes are more likely to possess us.

Although so much of the life we care about takes place at home, this private space often remains behind closed doors and is notoriously difficult for researchers to infiltrate. We may think it is just up to us to decorate, transform and construct our homes, but in this book we discover a new form of ‘estate agency', the active participation of the home and its material culture in the construction of our lives. What do the possessions people choose to take with them when moving say about who they are, and should we emphasize the mobility of a move or the stability of what movers take with them? How is the home an active partner in developing relationships? Why are our homes sometimes haunted by 'ghosts'?. This intriguing book is a rare behind-the-scenes exposé of the domestic sphere across a range of cultures. Examples come from working class housewives in Norway, a tribal society in Taiwan, a museum in London, tenants in Canada and students from Greece, to produce a genuinely comparative perspective based in every case on sustained fieldwork. So Japan, long thought to be a nation that idealizes uncluttered simplicity, is shown behind closed doors to harbour illicit pockets of disorganization, while the warmth inside Romanian apartments is used to expel the presence of the state. Representing a vital development in the study of material culture, this book clearly shows that we may think we possess our homes, but our homes are more likely to possess us.

“ It brings to life a word that has brought the people of Japan objectivity, authenticity and peace” —The Japan SocietyWhen visiting Japan, one of the first things that stand out is the calm and respectful way the Japanese behave. A weaver meditatively repeats the exact same movement a thousand times a day, while the tea master dedicates every serene gesture to the harmony of the room. Although in the West we might find it hard to explain this mindful way of moving, the Japanese have a word for it: shosa.In this book, journalist Ringo Gomez and photographer Rob Walbers portray 12 Japanese makers from different regions. From a bamboo weaver to a tatami mat maker, from a ceramist to a Zen monk. Ringo and Rob visited these makers in their workshops and made in-depth portraits in words and pictures. In this book, they report on their journey through Japan, hoping to uncover the complex meaning of shosa through the hands of Japanese makers.