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Life is never boring now that Jams and his family have a monkey to look after. Jams and his mum love Thimble, but Dad is determined to get rid of him - to a zoo, a school, even a demolition site. But when Jams and his dad are in mortal danger, Thimble proves once and for all why he is a Monkey Superstar! Thimble is very clever and very naughty - and just the best friend Jams has been waiting for. Illustrated by Martin Chatterton

Jams lives with his mum, dad and his best friend and biggest headache, Thimble, a hugely clever monkey who one of Dad's biggest fans. (Don't tell anyone what Thimble did with the superglue...) When Mum organises a house-swap holiday in France, Jams' one job is to remember the right house number. What can possibly go wrong, once Thimble and Dad find in the borrowed house a speedboat, a drill and a makeshift burglar outfit. But somehow Thimble always saves the day.

When Mum goes away for the week, Jams, Dad and Thimble the monkey are left with just thirty quid for the groceries. Dad makes a shopping list, but when Thimble gets hold of the supermarket trolley, everything goes bananas. Soon the intrepid trio are so desperate they will do anything for money ... anything!Will Dad end up selling his soul to make ends meet, or can Jams and his monkey pal save the day?Third in the Laugh Out Loud Book Awards shortlisted Thimble Monkey Superstar series from Jon Blake.

From the Middle Ages to the present, master draftsmen have used the technique of metalpoint to create some of the most beautiful and technically accomplished drawings in the history of art. Drawing in Silver and Gold examines the history of this evocative medium, in which a metal stylus is used on a specially prepared surface to create lines of astonishing delicacy. This beautifully illustrated book examines the practice of metalpoint over six centuries, in the work of artists ranging from Leonardo, Durer, and Rembrandt to Otto Dix and Jasper Johns. A team of authors--curators, conservators, scientists--address variations in technique across time and between different schools, incorporating new scientific analysis, revealing patterns of use, and providing a rare demonstration of the medium's range and versatility. They reappraise famous metalpoints of the Renaissance and shed new light on infrequently studied periods, such as the seventeenth century and the Victorian silverpoint revival.A new examination of an exquisite but not thoroughly understood medium, Drawing in Silver and Gold offers fresh interpretations of a practice central to the history of drawing and will serve as the most authoritative reference on metalpoints for years to come. Exhibition schedule: * National Gallery of Art - http://www.nga.gov/content/ngaweb/exhibitions/2015/leonardo-to-jasper-johns.html, May 3-July 26, 2015* The British Museum, September 10-December 6, 2015

A collection of political tales—first published in British workers’ magazines—selected and introduced by acclaimed critic and author Michael RosenIn the late nineteenth and early twentieth centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals, such as the Clarion, Labour Leader, and Social Democrat. Based on familiar genres—the fairy tale, fable, allegory, parable, and moral tale—and penned by a range of lesser-known and celebrated authors, including Schalom Asch, Charles Allen Clarke, Frederick James Gould, and William Morris, these stories were meant to entertain readers of all ages—and some challenged the conventional values promoted in children’s literature for the middle class. In Workers’ Tales, acclaimed critic and author Michael Rosen brings together more than forty of the best and most enduring examples of these stories in one beautiful volume.Throughout, the tales in this collection exemplify themes and ideas related to work and the class system, sometimes in wish-fulfilling ways. In “Tom Hickathrift,” a little, poor person gets the better of a gigantic, wealthy one. In “The Man Without a Heart,” a man learns about the value of basic labor after testing out more privileged lives. And in “The Political Economist and the Flowers,” two contrasting gardeners highlight the cold heart of Darwinian competition. Rosen’s informative introduction describes how such tales advocated for contemporary progressive causes and countered the dominant celebration of Britain’s imperial values. The book includes archival illustrations, biographical notes about the writers, and details about the periodicals where the tales first appeared.Provocative and enlightening, Workers’ Tales presents voices of resistance that are more relevant than ever before.

Describing this collection of his poems, John Allman writes, "It is a book about the inner and outer worlds, a collection of multiple voices and relationships. In one sense it is about suffering, family, and survival. However, it is also about a world beyond such things, where identity burns by itself, where the self-changes but never dies. The book says that only change happens, but that survival without will and compassion is meaningless. The title, taken from a line in one of the book's ritual lyrics, suggests the four dimensions of human consciousness and effort, and the book strives to name or embody as many landscapes as possible--though it is the 'vertical' one given to religion and death that remains an abiding puzzle." Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Describing this collection of his poems, John Allman writes, "It is a book about the inner and outer worlds, a collection of multiple voices and relationships. In one sense it is about suffering, family, and survival. However, it is also about a world beyond such things, where identity burns by itself, where the self-changes but never dies. The book says that only change happens, but that survival without will and compassion is meaningless. The title, taken from a line in one of the book's ritual lyrics, suggests the four dimensions of human consciousness and effort, and the book strives to name or embody as many landscapes as possible--though it is the 'vertical' one given to religion and death that remains an abiding puzzle." Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.