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The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences and on a wide range of literature and art to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis.An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to offer insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul.

Equal parts memoir, adventure tale, and call to action, Sea Change: A Message of the Oceans has become a classic of environmental literature, at once the gripping adventure story of Earle’s three decades of undersea exploration, an insider’s introduction to the dynamic field of marine biology, and an urgent plea for the preservation of the world’s deteriorating ocean ecosystems. Featuring a gallery of color photographs and a new preface by Earle, this edition of Sea Change arrives at a uniquely pivotal time when its message is needed more than ever before.

The sectional conflict between North and South was different in Indian Territory (now the state of Oklahoma). There, the Civil War was only a veneer over the competition among the United States, the Confederacy, and sovereign Indian Nations known as the Five Civilized Tribes whose citizens, in turn, had multiple motives that drove divided loyalties.Historians have long recognized the Battle of Honey Springs on July 17, 1863, for its unusual makeup of Black, Indian, and White combatants and as the most significant battle of the Civil War in Indian Territory. Honey Springs, Oklahoma: Historical Archaeology of a Civil War Battlefield is the first book to focus solely on this event. It is unique in that its discourse and conclusions flow from the convergence of three lines of evidence: written history (memory), scientific archaeological findings, and military terrain analysis of the landscape. This triangulation of sources offers a place for long overlooked perspectives and returns an otherwise missing voice to Native American and Black participants.One of the synthesizing questions addressed by author William B. Lees is how to explain rebel loss. Given the participants’ cultural diversity, the question has many answers; victory and defeat are, after all, in the eye of the beholder. Honey Springs, Oklahoma makes clear the location of skirmishing, the lopsided attack of Union troops on the right of the Confederate line, and precise locations of fighting during the rebel retreat. This analysis is the fulcrum in the re-envisioning of the agency of Native American participants. This groundbreaking study will provide new insights for students and scholars of historical archaeology, and military historians and general readers with an interest in the Civil War and its archaeological record will also benefit from Lees’s research into this important but heretofore little-studied engagement.

Drawn from personal recollections, historical records, and biographical research, Capitan Chiquito: A Personal History of an Apache Chief, 1821–1919 relates the little-known life and career of a leader of the Aravaipa band of Apaches during the late nineteenth and early twentieth centuries. During his nearly 100 years of life, Chief Capitan Chiquito spent time in prison with Geronimo; defended his home territory in Aravaipa Canyon from the depredations of Anglo-Americans, Mexicans, and rival Native American tribes; suffered the brutal massacre and abduction of many of his people; and ultimately won from the federal government the right to live on and cultivate his canyon homestead. He died in 1919 at the age of 98 from complications of influenza while caring for ill members of his clan.In the opening pages, author John Paul Hartman reminisces about some of the people he has loved—and lost—during his time on the San Carlos Reservation in southeastern Arizona. His wife, Velma Bullis, great-granddaughter of Chief Capitan Chiquito; her father, Lonnie, the chief’s grandson; and many others have preceded him through “the Western portal,” departing this life. “There is nothing for me here in San Carlos now,” he writes. “It is time for me to leave . . . But before they will let me go, I have a story to tell.” As Hartman ends this work, he explains that he undertook the research and writing about his wife’s ancestor as a means of closure for his two decades of life on the San Carlos Reservation. With the care of a historian and the dedication of an enthusiast, he has followed the trail of this notable leader, affording readers a unique view of a previously little-known yet intensely revealing historical narrative.

Winner, 2016 the Belmont Book Award, Sponsored by the International Country Music ConferenceFor more than forty years, Guy Clark wrote and recorded unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. In Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One’s for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting  emotions that make up the life of this modern-day poet and troubadour.

Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center.Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted.That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.

In the whirlwind of revolutions in the Americas, the Texas Revolution stands at the confluence of northern and southern revolts. On the battlefield and in the political aftermath, settlers from the United States struggled with those who brought revolutionary ideas from Latin America and arms from Mexico. In the midst of the conflict stood the Tejanos who had made Texas home for generations. This masterpiece of narrative and analysis, first published in hardback in 2004, brings the latest scholarship to bear on the oldest questions. Well-known characters such as Sam Houston, Stephen F. Austin, and General Santa Anna - and the cultures they represented - are etched in sharp and very human relief as they carve out the republic whose Lone Star rose in 1836 and changed the course of a continent.

Much has happened with Delbert McClinton since the first edition of Delbert McClinton: One Of The Fortunate Few was released in 2017.  That year, Rolling Stone called him 'The Godfather of Americana Music,' and in 2019, he received the Americana Music Association Lifetime Achievement Award. He received a Grammy® in 2020 for Best Traditional Blues Album.  This new in paper edition includes a new foreword, two new chapters, and several updates.

Sea turtle populations around the world are endangered, and in recent years tourism has been a critical element in worldwide efforts to save them. More travelers seek meaningful experiences that bring them close to nature and wildlife, and opportunities to interact with and help sea turtles now exist at locations around the globe, from remote beaches to urban labs.In A Worldwide Travel Guide to Sea Turtles, a scientist, a conservationist, and a journalist have come together to provide a guide to the places where people can view sea turtles and participate in authentic conservation projects. Covering five continents and including the South Pacific and Caribbean, the authors direct readers to the parks, reserves, and research sites where they can responsibly observe turtles in the wild, especially nesting beaches where people can see female sea turtles lay eggs and hatchlings make their harrowing journey from nest to sea. Options for on-site lodging and other amenities are included, if available, as well as details of other nearby attractions that travelers may wish to include in their itineraries.

Journalist Sam Kindrick was “present at the creation” of Outlaw Country and, perhaps, as intimately involved as the artists themselves. The longtime newspaper reporter and columnist is probably best known as the founder of Action Magazine in 1975, the principal vehicle for his wild and wooly chronicles of the music movement spawned by Willie Nelson, Jerry Jeff Walker, Kris Kristofferson, David Allan Coe, and others. Born into a religious household in Junction, Texas, Kindrick matriculated at (then) Southwest Texas State College in San Marcos and began his journalistic career at the Bay City News, Kerrville Times, and San Angelo Standard-Times before being hired by the San Antonio Express-News in 1960, where he remained until 1975. Forging close ties with Nelson and other progenitors of the “outlaw” sound, Kindrick adopted their “redneck rock” attitude and lifestyle, which may partly explain why he was forced, for a period of time, to operate Action Magazine from the confines of Bexar County Jail. In this no-holds-barred recounting of a colorful and eventful life, Sam Kindrick takes readers inside the world of the artists who were reshaping country-western music. He also shines an unflinching light on the hard-living ways that led to some of his darker moments. Outlaw Country Reporter: Misfits, Madams, and Hangin’ with Willie offers an unvarnished and supremely entertaining account of the early days of a vital moment in American music.

The realm of ranching history has long been dominated by men, from tales—tall or true—of cowboys and cattlemen, to a century's worth of male writers and historians who have been the primary chroniclers of Texas history. As women's history has increasingly gained a foothold not only as a field worthy of study but as a bold and innovative way of understanding the past, new generations of scholars are rethinking the once-familiar settings of the past. In doing so, they reveal that women not only exercised agency in otherwise constrained environments but were also integral to the ranching heritage that so many Texans hold dear.Texas Women and Ranching: On the Range, at the Rodeo, and in Their Communities explores a variety of roles women played on the western ranch. The essays here cover a range of topics, from early Tejana businesswomen and Anglo philanthropists to rodeos and fence-cutting range wars. The names of some of the women featured may be familiar to those who know Texas ranching history—Alice East and Frances Kallison, for example. Others came from less well-known or wealthy families. In every case, they proved themselves to be resourceful women and unique individuals who survived by their own wits in cattle country.This book is a major contribution to several fields—Texas history, western history, and women's history—that are, at last, beginning to converge.

Bruce A. Glasrud and Deborah M. Liles have gathered over thirty years of scholarship—articles, book excerpts, and new, original essays—to offer for the first time an overview of the history of African Americans in Central Texas. From slavery and agriculture in the nineteenth century to entrepreneurship and the struggle for civil rights in the twentieth century, African Americans in Central Texas History: From Slavery to Civil Rights fills in the critical missing pieces of an often-overlooked region in the state's history.African Americans first entered Central Texas with Spanish explorers, but few remained. White slave holders later brought black residents—as slaves—to this region. With the end of the Civil War, slavery may have ended but the brutalities of racial prejudice persisted. During Reconstruction, new attempts to ensure civil and political rights were resisted through terror, racial violence, and systemic denial of justice.Well into the twentieth century, segregation persisted, but years of individual and mobilized protest finally led to significant reform. Organizations such as the NAACP provided vital support. Before efforts to disenfranchise the black vote became successful, some politicians even courted black voters to further their own political agendas.African Americans in Central Texas History is a rare source that sheds light on the African American experience in the heart of the state.

If the costs of the Vietnam War were great to Americans and staggering to the South Vietnamese, they were even worse for the North. And those costs were borne largely by the individual soldiers - the soldiers who won the war.Based on interviews, soldiers' diaries, letters, and government documents, this book, first published in 1992, gives a classic, soldier's-eye account of the war that our opponents fought and the men who fought it.

The writer of such influential songs as Pancho and Lefty, To Live’s to Fly, If I Needed You, and For the Sake of the Song, Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life. Indeed, Van Zandt has influenced millions worldwide in the years since his death, and his impact is growing rapidly. Respected singer/songwriter John Gorka speaks for many when he says, ""Pancho and Lefty changed—it unchained—my idea of what a song could be.” In this tightly woven, intelligently written book, Brian T. Atkinson interviews both well-known musicians and up-and-coming artists to reveal, in the performers’ own words, how their creative careers have been shaped by the life and work of Townes Van Zandt. Kris Kristofferson, Guy Clark, Billy Joe Shaver, Rodney Crowell, Lucinda Williams, and Lyle Lovett are just a few of the established musicians who share their impressions of the breathtakingly beautiful tunes and lyrics he created, along with their humorous, poignant, painful, and indelible memories of witnessing Van Zandt’s rise and fall. Atkinson balances the reminiscences of seasoned veterans with the observations of relative newcomers to the international music scene, such as Jim James (My Morning Jacket), Josh Ritter, and Scott Avett (the Avett Brothers), presenting a nuanced view of Van Zandt’s singular body of work, his reckless lifestyle, and his long-lasting influence. Forewords by “Cowboy” Jack Clement and longtime Van Zandt manager and friend Harold F. Eggers Jr. open the book, and each chapter begins with an introduction in which Atkinson provides context and background, linking each interviewee to Van Zandt’s legacy. Historians, students, and fans of all music from country and folk to rock and grunge will find new insights and recall familiar pleasures as they read I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.

Texas singer-songwriter Hayes Carll declared, "Ray would be at the top of the list if I were gonna read about somebody's life." In The Messenger: The Songwriting Legacy of Ray Wylie Hubbard, author, journalist, and music producer Brian T. Atkinson demonstrates why Carll and so many others hold Ray Wylie Hubbard in such high regard. Atkinson takes readers into and beyond the seedy bar in Red River, New Mexico, where the incident occurred that inspired Hubbard's most famous song, "Redneck Mother." Hubbard tells the stories, and Atkinson enlists other musicians to expound on the nature of his abiding influence as songwriter, musician, and unflinching teller of uncomfortable truths.Featuring interviews with well-known artists such as Eric Church, Steve Earle, Kinky Friedman, Chris Robinson, and Jerry Jeff Walker, and also mining the insights of up-and-comers such as Elizabeth Cook, Jaren Johnston, Ben Kweller, Aaron Lee Tasjan, and Paul Thorn, The Messenger makes clear why so many musicians across a wide spectrum admire Ray Wylie Hubbard. Readers will also learn why "Redneck Mother," the song that put Hubbard on the map for most listeners, is also a curse, of sorts, in its diminution of both his spiritual depth as a lyricist and his multidimensional musical reach. As Hubbard himself says, "The song probably should have never been written, let alone recorded, let alone recorded again.. . . the most important part of songwriting is right after you write a song, ask yourself, "Can I sing this for twenty-five years?'" Atkinson's work makes a convincing case that Ray Wylie Hubbard's truest and most lasting contributions will long outlive him. And, with a couple of good breaks, they may even outlive "Redneck Mother.

“Transcendence came with a price,” Brian T. Atkinson writes in his introduction to this collection of reflections by and about pioneer psychedelic rocker Roky Erickson (1947–2019). The singer and songwriter who fronted the 13th Floor Elevators burst onto the Texas music scene in 1966 with the release of “You’re Gonna Miss Me,” the band’s only charting single, which featured Erickson’s primal vocal stylings. The band attracted considerable regional attention, including interest from a young Janis Joplin, who considered joining the group before opting to go to San Francisco instead.Through his interviews with those who were there and presentation of Erickson’s own words, Atkinson chronicles how Erickson was haunted for most of his life by mental illness, likely compounded by his liberal usage of hallucinogenic and other drugs. Despite that, however, his influence on Texas musicians of various genres is vast. As Billy Gibbons of ZZ Top attests in his foreword, “He stands alone to this day and is revered as an artist because he had the gift of a wonderful voice.”As with his previous books on Townes Van Zandt, Ray Wylie Hubbard, and Mickey Newbury, Atkinson has recorded hours of interviews with veteran and upcoming musicians who were impacted by Roky Erickson. Along with the insights of long-time music journalists like Joe Nick Patoski and the bittersweet recollections of friends and family members like Mikel Erickson, brother of the singer, this work includes poetry and lyrics written by Erickson during his confinement at Rusk State Hospital in the late 1960s and early 1970s. The picture that emerges is that of a brilliant, troubled mind and an artist whose influence extended far beyond the period of his greatest notoriety, continuing even beyond his death.

Nanci Griffith (1953–2021) remains, despite her untimely death, a “living, breathing, ever-present entity and inspiration.” According to author Brian T. Atkinson, reflections on Griffith’s omnipresent influence often cause people to shift “from past tense to present tense in mid-sentence.” She remains one of the most well-loved of Texas’ singer-songwriters with hits still popular today, such as “Gulf Coast Highway,” “Trouble in the Fields,” and “Love at the Five and Dime.” Atkinson has interviewed a host of songwriters and other artists from across the spectrum: from Lyle Lovett, Steve Earle, and Robert Earl Keen to Counting Crows’ Adam Duritz, “American Pie” songwriter Don McLean, and the London Symphony Orchestra’s Tom Norris. Gathering the recollections of those who performed with, listened to, and were impacted by the artistry of Nanci Griffith, Atkinson balances these with his own comments and reflections on Griffith’s legacy—including the demons she wrestled with that ultimately overcame her. Love at the Five and Dime: The Songwriting Legacy of Nanci Griffith promises to be, as one reviewer has described it, “an indispensable source for anyone wanting to learn more about all things Nanci.” This book adds deep value to our understanding of the life and work of a vital Texas artist.

In the words of series editor Steven L. Davis, We Are Nature Defending Itself: An Anthology of Women on Bodies, Borders, and Place is “a revelation, a multicultural blend of well-known and emerging writers who come together to give nature a voice in our literature and our lives.” Not least of the many benefits to readers are its contributions from prominent Latina writers, presented here as advocates for the environment. Though this theme has long existed in Chicana literature, it has never been positioned as front and center as it is in this anthology.Volume editor Cordelia E. Barrera also includes notable Anglo, African American, and Indigenous contributors, crafting a true cultural blend of distinctive writing that will appeal to older generations while inspiring new ones. By incorporating these border voices, this collection effectively challenges long-dominant mythologies of the American West and offers a prominent place for literatures of social justice and the environment.The mix of poems, stories, and essays are divided into three sections: Bodies, Landscape, and Practices. Part I begins with the idea of experiencing and feeling a history of the body’s contact with landscapes and places as repositories of knowledge. Part II extends beyond particulars of private or public life to consider issues of place as sites and locations of radical action. Part III features ruminations and traditions of remembering, highlighting reciprocal relationships to the natural world that extend outward to the ways “women’s work” in and around the home shapes communal processes that reinforce continuity across time and space.We Are Nature Defending Itself adds important new work to the growing canon of nature and borderlands writing by women of color. In turn, these new voices deepen and broaden our understanding of humanity and its relationship to the natural environment.

The title of this debut collection, Nothing Follows, is reappropriated from a government document establishing the beginning of a refugee family’s time in the United States. At every coordinate of their lives, the refugee family provides affidavits, letters, and reams of paperwork as they work to beseech those in power to grant them “family reunification” visas for those they had to leave behind in 1975 after the fall of Saigon.Nothing Follows draws from the genres of memoir and poetry. Written from a young girl’s perspective, the center of this world is a military father, an absent mother, sisters who come and go, broken brothers, and friends she meets in San José. With each place the book travels through—from Butler, Pennsylvania, to San José, California—we see that racism, objectification, and sexual violence permeate the realities of the narrator and those close to her. In marking the journey, Lan Duong recreates the portraits of the girl’s friends and family and maps out refugee girlhoods. Spiked with violence, pleasure, and longing, these refuges are questionable sanctuaries for those refugee girls who have grown up during the 1980s in the aftermath of war.

This is a study of the administration and government of the West African kingdom of Asante between 1744 and 1873. Larry W. Yarak analyses the nature and development of the pre-colonial state, and traces the history and character of the Asante-Dutch relationship from the early eighteenth century until the Dutch departure from the Gold Coast in 1872. Dr Yarak has carried out extensive researches in hitherto neglected Dutch archives, and made a detailed examination of important Asante oral sources. His book broadens our knowledge of the complexities of Afro-European relations on the pre-colonial Gold Coast, and contributes to wider historiographical debates concerning our understanding of African institutions. Asante and the Dutch is a substantial and original contribution to the history of a powerful imperial African state in the period before the European `Scramble' for Africa.

Although less well known than its much-admired counterparts in Peru and Bolivia, highland Ecuadorian weaving is an Andean tradition that has relationships with these more southern areas. A world away from the industrialized textile manufacturing of Euro-American society, these handmade pieces reflect the history and artistry of an ancient culture. This comprehensive study, edited by Ann Pollard Rowe, is unrivaled in its detail and includes not only descriptions of the indigenous weaving and dyeing technology, but also an interpretation of its historical significance, as well as hundreds of photographs, drawings, and maps that inform the understanding of the process. The principal focus is on backstrap-loom weaving, a major pre-Hispanic technology. Ecuadorian backstrap looms, which differ in various ways from those found elsewhere in the Andes, have previously only been treated in general terms. Here, the basic operation of this style of loom is covered, as are a variety of patterning techniques including warp-resist (ikat) dyeing, weaving belts with twill, and supplementary- and complementary-warp patterning. Spanish colonial treadle-loom weaving is also covered. The weaving techniques are explained in detail, so the reader can replicate them if desired. Textiles have been an important art form among Andean peoples from remote prehistory up to the present. A greater understanding of their creation process can yield a more meaningful appreciation of the art itself.

The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact.Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.

Archaeologists are continually faced with a pervasive problem: How can cultures, and the interactions among cultures, be differentiated in the archaeological record? This issue is especially difficult in peripheral areas, such as El Salvador, Honduras, and southern Guatemala in the New World. Encompassing zones that are clearly Mayan in language and culture, especially during the Classic period, this area also includes zones that seem to be non-Mayan. The Southeast Maya Periphery examines both aspects of this territory. For the Maya, emphasis is on two sites: Quirigua, Guatemala, and Copan, Honduras. For the non-Maya zone, information is presented on a variety of sites and subregions-the Lower Motagua Valley in Guatemala; the Naco, Sula, and Comayagua valleys and the site of Playa de los Muertos in Honduras; and the Zapotitan Valley and the sites of Cihuatan and Santa Leticia in El Salvador. Spanning over two thousand years of prehistory, from the Middle Preclassic through the Classic and the poorly understood Postclassic, the essays in this volume address such topics as epigraphy and iconography, architecture, site planning, settlement patterns, and ceramics and include basic information on chronology. Copan and Quirigua are treated both individually and in comparative perspective. This significant study was the first to attempt to deal with the Periphery as a coherent unit. Unique in its comparative presentation of Copan and Quirigua and in the breadth of information on non-Maya sites in the area, The Southeast Maya Periphery consists largely of previously unpublished data. Offering a variety of approaches to both old and new problems, this volume attempts, among other things, to reassess the relationships between Copan and Quirigua and between Highland and Lowland ceramic traditions, to analyze ceramics by neutron activation, and to define the nature of the apparently non-Mayan cultures in the region. This book will be of major interest not only to Mayanists and Mesoamerican archaeologists but also to others interested in the processes of ethnic group boundary formation and maintenance.

The Maya of Santiago Chimaltenango have experienced increasingly rapid, even violent, integration into Guatemalan society in the last fifty years, yet they still distinguish themselves ethnically from Spanish-speaking Guatemalans and other Maya. Why this sense of ethnic identity persists-and also changes-over time is the focus of Maya Saints and Souls in a Changing World, a beautifully written ethnography of a Mam-speaking Maya town in the western highlands of Guatemala.John Watanabe uniquely explores how Chimaltecos themselves define their local distinctiveness. This approach uncovers significant continuities in lifeways and world view that might otherwise remain imperceptible to an outsider.Another important feature of the study is that it updates Charles Wagley's pioneering research in the community during the 1930s. Watanabe identifies both the external, historical factors that have prompted change in the community since Wagley's time and the people's responses to these changes.

Walter Prescott Webb became one of the best known interpreters of the American West following the publication of The Great Plains in 1931. That book remained one of the outstanding studies of the region for decades and attracted considerable attention over the years for its unusual emphasis on the impact of geographic factors on the process of settlement. Using manuscript sources, some of which had not previously been available, Gregory M. Tobin has traced the elements that went into the planning and writing of The Great Plains and that account for its distinctive approach to the writing of a regional history. Tobin emphasizes two aspects of Webb's life that molded the historian's outlook: his early family life and community connections in West Texas and his admiration for the ideas of scholar Lindley Miller Keasbey. Webb reacted strongly against the assumption that the only cultural values of any real worth emanated from the urban and sophisticated East; he was determined to write the history of his own people in a way that would reveal the scale of their anonymous contribution to American civilization. By reverting to Keasbey's stress on the relationship between natural environment and social institutions, Webb broadened his study to take in what he believed to be a distinct geographic environment. The result was The Great Plains, an assertion of individual and regional identity by a man with a personal stake in establishing the image of a distinctive Plains civilization. Although The Making of a History is not a full biography of Walter Prescott Webb, it is the first biographically oriented study of a man regarded as one of the twentieth century's major western historians. It places his development within the framework of his intellectual and social setting and, in a sense, subjects his career to the same type of scrutiny that he advocated as the basis of the study of evolving cultures.

In the first systematic account of aesthetics in relation to the natural environment, Emily Brady provides critical understanding of what aesthetic appreciation of nature involves and develops her own distinctive aesthetic theory. In particular, she develops a theory of aesthetic appreciation which integrates subjective and objective approaches. Among the topics discussed which bring together philosophical aesthetics and environmental philosophy are: *The nature of aesthetic experience*Aesthetic value*Theories of aesthetic appreciation of nature*Art and environment*Imagination, emotion and meaning in aesthetic appreciation of nature*The justification of aesthetic judgements of nature*The intersection between aesthetic and ethical value*The role of aesthetics in nature conservation and environmental policyIn providing a thorough account of the literature together with original critical insights this book will be of interest to undergraduates, postgraduates and academics in environmental philosophy and aesthetics as well as those in geography, landscape architecture, art theory and sociology.Features:*Offers a new approach to the subject*Provides a solid grounding in environmental aesthetics*Connects with ecological issues, conservation and environmental planning