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In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of fourteen-year-old Gladys Johnson to twenty-one-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage. A nasty divorce ensued, and Gladys moved with her girls to her father’s luxurious ranch house, where she soon fell in love with famed Texas Ranger Frank Hamer. When Ed tried to take his daughters for a prearranged Christmas visit in 1916, Gladys and her brother Sid shot him dead on the Snyder square teeming with shoppers.One of the best lawyers in West Texas, Judge Cullen Higgins (son of the old feudist Pink Higgins) managed to win acquittal for both Gladys and Sid. In the tradition of Texas feudists since the 1840s, the Sims family sought revenge. Sims’ son-in-law, Gee McMeans, led an attack in Sweetwater and shot Billy Johnson’s bodyguard, Frank Hamer, twice, while Gladys—by now Mrs. Hamer—fired at another assassin. Hamer shot back, killed McMeans, and was no-billed on the spot by a grand jury watching the shootout through a window. An attempt against Billy Johnson failed, but a three-man team shotgunned the widely respected Cullen Higgins. Texas Rangers and other lawmen caught one of the assassins, extracted a confession, and then prompted his “suicide” in a Sweetwater jail cell.

Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949–1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, “If I Could Only Fly.” It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly,” Merle Haggard called it “the best country song I've heard in fifteen years.”In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.

In Command Culture, Jörg Muth examines how the United States Army and the German Armed Forces selected, educated, and promoted their officers in the crucial time before World War II. German officers came from a closed authoritarian society but received an extremely open minded military education, whereas American officers came from one of the most democratic societies but received an outdated military education that harnessed their minds and limited their initiative. Command Culture clearly explains the lack of audacity of many high ranking American officers during World War II. Those American officers who became outstanding leaders in World War II did so not so much because of their military education, but despite it.

In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett’s revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns’s book, The Saga of Billy the Kid. James B. Mills has left no stone unturned in his twenty-year quest to tell the complete story of Billy the Kid. He explores the Kid’s disputable origins, his family’s migration from New York into the Southwest, and how he became an orphan, as well as his involvement in the Lincoln County War, his outlaw exploits, and his dealings with Governor Lew Wallace. Mills illuminates the Kid’s relationships with his enemies, lovers, and numerous friends to contextualize the man’s character beyond his death and legacy. Most importantly, Mills is the first historian to fully detail the Kid’s relations with New Mexicans of Spanish descent.So, the question remains, who really was the person the world knows as Billy the Kid? Was he more than a young reprobate committed to a life of crime, who relished becoming the famous outlaw and cold-blooded, self-absorbed “sociopath” or “thug” that some still prefer him—need him—to be? Or was he in fact the generally good-hearted, generous, courteous, young vigilante that so many remembered with considerable fondness, who ultimately preferred the company of the more peaceable Hispanic population than his own Anglo people? In this groundbreaking biography, Mills takes the reader closer to the flesh-and-blood human being named Henry McCarty, alias William H. Bonney, than ever before.

This is the first serious biography of a man widely considered one of Texas’—and America’s—greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour. A Deeper Blue traces Van Zandt’s background as the scion of a prominent Texas family; his troubled early years and his transformation from promising pre-law student to wandering folk singer; his life on the road and the demons that pursued and were pursued by him; the women who loved and inspired him; and the brilliance and enduring beauty of his songs, which are explored in depth.The author draws on eight years’ extensive research and interviews with Townes’ family and closest friends and colleagues. He looks beyond the legend and paints a colorful portrait of a complex man who embraced the darkness of demons and myth as well as the light of deep compassion and humanity, all “for the sake of the song.”

The legend of Billy the Kid and the Lincoln County War remains prominent in the annals of American frontier history, but for men like JosÉ ChÁvez y ChÁvez, Juan PatrÓn, MartÍn ChÁvez, and Yginio Salazar, it was merely one famous epoch in a much broader struggle. The Hispanos of frontier New Mexico spent decades engaging in various forms of resistance against the corruption, exploitation, and violent oppression that frequently plagued their homeland following the conclusion of the Mexican-American War in 1848. James B. Mills, author of the award-winning Billy the Kid: El Bandido SimpÁtico, provides readers with a wealth of new information in his quest to tell the Hispano side of things in a history largely centered around the lives of lawman-turned-outlaw JosÉ ChÁvez y ChÁvez, intellectual prodigy Juan PatrÓn, conservative journeyman MartÍn ChÁvez, and resilient vaquero Yginio Salazar. A study that extends far beyond the Lincoln County War and into the twentieth century, In the Days of Billy the Kid also explores the Horrell War, the arrival of the railroads, the rise of the Herrera brothers and Los Gorras Blancas (The White Caps), the people’s movement in San Miguel County, and the infamous Vicente Silva and his Sociedad de Bandidos (Society of Bandits). Mills also casts some light on lesser-known bandidos like the dangerous Nicolas AragÓn, the repentant GermÁn Maestas, and perennial jailbird Porfirio Trujillo. Providing readers with fresh perspective, a wagonload of untapped history, and more than a hundred photographs, In the Days of Billy the Kid is an unprecedented study of Nuevo MÉxico in frontier times and the early twentieth century that belongs on the bookshelf of any American West aficionado.