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A prevailing narrative goes: Bob Dylan, the voice of Sixties counter-culture, disappeared in the 1970s, then released arguably the worst music of his career in the 1980s—only to be resurrected in 2016, when he was awarded the Nobel Prize in Literature. Dylan’s concerts once began with an announcer intoning a deadpan version of just such a narrative. That is not this story. Drawing on thousands of pages of archival materials, After the Flood reveals Dylan’s output during the last three decades as his most ambitious yet. Across an abecedarium of chapters surveying his albums, performances, films and books since the early 1990s, celebrated poet and biographer Robert Polito shows how Dylan evolved a late musical style that has embodied and resisted its era–interweaving Ovid and Americana, film noir and the Civil War. Imaginatively researched, After the Flood is both an essential revision and continuation of the Dylan saga.

Originating nearly four thousand years ago in ancient Mesopotamia, the epic of Gilgamesh tells the story of a tyrannical king and his wild counterpart, Enkidu, spawned by the gods to rein in the king’s cruel tendencies. They face off in a violent wrestling match, but the clash forges a bond between them. The deep, fiercely intimate camaraderie that emerges carries the two men through extraordinary adventures, from a bloody battle with the fearsome forest guardian, Humbaba, to a cataclysmic struggle with the Bull of Heaven. As the friends venture further into the unknown, they find themselves confronted with the ultimate, defining fate of all humankind.At once a story about love among men and a timeless meditation on loss, grief, and the longing to outlast death, Gilgamesh is at its core one of the oldest and most majestic depictions of human resilience and dignity.Now, in the hands of Simon Armitage, poet laureate of the United Kingdom, this primeval epic swells and flows in rhythmic, contemporary English with a vitality and immediacy that only a genuinely poetic rendering can achieve. Grounded in the latest scholarship but always propulsively readable, Armitage’s version brings the ancient text to new life, offering a new generation of readers a thrilling portal into the very dawn of storytelling.PRAISE FOR SIMON ARMITAGE“Simon Armitage . . . continues the tradition of great poet-translators such as Edward FitzGerald, Arthur Waley, and Seamus Heaney."—John Ashbery“He reminds me of early Auden, a comparison that doesn’t strike me as extravagant."—Peter Sansom, The Poetry Business“Simon Armitage’s work is earthed—no matter what he is writing about, his poetry is never shallow-rooted.” —Kate Kellaway, GuardianPraise for Sir Gawain and the Green Knight“Drives the force of the old poem through the green Armitage fuse. Highly charged work” —Seamus Heaney, Nobel Prize–winning translator of Beowulf“Full of make-believe and festivity, this wonderful narrative poem possesses a Mozartean lightness and wit. . . . Deftly replicate[s] much of the feel and rhythm of the Middle English original.” —Michael Dirda, Wall Street JournalPraise for Pearl“[Armitage] conveys that feeling of the almost-but-not-quite comprehensible, the feeling that can make medieval art at once eerie and wonderful.”—Jo Livingstone, The New Yorker“Armitage continues to contribute the same service to culture as Carson, Heaney, Hughs and Graves; he gives blood transfusions to the texts which deserve preservation.” —Huffington Post [UK]

Finally in paperback and featuring seven new song commentaries, the #1 New York Times bestseller celebrates the creative life and unparalleled musical genius of Paul McCartney.Spanning sixty-four years—from his early days in Liverpool, through the historic decade of The Beatles, to Wings and his solo career—Paul McCartney’s The Lyrics revolutionized the way artists write about music. An unprecedented “triumph” (Times UK), this handsomely designed volume pairs the definitive texts of over 160 songs with first-person commentaries on McCartney’s life, revealing the diverse circumstances in which songs were written; how they ultimately came to be; and the remarkable, yet often delightfully ordinary, people and places that inspired them. The Lyrics also includes:· A personal foreword by McCartney· An unprecedented range of songs, from beloved standards like “Band on the Run” to new additions “Day Tripper” and “Magical Mystery Tour”· Over 160 images from McCartney’s own archivesEdited and introduced by Pulitzer Prize-winning poet Paul Muldoon, The Lyrics is the definitive literary and visual record of one of the greatest songwriters of all time.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who will go unnamed. “In the mid–seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.In an apricot-colored building in Zurich, surrounded by curiously planted forget-me-nots, Gaustine has opened the first “clinic for the past,” an institution that offers an inspired treatment for Alzheimer’s sufferers: each floor reproduces a past decade in minute detail, allowing patients to transport themselves back in time to unlock what is left of their fading memories. Serving as Gaustine’s assistant, the narrator is tasked with collecting the flotsam and jetsam of the past, from 1960s furniture and 1940s shirt buttons to nostalgic scents and even wisps of afternoon light. But as the charade becomes more convincing, an increasing number of healthy people seek out the clinic to escape from the dead-end of their daily lives—a development that results in an unexpected conundrum when the past begins to invade the present. Through sharply satirical, labyrinth-like vignettes reminiscent of Italo Calvino and Franz Kafka, the narrator recounts in breathtaking prose just how he became entrenched in a plot to stop time itself.“A trickster at heart, and often very funny” (Garth Greenwell, The New Yorker), prolific Bulgarian author Georgi Gospodinov masterfully stalks the tragedies of the last century, including our own, in what becomes a haunting and eerily prescient novel teeming with ideas. Exquisitely translated by Angela Rodel, Time Shelter is a truly unforgettable classic from “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).

For three decades following World War II, the Great Lakes overtook Europe as the epicenter of global economic strength. The region was the beating heart of the world economy, possessing all the power and prestige Silicon Valley does today. And no ship represented the apex of the American Century better than the 729-foot-long Edmund Fitzgerald—the biggest, best, and most profitable ship on the Lakes.But on November 10, 1975, as the “storm of the century” threw 100 mile-per-hour winds and 50-foot waves on Lake Superior, the Mighty Fitz found itself at the worst possible place, at the worst possible time. When she sank, she took all 29 men onboard down with her, leaving the tragedy shrouded in mystery for a half century.In The Gales of November, award-winning journalist John U. Bacon presents the definitive account of the disaster, drawing on more than 100 interviews with the families, friends, and former crewmates of those lost. Bacon explores the vital role Great Lakes shipping played in America’s economic boom, the uncommon lives the sailors led, the sinking’s most likely causes, and the heartbreaking aftermath for those left behind—"the wives, the sons, and the daughters,” as Gordon Lightfoot sang in his unforgettable ballad.Focused on those directly affected by the tragedy, The Gales of November is both an emotional tribute to the lives lost and a propulsive, page-turning narrative history of America’s most-mourned maritime disaster.

An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fuelled by social media, we find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters. Hauntingly imaginative, with viscerally chilling prose, the novel is an eerily clairvoyant magnum opus.

“The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.“This book is splendid: Impish, irate, deep, courageous. . . . Brava!”—Lucy Ellmann, author of Ducks, Newburyport

Rebecca Newberger Goldstein argues that the need to matter is the source of our greatest progress and our deepest conflicts: the very crux of the human experience. Goldstein brings this profound idea to life through stories of people pursuing their unique mattering projects: the ragtime genius Scott Joplin, whose dedication to his ignored masterpiece, Treemonisha, ended in tragedy; an impoverished Chinese woman who rescued abandoned newborns; and a skinhead who as a young man dealt racial violence to feel he mattered but ultimately renounced that past. These portraits illuminate how our instinct for significance shapes identity, relationships, culture and conflict–and they point the way to a future where we might see there is enough mattering to go around. Deeply revealing and insightful, The Mattering Instinct is for those curious about why we seek to matter to ourselves and others–and how this insatiable longing that drives us apart may be the key to understanding each other.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian” (the first was his bestselling debut, Faserland). Eurotrash begins in Zurich, where Christian has returned to care for his eighty-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her. As they traverse Switzerland together in a hired cab, mother and son attempt to give away her vast fortune, stuffed in a large plastic bag, to random strangers.By turns disturbing, disorienting, hilarious, and poignant, and brilliantly rendered in English by prize-winning translator Daniel Bowles, Eurotrash tells an intensely personal and unsparingly critical story of contemporary culture; a story that shows us a writer at the pinnacle of his powers of insight and observation.

Following The Little Book of Hygge, The Gentle Art of Swedish Death Cleaning and other bestsellers, Shikake introduces the latest example of practical wisdom from abroad: shikakeology, a phenomenon sweeping Japan. Naohiro Matsumura—renowned as the founder of the study of shikake, the Japanese word for “device”—has devised a new approach to design as astonishingly simple in its logic as it is sophisticated in its psychology. For example:• a staircase painted like piano keys prompts people to exercise• a symbol of a shrine placed in a public square discourages vandalismCombining traditional Japanese aesthetics with the lessons of behavioural economics, Matsumura presents a tool kit for literally anyone who wants to create their own mindful designs—and reveals how shikakes can help us address big challenges, including even climate change. Mind-bending yet elegant, Shikake will inspire readers to appreciate—and transform—the analogue world around them.

In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America’s cities came to be racially divided through de facto segregation—that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation—the laws and policy decisions passed by local, state, and federal governments—that actually promoted the discriminatory patterns that continue to this day.Through extraordinary revelations and extensive research that Ta-Nehisi Coates has lauded as "brilliant" (The Atlantic), Rothstein comes to chronicle nothing less than an untold story that begins in the 1920s, showing how this process of de jure segregation began with explicit racial zoning, as millions of African Americans moved in a great historical migration from the south to the north.As Jane Jacobs established in her classic The Death and Life of Great American Cities, it was the deeply flawed urban planning of the 1950s that created many of the impoverished neighborhoods we know. Now, Rothstein expands our understanding of this history, showing how government policies led to the creation of officially segregated public housing and the demolition of previously integrated neighborhoods. While urban areas rapidly deteriorated, the great American suburbanization of the post–World War II years was spurred on by federal subsidies for builders on the condition that no homes be sold to African Americans. Finally, Rothstein shows how police and prosecutors brutally upheld these standards by supporting violent resistance to black families in white neighborhoods.The Fair Housing Act of 1968 prohibited future discrimination but did nothing to reverse residential patterns that had become deeply embedded. Yet recent outbursts of violence in cities like Baltimore, Ferguson, and Minneapolis show us precisely how the legacy of these earlier eras contributes to persistent racial unrest. “The American landscape will never look the same to readers of this important book” (Sherrilyn Ifill, president of the NAACP Legal Defense Fund), as Rothstein’s invaluable examination shows that only by relearning this history can we finally pave the way for the nation to remedy its unconstitutional past.

Books about the origins of humanity dominate bestseller lists, while national newspapers present breathless accounts of new archaeological findings and speculate about what those findings tell us about our earliest ancestors. We are obsessed with prehistory—and, in this respect, our current era is no different from any other in the last three hundred years. In this coruscating work, acclaimed historian Stefanos Geroulanos demonstrates how claims about the earliest humans not only shaped Western intellectual culture, but gave rise to our modern world.The very idea that there was a human past before recorded history only emerged with the Enlightenment, when European thinkers began to reject faith-based notions of humanity and history in favour of supposedly more empirical ideas about the world. From the “state of nature” and Romantic notions of virtuous German barbarians to theories about Neanderthals, killer apes and a matriarchal paradise where women ruled, Geroulanos captures the sheer variety and strangeness of the ideas that animated many of the major thinkers of the eighteenth and nineteenth centuries, including Jean-Jacques Rousseau, Charles Darwin and Karl Marx. Yet as Geroulanos shows, such ideas became, for the most part, the ideological foundations of repressive regimes and globe-spanning empires. Deeming other peoples “savages” allowed for guilt-free violence against them; notions of “killer apes” who were our evolutionary predecessors made war seem natural. The emergence of modern science only accelerated the West’s imperialism. The Nazi obsession with race was rooted in archaeological claims about prehistoric IndoGermans; the idea that colonialised peoples could be “bombed back to the Stone Age” was made possible by the technology of flight and the anthropological idea that civilisation advanced in stages.As Geroulanos argues, accounts of prehistory tell us more about the moment when they are proposed than about the deep past—and if we hope to start improving our future, we would be better off setting aside the search for how it all started. A necessary, timely, indelible account of how the quest for understanding the origins of humanity became the handmaiden of war and empire, The Invention of Prehistory will forever change how we think about the deep past.

From his early Liverpool days, through the historic decade of The Beatles, to Wings and his long solo career, The Lyrics pairs the definitive texts of 154 songs by Paul McCartney with first-person commentaries on his life and music. Spanning two alphabetically arranged volumes, these commentaries reveal how the songs came to be and the people who inspired them: his devoted parents, Mary and Jim; his songwriting partner, John Lennon; his “Golden Earth Girl”, Linda Eastman; his wife, Nancy McCartney; and even Queen Elizabeth II, amongst many others. Here are the origins of “Let It Be”, “Lovely Rita”, “Yesterday”, and “Mull of Kintyre”, as well as McCartney’s literary influences, including Shakespeare, Lewis Carroll and Alan Durband, his secondary school English teacher.With images from McCartney’s personal archives—handwritten texts, paintings and photographs, hundreds previously unseen—The Lyrics, spanning sixty-four years, is the definitive literary and visual record of one of the greatest songwriters of all time.

Edward O. Wilson has distilled sixty years of teaching into a book for students, young and old. Reflecting on his coming-of-age in the South as a Boy Scout and a lover of ants and butterflies, Wilson threads these twenty-one letters, each richly illustrated, with autobiographical anecdotes that illuminate his career—both his successes and his failures—and his motivations for becoming a biologist. At a time in human history when our survival is more than ever linked to our understanding of science, Wilson insists that success in the sciences does not depend on mathematical skill, but rather a passion for finding a problem and solving it. From the collapse of stars to the exploration of rain forests and the oceans’ depths, Wilson instills a love of the innate creativity of science and a respect for the human being’s modest place in the planet’s ecosystem in his readers.

Adapting the lessons gleaned from over two decades in government intelligence, Philip Mudd has created a necessary guide to how we approach complex and high-stakes decisions. Filled with logical yet counter-intuitive answers to both ordinary and extraordinary problems—whether it is deciding which university to attend or how to pivot a failing business model—Mudd’s "HEAD" (High Efficiency Analytic Decision Making) methodology exposes the dangers of searching for a quick solution and why it is so vital to ask the right questions first. It is a revolutionary and business-friendly new technique, one that has the potential to change the way we live and work.

Many years ago the prodigious and famously prolific E. E. Cummings sat in his study writing and thinking about sex. His private brooding gave way to poems and drawings of sexual and romantic love that delight and provoke. Here, collected for this first time in a single volume, are those erotic poems and sketches, culled from Cummings’s original manuscripts by the distinguished editor George James Firmage.from “16”may i feel said he(i’ll squeal said shejust once said he)it’s fun said she(may i touch said hehow much said shea lot said he)why not said she

The one hundred and fifty-six poems here, arranged in twelve sections and introduced by E. E. Cummings's biographer, Richard S. Kennedy, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.

Sparking vigorous debate in the sciences, The Social Conquest of Earth upends “the famous theory that evolution naturally encourages creatures to put family first” (Discover). Refashioning the story of human evolution, Wilson draws on his remarkable knowledge of biology and social behavior to demonstrate that group selection, not kin selection, is the premier driving force of human evolution. In a work that James D. Watson calls “a monumental exploration of the biological origins of the human condition,” Wilson explains how our innate drive to belong to a group is both a “great blessing and a terrible curse” (Smithsonian). Demonstrating that the sources of morality, religion, and the creative arts are fundamentally biological in nature, the renowned Harvard University biologist presents us with the clearest explanation ever produced as to the origin of the human condition and why it resulted in our domination of the Earth’s biosphere.

History is not a prerogative of the human species, Edward O. Wilson declares in Half-Earth. Demonstrating that we blindly ignore the histories of millions of other species, Wilson warns us that a point of no return is imminent. Refusing to believe that our extinction is predetermined, Wilson has written Half-Earth as a cri de coeur, proposing that the only solution to our impending “Sixth Extinction” is to increase the area of natural reserves to half the surface of the earth. Half-Earth is a resounding conclusion to the best-selling trilogy begun by the “splendid” (Financial Times) The Social Conquest of Earth (ISBN 978 0 87140 363 6) and “engaging and highly readable” (Times Higher Education) The Meaning of Human Existence (ISBN 978 0 87140 100 7).

In Left for Dead, Eric Jay Dolin—“one of today’s finest writers about ships and the sea” (American Heritage)—tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig and a British warship in the Falkland archipelago during the War of 1812.Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept and inhospitable Falklands for a year and a half. With deft narrative skill and unequalled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal—an all-too-common fate in the Great Age of Sail.A tale of intriguing complexity, with surprising twists and turns throughout—involving greed, lying, bullying, a hostile takeover, stellar leadership, ingenuity, severe privation, endurance, banishment, the great value of a dog, the birth of a baby, a perilous thousand-mile open-ocean journey in a seventeen-foot boat, an improbable rescue mission and legal battles over a dubious and disgraceful wartime prize—Left for Dead shows individuals in wartime under great duress acting both nobly and atrociously and offers a unique perspective on a pivotal era in American maritime history.

Leonardo da Vinci, twelve years old and a bastard, leaves the Tuscan countryside to join his father in Florence with dreams of becoming a painter. Francesco Salviati, also a bastard and scorned for his too-dark skin, dedicates himself to the Catholic Church with grand hopes of salvation. Towering above them both is Lorenzo de’ Medici, barely a man, yet soon to be the patriarch of the world’s wealthiest and most influential bank. Each of these young men harbors profound ambition, anxious to prove their potential to their superiors—and to themselves. Each is, in his own way, a son of Florence. Each will, when their paths cross, shed blood on Florence’s streets.Fifteenth-century Florence flourishes as a haven of breathtaking artistic, cultural, and technological innovation, but discord churns below the surface: the Medici’s bank exacerbates the city’s staggering wealth inequality, and rumors swirl of a rift between Lorenzo and the new pope. Meanwhile, the city has become Europe’s preeminent destination for gay men—or “florenzers,” as they come to be crudely called. For Leonardo, an astonishingly gifted painter’s apprentice, being a florenzer might feel like personal liberation—but risk lingers around every corner.Brash and breathtaking, this lush historical drama unfolds the machinations of a city on the brink of a new age as it contends with the tensions between public and private lives, the entanglement of erotic and creative impulse, the sacrifices of the determinedly pious, and the risks of fantastic power. With his “unforgettable characters and an ever-twisting plot, all told with style, skill, and wry black humor” (Tim Leach), Phil Melanson emerges as an enthralling new voice in contemporary fiction.

The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.

In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes, and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrolcolored puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the second-century Book of Tobit wait in urine-scented stairwells, the delinquent specters of unlucky children undermine a century with tunnels, and in upstairs parlors laborers with golden blood reduce fate to a snooker tournament.An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city.Fierce in its imagining and stupefying in its scope, Alan Moore’s epic novel, Jerusalem, is the tale of Everything, told from a vanished gutter.

A pioneer of social psychology, Claude M. Steele is renowned for Whistling Vivaldi, a bestseller that analysed societal stereotypes—from beliefs about racial and gender test score gaps to the athletic prowess of Black men—and how to mitigate them. In Churn, he coins a new term to identify “the agitation we can feel in diverse settings”, such as everyday exchanges between teachers and students; police and the public; managers and employees; parents and children; and strangers, or even friends, of different sexes and races. Steele braids together psychological research with his own biracial life story, demonstrating how initial wariness between people of different identities is as much a product of our history as of our biases. Through brilliant analysis Churn reveals how trust building can be a fresh and powerful strategy for mitigating these tensions in the real-life settings of our lives and for realising the full potential of a multiracial, multiethnic and multi-classed democracy.

"Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge", writes Leslie S. Klinger. Mary Shelley’s Frankenstein is often reductively dismissed as a monster film or a cautionary tale about experimental science gone haywire. Illuminating every hidden dimension of the "first truly modern myth", Klinger does for Shelley’s story of early nineteenth-century horror what he did for Sherlock Holmes, Dracula and H.P. Lovecraft, bringing this gothic tale to nightmarish life by reproducing the original text with the most lavishly illustrated and comprehensively annotated edition to date.

The product of a ten-year-long collaboration between one of our most respected scholars of Islam (Bruce B. Lawrence) and a poet and scholar of literature (M.A.R. Habib), The Qur’an: A Verse Translation offers readers the first edition in English to echo, in accessible and resonant verse, the sonorous beauty of the Arabic original as well as the complex nuances of its meaning. Those familiar with the Arabic—and especially the faithful who hear the text recited aloud—know that the Qur’an is a perfect blend of sound and sense. While no translation can perfectly capture these complementary virtues of the original, Habib and Lawrence have come closest to an accessible, clear and fluid English Qur’an that all readers, no matter their faith or familiarity with the text, can read with pleasure and with a deeper appreciation for the book and the religious tradition founded upon it.

When How to Make It in the New Music Business hit shelves in 2016, it instantly became the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by music schools everywhere and considered “the best how- to book of its kind” (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that “big break” and take matters into their own hands. In this highly anticipated new edition, Ari Herstand reveals how to build a profitable career with the many tools at our fingertips in the post-COVID era and beyond, from conquering social media and mastering the digital landscape to embracing authentic fan connection and simply learning how to persevere. This edition breaks down these phenomena and more, resulting in a timeless must-have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music business.

First published in 1844, Søren Kierkegaard’s concise treatise identified—long before Freud—anxiety as a profound human condition, portraying human existence largely as a constant struggle with our own spiritual identities.

The culmination of a half-century of historical investigation, A People Betrayed is not only a definitive history of modern Spain but also a compelling narrative that becomes a lens for understanding the challenges that virtually all democracies have faced in the modern world.Whereas so many twentieth-century Spanish histories begin with Franco and the devastating Civil War, Paul Preston’s magisterial work begins in the late nineteenth century with Spain’s collapse as a global power, especially reflected in its humiliating defeat in 1898 at the hands of the United States and its loss of colonial territory.This loss hung over Spain in the early years of the twentieth century, its agrarian economic base standing in stark contrast to the emergence of England, Germany, and France as industrial powers. Looking back to the years prior to 1923, Preston demonstrates how electoral corruption infiltrated almost every sector of Spanish life, thus excluding the masses from organized politics and giving them a bitter choice between apathetic acceptance of a decrepit government or violent revolution. So ineffective was the Republic—which had been launched in 1873—that it paved the way for a military coup and dictatorship, led by Miguel Primo de Rivera in 1923, exacerbating widespread profiteering and fraud. When Rivera was forced to resign in 1930, his fall brought forth a succession of feeble governments, stoking rancorous tensions that culminated in the tragic Spanish Civil War.With astonishing detail, Preston describes the ravages that rent Spain in half between 1936 and 1939. Tracing the frightening rise of Francisco Franco, Preston recounts how Franco grew into Spain’s most powerful military leader during the Civil War and how, after the war, he became a fascistic dictator who not only terrorized the Spanish population through systematic oppression and murder but also enriched corrupt officials who profited from severe economic plunder of Spain’s working class.The dictatorship lasted through World War II—during which Spain sided with Mussolini and Hitler—and only ended decades later, in 1975, when Franco’s death was followed by a painful yet bloodless transition to republican democracy. Yet, as Preston reveals, corruption and political incompetence continued to have a corrosive effect on social cohesion into the twenty-first century, as economic crises, Catalan independence struggles, and financial scandals persist in dividing the country.Filled with vivid portraits of politicians and army officers, revolutionaries and reformers, and written in the “absorbing” (Economist) style for which Preston is so revered, A People Betrayed is the first historical work to examine the continuities of political unrest and national anxiety in Spain up until the present, providing a chilling reminder of just how fragile democracy remains in the twenty-first century.