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One of the greatest novels of the 20th century by one of the greatest writers in American historyHigh in the pine forests of the Spanish Sierra, a guerrilla band prepares to blow up a vital bridge.Robert Jordan, a young American volunteer on the republican side of the Spanish Civil War, has been sent to handle the dynamiting.There, in the mountains, he finds the dangers and the intense comradeship of war. And there he discovers Maria, a young woman who has escaped from Franco's rebels. It is in these desperate days that his fate will be set.

Ernest Hemingway's adventure novel set on the verge of the tropics.'Listen,' I told him. 'Don't be so tough so early in the morning. I'm sure you've cut plenty of people's throats. I haven't even had my coffee yet.'Harry Morgan is a tough guy making his living during the Depression from his motor boat in Key West, Florida. Although he normally takes out fishing parties, sometimes his boat can be put to other uses. If the money offered is worth his while, Harry will run guns, rum and men to and from Cuba. But he is playing a dicey game. Hemingway's hardest hero risks not just his living, but his life.'Absorbing and moving. It opens with a fusillade of bullets, reaches its climax with another, and sustains a high pitch of excitement throughout' Times Literary Supplement

Published in 1937, Ernest Hemingway's To Have and Have Not is that rare example of a novel whose cultural impact far outweighs its critical reputation. Long criticized for its fragmented form, its ham-fisted approach to politics, and its hard-boiled obsession with cojones, this blistering tale of a Florida Straits boat captain named Harry Morgan desperately trying to survive the economic ravages of the Great Depression by running rum and revolutionaries to Havana has fueled tourist industries in Key West and Cuba and has inspired at least three movie adaptations (including a classic cowritten by William Faulkner and starring Humphrey Bogart and Lauren Bacall).In Reading Hemingway's To Have and Have Not, Kirk Curnutt explicates dozens of topics that arise from this controversial novel's dense, tropical swelter of references and allusions. From Cuban politics to multifarious New Deal "alphabet agencies," from rum running to human smuggling to byways, bars, and brothels, Curnutt delves deeply into the plot's rich textural back- drop. Most important, he reminds us what a very different novel To Have and Have Not would have been had Hemingway not undergone a political change of heart while covering the Spanish Civil War and revised a narrative originally feral in its suspicion of partisans and ideologues at odds with the newfound ideals of activism and intervention that Hemingway felt essential to halting the global rise of fascism.More than any study of the only novel Ernest Hemingway set on American soil, this book reads To Have and Have Not in the peculiar juxtaposition of literary innovation and popular appeal that made Hemingway the world's most famous writer. While valorizing Hemingway's artistry, Curnutt never lets readers forget the visceral thrills of what one movie adaptation called "Hemingway-Hot Adventure."

Harry Morgan was hard - the classic Hemingway hero - rum-running, gun-running and man-running from Cuba to the Florida Keys in the Depression. He ran risks, too, from stray coastguard bullets and sudden double-crosses. But it was the only way he could keep his boat, keep his independence, and keep his belly full...This classic novella was turned into a brilliant film by Howard Hawks - the film in which Humphrey Bogart and Lauren Becall met - and remains an important work by one of the greatest American novelists of the twentieth century.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

In 1783, as the Revolutionary War came to a close, Alexander Hamilton resigned in disgust from the Continental Congress after it refused to consider a fundamental reform of the Articles of Confederation. Just four years later, that same government collapsed, and Congress grudgingly agreed to support the 1787 Philadelphia Constitutional Convention, which altered the Articles beyond recognition. What occurred during this remarkably brief interval to cause the Confederation to lose public confidence and inspire Americans to replace it with a dramatically more flexible and powerful government? We Have Not a Government is the story of this contentious moment in American history.In George William Van Cleve's book, we encounter a sharply divided America. The Confederation faced massive war debts with virtually no authority to compel its members to pay them. It experienced punishing trade restrictions and strong resistance to American territorial expansion from powerful European governments. Bitter sectional divisions that deadlocked the Continental Congress arose from exploding western settlement. And a deep, long-lasting recession led to sharp controversies and social unrest across the country amid roiling debates over greatly increased taxes, debt relief, and paper money. Van Cleve shows how these remarkable stresses transformed the Confederation into a stalemate government and eventually led previously conflicting states, sections, and interest groups to advocate for a union powerful enough to govern a continental empire.Touching on the stories of a wide-ranging cast of characters--including John Adams, Patrick Henry, Daniel Shays, George Washington, and Thayendanegea--Van Cleve makes clear that it was the Confederation's failures that created a political crisis and led to the 1787 Constitution. Clearly argued and superbly written, We Have Not a Government is a must-read history of this crucial period in our nation's early life.

The story of the making of ""To Have and Have Not"" (1944) is an exciting one, ranging from the widely reported romance between its stars, Humphrey Bogart and the unknown nineteen-year-old Lauren Bacall, to some of the more subtle aspects of the wartime alliance between the United States and the Batista regime in Cuba. Kawin's introduction leads us to a fuller appreciation of one of Hollywood's most memorable films. This is also a story of a collaboration among four important writers: Emest Hemingway, Howard Hawks, Jules Furthman, and William Faulkner.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love.To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not is literary high adventure at its finest.

From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love.To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not is literary high adventure at its finest.

In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues.Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.

Marcel Bénabou is quick to acknowledge that his own difficulty in writing has plenty of company. Words stick and syntax is stubborn, meaning slips and synonyms cluster. A blank page taunts and a full one accuses. Bénabou knows the heroic joy of depriving critics of victims, the kindness of sparing publishers decisions, and the public charity of leaving more room in bookstore displays. Why I Have Not Written Any of My Books (Pourquoi je n'ai écrit aucun de mes livres) provides both a respectful litany of writers' fears and a dismissal of the alibis offered to excuse them.

Rich with boyhood remembrances of the Pacific Northwest of the 1970s through the 1990s, I Have Not Loved You With My Whole Heart is a memoir of trauma, healing, faith, and violence, told in overlapping personal essays that pull the reader through turning points in a household crowded with dysfunction, and toward the healing that comes after reconciliation. At the book's center is a conflicted and contradictory relationship between the author and his father, the Rev. Renne Harris, a heavy-handed, alcoholic, Episcopal priest who came out in the height of the AIDS crisis and died of HIV in 1995, but not before finding a measure of peace and acceptance.