- Häftad (Paperback / softback)
- Antal sidor
- Penguin Books Ltd
- 199 x 129 x 21 mm
- 252 g
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Into The Woods
How Stories Work and Why We Tell Themav John Yorke105
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'The best book on the subject I've read. Quite brilliant' Tony Jordan, creator/writer, Life on Mars, Hustle We all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day. 'Marvellous' Julian Fellowes 'Terrifyingly clever ... Packed with intelligent argument' Evening Standard 'The most important book about scriptwriting since William Goldman's Adventures in the Screen Trade' Peter Bowker, writer, Blackpool, Occupation, Eric and Ernie
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KundrecensionerDet finns 1 recension av Into The Woods. Har du också läst boken? Sätt ditt betyg »
Audrey, 15 augusti 2016
Genom mina studier har jag läst ganska många böcker om hur man bygger upp en story och skriver manus. Det är dock först denna som verkligen har gått från grunden och förklarat. Borde vara obligatorisk för alla författare att läsa denna!!
Fler böcker av John Yorke
Den överlägset vanligaste frågan jag får är: Kan du rekommendera en bra bok om dramaturgi, helst på svenska? Och i alla år har varit varit nja alltså det finns bra dramaturgiböcker, men inte på svenska. Med det var DÅ och nu är NU och nu finns Joh...
Recensioner i media
Brimmingly insightful ... fresh, enlightening and accessible ... a gripping read from beginning to end -- Robert Collins * Sunday Times * Terrifyingly clever ... Packed with intelligent argument * Evening Standard * So detailed and engaging is his methodology that any consumer of books, plays, TV or films will find the experience enhanced; and scriptwriters themselves will find useful guidance - because when you know the why, the how is natural -- Robert Epstein * Independent on Sunday * This is a marvellous analysis of screenwriting and, with any luck, should help a great many people achieve their dreams -- Julian Fellowes, writer/creator of Downton Abbey Another book on screenwriting! Oh, how I wanted to hate it! I didn't. I loved it. Much of it was fresh to me. And always interesting, always intelligent and, for a writer, always rewarding -- Jimmy McGovern, screenwriter, The Street and The Accused In an industry full of so called script gurus and snake oil salesmen, at last there's a book about story that treats writers like grown ups. This isn't about providing us with an ABC of story or telling us how to write a script by numbers. It's an intelligent evaluation into the very nature of storytelling and is the best book on the subject I've read. Quite brilliant -- Tony Jordan, screenwriter, Life on Mars and Hustle Even for a convinced sceptic, John Yorke's book, with its massive field of reference from Aristotle to Glee, and from Shakespeare to Spooks, is a highly persuasive and hugely enjoyable read. It would be hard to beat for information and wisdom about how and why stories are told -- Dominic Dromgoole, Artistic Director, The Globe Theatre This book is intelligent, well written, incisive and, most of all, exciting. It is the most important book about scriptwriting since William Goldman's Adventures in the Screen Trade -- Peter Bowker, screenwriter, Blackpool, Occupation and Eric & Ernie Part 'How-to' manual, part 'why-to' celebration, Into The Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises ... exciting and thought-provoking -- Emma Frost, screenwriter, The White Queen and Shameless Into The Woods is an amazing achievement. It has a real depth and understanding about story, a fantastically broad frame of reference and it's interesting and absorbing throughout. Full of incredibly useful insights, every TV writer should read the first chapter alone -- Simon Ashdown, series consultant, EastEnders Testing the adage that "in theory there's no difference between theory and practice but in practice there is", this is a love story to story -- erudite, witty and full of practical magic. It's by far the best book of its kind I've ever read. I struggle to think of the writer who wouldn't benefit from reading it -- even if they don't notice because they're too busy enjoying every page -- Neil Cross, creator/writer of Luther, Crossbones and writer of Dr Who, MI5 Books on story structure are ten a penny but Mistah Yorke's is the real deal -- Kathryn Flett All script-writers will want to read Into The Woods. All plots and archetypes BUSTED -- Caitlin Moran Got to say Into The Woods by John Yorke is marvellous. The prospect of another screenwriting book made me yawn, but its terrific ... It's a great read, wise and cogent, and a must for all screenwriters -- David Eldridge A mind-blower ... an incredibly dense but very readable tome about the art of storytelling ... Really worth a read -- Lenny Henry * The Independent * I don't always enjoy books on writing, but Into the Woods by John Yorke is brilliant on story structure. -- Ken Follett, author of 'The Pillars of the Earth' In his brimmingly insightful, stimulating study of how stories work, Yorke compellingly unpicks how a whole range of films, plays, novels and fairy tales all display the same archetypal structures . . . His book, in telling scores of stories in such a fresh, enlightening and accessible manner, is a g
John Yorke is Managing Director of Company Pictures, the UK drama independent producing Skins, Shameless, The White Queen and Wolf Hall. For many years he's been responsible for a vast array of British drama, as both Head of Channel Four Drama and Controller of BBC Drama Production. In 2005 he created the BBC Writers Academy, a year-long in-depth training scheme which has produced a generation of successful television writers. He's also worked as Editor of The Archers. John is Visiting Professor of English Language and Literature at the University of Newcastle-upon-Tyne.