Visar resultat för..."George Cruickshank"

Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.

Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.

Possibly the best-known and best-loved of all Charles Dickens' many novels, the adventures of Oliver Twist never fail to delight. This thrilling story of an orphan boy, born into a Victorian workhouse, and escaping only to be taken in by a gang of thieves and pickpockets, has become a timeless classic. Reprinted here with George Cruikshank's original illustrations, it is more than a wonderful story; it is a piece of literary history to treasure.

Georgian London evokes images of elegant buildings and fine art, but it was also a city where prostitution was rife, houses of ill repute widespread, and many tens of thousands of people dependent in some way or other on the wages of sin. The sex industry was, in fact, a very powerful force indeed, and in The Secret History of Georgian London, Dan Cruickshank compellingly shows how it came to affect almost every aspect of life and culture in the capital.Examining the nature of the sex trade, he offers a tantalising insight into the impact of prostitution to give us vivid portraits of some of the women who became involved in its world. And he discusses the very varied attitudes of contemporaries - those who sympathised, those who indulged, and those who condemned. As he powerfully argues, these women, and many thousands like them, not only shaped eighteenth-century London, they also helped determine its future development.

'A Baedeker of the past, absorbing and revealing in equal measure' Peter Ackroyd'Brings the age's tortuous splendours and profound murkiness vividly to life' ObserverWhen Dr Johnson published his great Dictionary in 1755, London was the biggest city in Europe. The opulence of the rich and the comfort of the 'middling' sort contrasted sharply with the back-breaking labour and pitiful wages of the poor. Executions were rated one of the best amusements, but there was bullock-hunting and cock-fighting too. Crime, from pickpockets to highwaymen, was rife, prisons were poisonous and law-enforcement rudimentary.Dr Johnson's London is the result of the author's passionate interest in the practical details of the everyday life of our ancestors: the streets, houses and gardens; cooking, housework, laundry and shopping; clothes and cosmetics; medicine, sex, hobbies, education and etiquette. The book spans the years 1740 to 1770, starting when the gin craze was gaining ground and ending when the east coast of America was still British. While brilliantly recording the strangeness and individuality of the past, Dr Johnson's London continually reminds us of parallels with the present day.

Introduction and Notes by Dr Ella Westland, University of Exeter.Illustrations by George Cruickshank.Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity.Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'.For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.