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One of the greatest novels of the 20th century by one of the greatest writers in American historyHigh in the pine forests of the Spanish Sierra, a guerrilla band prepares to blow up a vital bridge.Robert Jordan, a young American volunteer on the republican side of the Spanish Civil War, has been sent to handle the dynamiting.There, in the mountains, he finds the dangers and the intense comradeship of war. And there he discovers Maria, a young woman who has escaped from Franco's rebels. It is in these desperate days that his fate will be set.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

'One of the best music books of the year' – Neil McCormick, Daily Telegraph What if the song that would change your life is already out there – buried somewhere in 100 million tracks, one skipped click away? In You Have Not Yet Heard Your Favourite Song, former Spotify “Data Alchemist” Glenn McDonald opens the black box of music streaming and shows how it is quietly transforming what we hear, how artists earn a living and what music means in a digital age. Drawing on years spent inside the algorithmic engine of Spotify, McDonald reveals how playlists, recommendation algorithms, listening data and streaming royalties really work – and what they’re doing to artists, fans and culture itself. Moving from the age of record shops and radio to Napster, iTunes, the iPod and the rise of Spotify, this book is a sharp, witty and surprisingly hopeful tour of the streaming era – from the economics of a fraction-of-a-cent stream to the strange new power of fan armies, bots and “chill” playlists that never end. Inside this book you’ll discover: How music streaming services turned buying records into exploring infinite catalogues – and why that changes what we value and how we listenWhat Spotify algorithms actually do (and don’t do), why they’re less like evil robots and more like very simple math, and how they can still go badly wrongWhy royalty systems such as pro‑rata vs user‑centric payments matter for fairness, independence and the future of the music industryThe hidden world of playlist culture – editorial playlists, algorithmic playlists and the lists your friends make – and how they’ve become the new gatekeepersHow streaming exposes inequalities in genre, gender and geography – from Nashville country radio to global diasporas – and what more equitable, data‑driven music discovery could look likeThe new joys of a connected world: global micro‑genres, borrowed nostalgia, weird subcultures and the statistical certainty that you truly haven’t yet heard your favourite song Written in clear, elegant prose by someone who has handled the listening data of hundreds of millions of people, You Have Not Yet Heard Your Favourite Song is part music history, part technology explainer and part cultural manifesto. It will change how you think about Spotify, Apple Music, YouTube, algorithmic recommendations, AI in music, streaming royalties and the future of recorded music. Perfect for: Curious music fans who love discovering new artists and genresMusicians, producers and industry professionals trying to understand how streaming really worksReaders of How Music Works, This Is Your Brain on Music or The Song Machine who want a smart, insider’s guide to the digital revolution in music If you’ve ever wondered whether the next song in your queue could change everything, this book is your invitation to find out. Scroll up, click “Buy now” and start exploring why you have not yet heard your favourite song. About the Author Glenn McDonald is expertly placed to provide a comprehensive picture of the global music industry in the 2020s. Growing up in 198Os and 1990s America, he was an obsessive collector of physical music – CDs and vinyl albums. But he soon realised the revolutionary power of digital media to make songs more widely accessible. He started working at the US music intelligence startup The Echo Nest, which was acquired by Spotify – and he became Spotify's 'Data Alchemist.' His website Every Noise at Once is an unprecedented computational map of the world’s music genres. Reviews 'If you want to know anything about how music surfaces today, how to find it, or how to create it, you will find what you need right here. And you will be highly entertained and amused in the process.' – Joseph Menn, Washington Post staff writer and author of All the Rave: The Rise and Fall of Shawn Fanning's Napster. 'We used to sell CDs by the weight of pallets, thanks to streaming we know how our content is consumed. In this immersive book, Glenn has demonstrated what we can do with this knowledge, so other industries can learn' – Will Page, author of Pivot and former Chief Economist of Spotify 'I'd say that reading this book is the next best thing to having an in-depth, impassioned, hours-long fika with Glenn McDonald about music and culture and all of the most burning topics of our time... but, I'd be lying. It's even better. This book is a true behind-the-scenes examination of our culture and our industry from the perspective of someone who was in the thick of it from the beginning. It's a history of the streaming era, written by someone who made history in the streaming era.' Meg Tarquinio, PhD, Spotify/Twitch/Nettwerk Music Group 'Throughout McDonald's book, personal anecdotes and his own love of music spill out in witty, conversational prose. Even chapters that delve into streaming's complex finances – unsurprisingly, your £15 monthly fee does not go directly to your favourite artist, but is split between that month's "most streamed," meaning that megastars such as Swift and Ed Sheeran stay at the top of the pyramid – are told in layman's terms.' Poppie Platt, The Daily Telegraph Ideal for anyone who wants to know how Spotify, Amazon Music, Deezer, YouTube Music and other music platforms work, whether as a fan, musician or music business professional. Buy the book and start reading

Harry Morgan was hard - the classic Hemingway hero - rum-running, gun-running and man-running from Cuba to the Florida Keys in the Depression. He ran risks, too, from stray coastguard bullets and sudden double-crosses. But it was the only way he could keep his boat, keep his independence, and keep his belly full...This classic novella was turned into a brilliant film by Howard Hawks - the film in which Humphrey Bogart and Lauren Becall met - and remains an important work by one of the greatest American novelists of the twentieth century.

Ernest Hemingway's adventure novel set on the verge of the tropics.'Listen,' I told him. 'Don't be so tough so early in the morning. I'm sure you've cut plenty of people's throats. I haven't even had my coffee yet.'Harry Morgan is a tough guy making his living during the Depression from his motor boat in Key West, Florida. Although he normally takes out fishing parties, sometimes his boat can be put to other uses. If the money offered is worth his while, Harry will run guns, rum and men to and from Cuba. But he is playing a dicey game. Hemingway's hardest hero risks not just his living, but his life.'Absorbing and moving. It opens with a fusillade of bullets, reaches its climax with another, and sustains a high pitch of excitement throughout' Times Literary Supplement

In 1783, as the Revolutionary War came to a close, Alexander Hamilton resigned in disgust from the Continental Congress after it refused to consider a fundamental reform of the Articles of Confederation. Just four years later, that same government collapsed, and Congress grudgingly agreed to support the 1787 Philadelphia Constitutional Convention, which altered the Articles beyond recognition. What occurred during this remarkably brief interval to cause the Confederation to lose public confidence and inspire Americans to replace it with a dramatically more flexible and powerful government? We Have Not a Government is the story of this contentious moment in American history.In George William Van Cleve's book, we encounter a sharply divided America. The Confederation faced massive war debts with virtually no authority to compel its members to pay them. It experienced punishing trade restrictions and strong resistance to American territorial expansion from powerful European governments. Bitter sectional divisions that deadlocked the Continental Congress arose from exploding western settlement. And a deep, long-lasting recession led to sharp controversies and social unrest across the country amid roiling debates over greatly increased taxes, debt relief, and paper money. Van Cleve shows how these remarkable stresses transformed the Confederation into a stalemate government and eventually led previously conflicting states, sections, and interest groups to advocate for a union powerful enough to govern a continental empire.Touching on the stories of a wide-ranging cast of characters--including John Adams, Patrick Henry, Daniel Shays, George Washington, and Thayendanegea--Van Cleve makes clear that it was the Confederation's failures that created a political crisis and led to the 1787 Constitution. Clearly argued and superbly written, We Have Not a Government is a must-read history of this crucial period in our nation's early life.

The story of the making of ""To Have and Have Not"" (1944) is an exciting one, ranging from the widely reported romance between its stars, Humphrey Bogart and the unknown nineteen-year-old Lauren Bacall, to some of the more subtle aspects of the wartime alliance between the United States and the Batista regime in Cuba. Kawin's introduction leads us to a fuller appreciation of one of Hollywood's most memorable films. This is also a story of a collaboration among four important writers: Emest Hemingway, Howard Hawks, Jules Furthman, and William Faulkner.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

Jonathan Marshall makes a provocative statement: it was not ideological or national security considerations that led the United States into war with Japan in 1941. Instead, he argues, it was a struggle for access to Southeast Asia's vast storehouse of commodities—rubber, oil, and tin—that drew the United States into the conflict. Boldly departing from conventional wisdom, Marshall reexamines the political landscape of the time and recreates the mounting tension and fear that gripped U.S. officials in the months before the war. Unusual in its extensive use of previously ignored documents and studies, this work records the dilemmas of the Roosevelt administration: it initially hoped to avoid conflict with Japan and, after many diplomatic overtures, it came to see war as inevitable. Marshall also explores the ways that international conflicts often stem from rivalries over land, food, energy, and industry. His insights into "resource war," the competition for essential commodities, will shed new light on U.S. involvement in other conflicts—notably in Vietnam and the Persian Gulf. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love.To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not is literary high adventure at its finest.

From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love.To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not is literary high adventure at its finest.

In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues.Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.

Marcel Bénabou is quick to acknowledge that his own difficulty in writing has plenty of company. Words stick and syntax is stubborn, meaning slips and synonyms cluster. A blank page taunts and a full one accuses. Bénabou knows the heroic joy of depriving critics of victims, the kindness of sparing publishers decisions, and the public charity of leaving more room in bookstore displays. Why I Have Not Written Any of My Books (Pourquoi je n'ai écrit aucun de mes livres) provides both a respectful litany of writers' fears and a dismissal of the alibis offered to excuse them.

Rich with boyhood remembrances of the Pacific Northwest of the 1970s through the 1990s, I Have Not Loved You With My Whole Heart is a memoir of trauma, healing, faith, and violence, told in overlapping personal essays that pull the reader through turning points in a household crowded with dysfunction, and toward the healing that comes after reconciliation. At the book's center is a conflicted and contradictory relationship between the author and his father, the Rev. Renne Harris, a heavy-handed, alcoholic, Episcopal priest who came out in the height of the AIDS crisis and died of HIV in 1995, but not before finding a measure of peace and acceptance.