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The poems in Paul Hlava Ceballos’s debut collection banana [ ] reveal the extractive relationship the United States has with the Americas and its people through poetic portraits of migrants, family, and personal memories. At the heart of the book is a long poem that traces the history of bananas in Latin America using only found text from sources such as history books, declassified CIA documents, and commercials. The book includes collage, Ecuadorian decimas, a sonnet series in the voices of Incan royalty at the moment of colonization, and a long poem interspersed with photos and the author’s mother’s bilingual idioms. Traversing language and borders, history and story, traditional and invented forms, this book guides us beyond survival to love.

Process Philosophy surveys the basic issues and controversies surrounding the philosophical approach known as "process philosophy." Process philosophy views temporality, activity, and change as the cardinal factors for our understanding of the real—process has priority over product, both ontologically and epistemically. Rescher examines the movement’s historical origins, reflecting a major line of thought in the work of such philosophers as Heracleitus, Leibniz, Bergson, Peirce, William James, and especially A. N. Whitehead. Reacting against the tendency to associate process philosophy too closely with this last-named thinker, Rescher writes, “Indeed, one cardinal task for the partisans of process at this particular juncture of philosophical history is to prevent the idea of 'process philosophy' from being marginalized through a limitation of its bearing to the work and influence of any one single individual or group.” This book will appeal to both students and professors of philosophy. Those teachers who have not been trained in process philosophy will welcome this new text by one one of North America’s foremost philosophers as a perspicuous and informative introduction.

From the beginning of the space age, scientists and engineers have worked on systems to help humans survive for the astounding 28,500 days (78 years) needed to reach another planet. They’ve imagined and tried to create a little piece of Earth in a bubble travelling through space, inside of which people could live for decades, centuries, or even millennia. Far Beyond the Moon tells the dramatic story of engineering efforts by astronauts and scientists to create artificial habitats for humans in orbiting space stations, as well as on journeys to Mars and beyond. Along the way, David P. D. Munns and Kärin Nickelsen explore the often unglamorous but very real problem posed by long-term life support: How can we recycle biological wastes to create air, water, and even food in meticulously controlled artificial environments? Together, they draw attention to the unsung participants of the space program—the sanitary engineers, nutritionists, plant physiologists, bacteriologists, and algologists who created and tested artificial environments for space based on chemical technologies of life support—as well as the bioregenerative algae systems developed to reuse waste, water, and nutrients, so that we might cope with a space journey of not just a few days, but months, or more likely, years.

Given the tensions and demands of medicine, highly successful physicians and surgeons rarely achieve equal success as prose writers. It is truly extraordinary that a major, international pioneer in the controversial field of transplant surgery should have written a spellbinding, and heart-wrenching, autobiography.Thomas Starzl grew up in LeMars, Iowa, the son of a newspaper publisher and a nurse. His father also wrote science fiction and was acquainted with the writer Ray Bradbury. Starzl left the family business to enter Northwestern University Medical School where he earned both and M.D. and a PhD. While he was a student, and later during his surgical internship at the Johns Hopkins Hospital, he began the series of animal experiments that led eventually to the world\u2019s first transplantation of the human liver in 1963.Throughout his career, first at the University of Colorado and then at the University of Pittsburgh, he has aroused both worldwide admiration and controversy. His technical innovations and medical genius have revolutionized the field, but Starzl has not hesitated to address the moral and ethical issues raised by transplantation. In this book he clearly states his position on many hotly debated issues including brain death, randomized trials for experimental drugs, the costs of transplant operations, and the system for selecting organ recipients from among scores of desperately ill patients.There are many heroes in the story of transplantation, and many \u201cpuzzle people,\u201d the patients who, as one journalist suggested, might one day be made entirely of various transplanted parts. They are old and young, obscure and world famous. Some have been taken into the hearts of America, like Stormie Jones, the brave and beautiful child from Texas. Every patient who receives someone else\u2019s organ - and Starzl remembers each one - is a puzzle. \u201cIt was not just the acquisition of a new part,\u201d he writes. \u201cThe rest of the body had to change in many ways before the gift could be accepted. It was necessary for the mind to see the world in a different way.\u201d The surgeons and physicians who pioneered transplantation were also changed: they too became puzzle people. \u201cSome were corroded or destroyed by the experience, some were sublimated, and none remained the same.\u201d

The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.

Prime minister of Sweden and leader of the Social Democratic party from 1946-1969, Tage Erlander enjoyed a career that was remarkable both for its major accomplishments and longevity. Under his leadership, Sweden became an exemplary welfare state following World War II. Universal pensions, child support, health insurance, extended paid vacations, subsidized housing, and many other benefits made Sweden's standard of living the envy of the world. This definitive political biography is both the study of an individual style of leadership and the role of the prime minister in a parliamentary state. It shows Erlander as a complex and engaging intellectual fiercely loyal to his party, agitative yet dedicated to cooperation between parties.Olof Ruin analyzes Erlander's various roles as Riksdag caucus leader, cabinet organizer, party leader, promoter of domestic consensus, and foreign policy maker. Ruin is the first scholar to be given unrestricted access to Erlander's diaries.

Included in LitHub’s Most Anticipated Poetry of 2026Since the appearance of his first book in 1972, Larry Levis has been one of the most original and most highly praised of contemporary American poets. In Winter Stars, a book of love poems and elegies, Levis engages in a process of relentless self-interrogation about his life, about losses and acceptances. What emerges is not merely autobiography, but a biography of the reader, a representative life of our time.

A few days before his death in 1996, Larry Levis mentioned to his friend and former instructor Philip Levine that he had "an all-but-completed manuscript" of poems. Levine had years earlier recognized Levis as "the most gifted and determined young poet I have ever had the good fortune to have in one of my classes"; after Levis's death, Levine edited the poems Levis had left behind. What emerged is this haunting collection, Elegy.The poems were written in the six years following publication of his previous book, The Widening Spell of the Leaves, and continue and extend the jazz improvisations on themes that gave those poems their resonance. There are poems of sudden stops and threats from the wild: an opossum halts traffic and snaps at pedestrians in posh west Los Angeles; a migrant worker falls victim to the bites of two beautiful black widow spiders; horses starve during a Russian famine; a thief, sitting in the rigging of Columbus’s ship, contemplates his work in the New World. The collection culminates in the elegies written to a world in which culture fragments; in which the beasts of burden—the horses, the migrant workers—are worked toward death; a world in which "Love's an immigrant, it shows itself in its work. / It works for almost nothing"; a world in which "you were no longer permitted to know, / Or to decide for yourself, / Whether there was an angel inside you, or whether there wasn't."Elegy, as Levine says, was "written by one of our essential poets at the very height of his powers. His early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives."

Dance Improvisations is a book for teachers of dance and acting, choreographers, directors, and dance therapists. Systematically offering a complete range of ways to explore dance, it can be used as a syllabus or as a reference for groups of all ages and all levels of experience.The first chapter in Dance Improvisations introduces ways for a group to practice working together and for the dancers to gain an effective awareness of each other. These preliminaries are followed by a body of improvisational problems, organized into three main areas: Space, Time, and Movement Invention. Each area is presented as a series of topics. Each topic progresses from individual exploration to more formally structured group improvisations, with emphasis on learning to work as a group toward common structural goals.This book is the first in its field to go beyond the pursuit of physical inventiveness to nurture the development of structural intuition. Joyce Morgenroth has succeeded in presenting improvisation in a way that is rational and methodical as well as inventive and personal - in the conviction that improvisation at its best is comprised of both form and fancy.

In the 1950s, Soviet nuclear scientists and leaders imagined a stunning future when giant reactors would generate energy quickly and cheaply, nuclear engines would power cars, ships, and airplanes, and peaceful nuclear explosions would transform the landscape. Driven by the energy of the atom, the dream of communism would become a powerful reality. Thirty years later, that dream died in Chernobyl. What went wrong? Based on exhaustive archival research and interviews, Red Atom takes a behind-the-scenes look at the history of the Soviet Union's peaceful use of nuclear power. It explores both the projects and the technocratic and political elite who were dedicated to increasing state power through technology. And it describes the political, economic, and environmental fallout of Chernobyl.

In the steam-powered mechanical age of the eighteenth and nineteenth centuries, the work of late Georgian and early Victorian mathematicians came to depend on far more than the properties of number. British mathematicians came to rely on industrialized paper and pen manufacture, railways and mail, and the print industries of the book, disciplinary journal, magazine, and newspaper. Although not always physically present with one another, the characters central to this book—from George Green to William Rowan Hamilton—relied heavily on communication technologies as they developed their theories in consort with colleagues. The letters they exchanged, together with the equations, diagrams, tables, or pictures that filled their manuscripts and publications, were all tangible traces of abstract ideas that extended mathematicians into their social and material environment. Each chapter of this book explores a thing, or assembling of things, needed by mathematicians to do their work—whether a textbook, museum, journal, library, diagram, notebook, or letter—all characteristic of the mid-nineteenth-century British taskscape, but also representative of great change to a discipline brought about by an industrialized world in motion.

Ayn Rand controversially defended rational egoism, the idea that people should regard their own happiness as their highest goal. Given that numerous scholars in philosophy and psychology alike are examining the nature of human flourishing and an ethics of well-being, the time is ripe for a close examination of Rand's theory. Egoism Without Permission illuminates Rand's thinking about how to practice egoism by exploring some of its crucial psychological dimensions. Tara Smith examines the dynamics among four partially subconscious factors in an individual's well-being: a person's foundational motivation for being concerned with morality; their attitude toward their desires; their independence; and their self-esteem. A clearer grasp of each, Smith argues, sheds light on the others, and a better understanding of the set, in turn, enriches our understanding of self-interest and its sensible pursuit. Smith then traces the implications for a broader understanding of what a person's self-interest genuinely is, and, correspondingly, of what its pursuit through rational egoism involves. By highlighting these previously underexplored features of Rand's conceptions of self-interest and egoism, Smith betters our understanding of how vital these psychological levers are to a person's genuine flourishing.

The role of science in policymaking has gained unprecedented stature in the United States, raising questions about the place of science and scientific expertise in the democratic process. Some scientists have been given considerable epistemic authority in shaping policy on issues of great moral and cultural significance, and the politicizing of these issues has become highly contentious.Since World War II, most philosophers of science have purported the concept that science should be \u201cvalue-free.\u201d In Science, Policy and the Value-Free Ideal, Heather E. Douglas argues that such an ideal is neither adequate nor desirable for science. She contends that the moral responsibilities of scientists require the consideration of values even at the heart of science. She lobbies for a new ideal in which values serve an essential function throughout scientific inquiry, but where the role values play is constrained at key points, thus protecting the integrity and objectivity of science. In this vein, Douglas outlines a system for the application of values to guide scientists through points of uncertainty fraught with moral valence.Following a philosophical analysis of the historical background of science advising and the value-free ideal, Douglas defines how values should-and should not-function in science. She discusses the distinctive direct and indirect roles for values in reasoning, and outlines seven senses of objectivity, showing how each can be employed to determine the reliability of scientific claims. Douglas then uses these philosophical insights to clarify the distinction between junk science and sound science to be used in policymaking. In conclusion, she calls for greater openness on the values utilized in policymaking, and more public participation in the policymaking process, by suggesting various models for effective use of both the public and experts in key risk assessments.

A new volume in the University of Pittsburgh Press Intersections Series

The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

The development of nuclear technologies for war, medicine, and energy production dramatically increased the number of people exposed to artificial radioactivity and raised new stakes and questions about protecting them. This volume examines how the establishment of standards and protocols for radiation protection was not only a technical process, but also the byproduct of extensive and ongoing negotiations among scientists, states, international bodies, lawyers, economists, companies, unions, and activists. Over time, exposed individuals—whether Japanese survivors, accident or fallout victims, atomic veterans, or workers—have leveraged their own experiences of radiation exposure to challenge powerful institutions and their standards. Contributors explore radiation risk and protection policies across the globe, from Japan to Canada, the United Kingdom to North Africa, and Spain to Greece. They excavate the legal, scientific, diplomatic, and personal challenges posed by radiation protection. Chapters move from the individual and institutional to the global level, arguing that issues of radiation exposure, like so many other forms of risk, are never merely personal but deeply, often invisibly, political and diplomatic.

A new addition to the University of Pittsburgh Press's Science and Culture in the Nineteenth Century series.

Rebecca’s Lehmann’s The Sweating Sickness contains wide-ranging topics—the suicide of an abusive ex, parenting young children, fairytales, reproductive rights, domestic violence, ghost stories, ancient myth—all set to the backdrop of the COVID-19 pandemic. Both personal and political, these poems interrogate how we grieve, what it means to be a woman in post-Roe America, and how private and public ghosts can come back to haunt us. Surrealist, maximalist, formal, and with an ear to the underworld, The Sweating Sickness spins the reader into an eco-fabulist wonderland, where anything can happen, and does.

A new edition of this long unavailable classic reproduces photographic prints made from original negatives and features an extensive analytical introduction by the noted architectural historian Dell Upton.Before the 1936 publication of The Early Architecture of Western Pennsylvania, the architectual heritage of a region prominent in the history of early America had been almost totally neglected. Based on a four-year survey conducted by the Pittsburgh chapter of the American Istitute of Architects, Charles Morse Stotz's book provides the definitive description and analysis of structures ranging from log houses to colonial and Georgian structures to examples of the pre-Civil War Gothic revival. The volume defines the local architectural idiom as an expression of the frontier and early industrial societies that played such an important part in the history of nineteenth century America.This oversized volume of 416 black-and-white photographs, 81 measured drawings and an extensive text presents a splendid array of early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones. Time has proved this work to be the definitive record of an architectural heritage that was fast disappearing with the economic boom of World War II and the postwar years.The Early Architecture of Western Pennsylvania is also a work of precision, beauty, and integrity. The drawings ignore alterations made after 960 and shoe the buildings in their original condition, giving special attention to details such as window sashes, shutters, cornices, and roofs. The floor plan of each structure is included, and line drawings display the profiles of moldings and ornamentation. Signature stones and hardware convey the quality of the early craftsmen's work. In all cases, stone joining has been faithfully drawn, joint for joint, to record the charm of old wall patterns.This new edition makes a landmark book available to a new generation of readers - one especially aware of the importance of architectural preservation and guarding the history of the Western Pennsylvania region.

Initially commissioned to record the progress of Pittsburgh’s Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites—the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance—all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

This is the first thorough guide to the design and history of "Kentuck," a splendid mountain house in southwestern Pennsylvania designed in 1953-1954 by Frank Lloyd Wright. Inspired by Fallingwater, the famous house only seven miles away that Wright designed above the waterfalls of Bear Run, local businessman I. N. Hagan and his wife, Bernardine, commissioned the 86-year-old Wright to design this home. Kentuck, constructed on an isolated knoll, or knob, is now owned by Lord Palumbo of London and is open for public tours. This vivid account tells the story of how the house came to be, detailing the many complexities faced by the Hagans—from the delights and difficulties in dealing with Wright to the problems with topography and architectual plans. In fulfilling Wright's vision, the Hagans and their contractor managed to construct a building of great beauty, dignity, and serenity. More than fifty photographs, drawings, and diagrams accompany a detailed descriptive text to illustrate how the peculiarities of the plan, based on the equilateral triangle, resulted in a house that generates countless vistas, indoors and out, and spatial effects of great charm and intimacy. Frank Lloyd Wright's House on Kentuck Knob brings to life an unusual work of residential architecture. It is the perfect introduction to Kentuck, and for those who have visited there, a lovely reminder of this luminous but modest house.

While some students need more writing instruction than others, The Politics of Remediation reveals how that need also pertains to the institutions themselves. Mary Soliday argues that universities may need remedial English to alleviate their own crises in admissions standards, enrollment, mission, and curriculum, and English departments may use remedial programs to mediate their crises in enrollment, electives, and relationships to the liberal arts and professional schools.Following a brief history of remedial English and the political uses of remediation at CCNY before, during, and after the open admissions policy, Soliday questions the ways in which students' need for remedial writing instruction has become widely associated with the need to acculturate minorities to the university. In disentangling identity politics from remediation, she challenges a powerful assumption of post-structuralist work: that a politics of language use is equivalent to the politics of access to institutions.

Foreword by John B. Wilt, Colonel (Retired), U.S. Airforce ReserveToday, concerns over homeland security have led thousands of Americans to volunteer for various citizen emergency response groups, such as the Civil Air Patrol, U.S. Coast Guard Auxiliary, Community Emergency Response Teams, fire units, etc. In Citizens Defending America, Martin Greenberg focuses new attention on the subject of citizen volunteerism by chronicling the nature and purpose of volunteer police units—authorized organizations of a public or private nature that work at deterring crime and/or preventing terrorism for little or no monetary compensation—in America since 1620. A number of these historical groups responsible for maintaining the civil order of the day—slave patrols, frontier posses, vice suppression societies, the American Protective League, for example—now seem controversial when viewed through a contemporary lens. Greenberg uses the history of such groups to reflect upon the nation's past and to consider the possibilities for a safe and secure future. He also emphasizes the role of young people in the fields of security and safety, and stresses the need for more qualified, trained volunteers to help cope with man-made and natural disasters.

Few American cities reflect the challenges and promise of a twenty-first-century economy better than Pittsburgh and its surrounding region. Once a titan of the industrial age, Pittsburgh flourished from the benefits of its waterways, central location, and natural resources-bituminous coal to fire steel furnaces; salt and sand for glass making; gas, oil, and just enough ore to spark an early iron industry. Today, like many cities located in the manufacturing triangle that stretches from Boston to Duluth to St. Louis, Pittsburgh has made the transition to a service-based economy.Pittsburgh and the Appalachians presents a collection of eighteen essays that explore the advantages and disadvantages that Pittsburgh and its surrounding region face in the new global economy, from the perspectives of technology, natural resources, workforce, and geography. It offers an extensive examination of the processes and factors that have transformed much of industrial America during the past half-century, and shows how other cities can learn from the steps Pittsburgh has taken through redevelopment, green space acquisition, air and water quality improvement, cultural revival, and public-private partnerships to create a more livable, economically viable region for future populations.

Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.

Beginning in the fall of 1920, Aleksandr Antonov led an insurgency that became the largest armed peasant revolt against the Soviets during the civil war. Yet by the summer of 1921, the revolt had been crushed, and popular support for the movement had all but disappeared. Until now, details of this conflict have remained hidden. Erik Landis mines recently opened provincial and central Soviet archives and international collections to provide a depth of detail and historical analysis never before possible in this definitive account of the uprising. Landis examines both sides of the conflict, probing the testimonies of the insurgents, their opponents, and those caught in between. We witness firsthand the frustrations, failures, and internal conflicts of the Bolsheviks and the spirit of rebellion that drove the insurgents and helped drive a localized dispute into a well-organized mass rebellion that struck fear in the hearts of Communist leaders. This political and military threat was influential in bringing about Lenin's conciliatory New Economic Policy, which allowed farmers and villages to sustain themselves in a quasi-market economy. Bandits and Partisans presents a gripping tale of brutality, domination, and revolt, placing readers at the frontlines of the complex and rich history of the Russian civil war and the consolidation of the new Soviet state.

When Fat Boy, the first atomic bomb was detonated at Los Alamos, New Mexico in 1945, moral responsibility in science was forever thrust into the forefront of philosophical debate. The culmination of the famed Manhattan Project, which employed many of the world's best scientific minds, was a singular event that signaled a new age of science for power and profit and the monumental responsibility that these actions entailed.Today, the drive for technological advances in areas such as pharmaceuticals, biosciences, communications, and the defense industry channels the vast majority of scientific endeavor into applied research. In The Responsible Scientist, John Forge examines the challenges of social, moral, and legal responsibility faced by today's scientists. Focusing on moral responsibility, Forge argues that scientists have a responsibility not to do work that has harmful outcomes and that they are encouraged to do work that prevents harm. Scientists also have a backward-looking responsibility, whereby they must prevent wrongful outcomes and omissions that they are in a position to foresee.Forge presents a broad overview of many areas of scientific endeavor, citing the responsibility of corporations, employees, and groups of scientists as judged by the values of science and society's appraisals of actions and outcomes. He maintains that ultimate responsibility lies in the hands of the individual-the responsible scientist-who must exhibit the diligence and foresight to anticipate the use and abuse of his or her work.

Winner, 2008 Special Jury Award, Gourmand World Cookbook AwardsHailed as the most architecturally significant private residence in the United States, Fallingwater was a welcome retreat for Edgar J. Kaufmann, his wife, Liliane, their son, Edgar jr., and their many guests. The Fallingwater Cookbook captures the experience of fine and casual dining at this famed home. Suzanne Martinson, former food editor and writer for the Pittsburgh Press and the Pittsburgh Post-Gazette, relates recipes from Elsie Henderson, the longtime and last cook for the Kaufmann family at Fallingwater, along with Henderson's memories and anecdotes of life in the renowned house on the waterfall. Henderson also recounts with humor, affection, and vivid detail her encounters with Senators John Heinz and Ted Kennedy, Isaac Stern, and Frank Lloyd Wright, among others.The book is rounded out with additional recipes from Chef Robert Sendall, who began producing special events at Fallingwater in the early 1990s, Jane Citron, with whom Sendall taught cooking classes, and Mary Ann Moreau, former chef of the Cafe at Fallingwater. Artfully composed photographs of food, architecture, landscape, family, and guests complete the collection, which, like Fallingwater, will be treasured for years to come.

Based on the journal writings of Art Rooney Jr., with input from other family members, colleagues, and friends, The Chief is a one-man play that faithfully reenacts the larger-than-life persona of Pittsburgh icon Art Rooney, owner of one of the most successful football franchises of all time. Playwrights Gene Collier and Rob Zellers recreate the words, deeds, and essence of this paragon of Pittsburgh sports as he reminisces, in his gruff but affable style, about his tough upbringing on Pittsburgh's North Side and the family, friends, politicians, and outlandish adventures that shaped his life. He also recounts the colorful history of the Pittsburgh Steelers, from the foibles and frustrations of the early days to the great Super Bowl runs of the 1970s, and offers insights on the characters of many of his beloved players. Reproduced in print for the first time, the work is complemented by photographs of Rooney, his family, and members of the Steelers, along with scenes from the standout performance of actor Tom Atkins, who has embodied the role since the play's inception.