I Have The Right To Destroy Myself (häftad)
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Format
Häftad (Paperback)
Språk
Engelska
Antal sidor
124
Utgivningsdatum
2007-01-01
Förlag
Harvest Books
Översättare
Chi-Young Kim
Dimensioner
203 x 135 x 10 mm
Vikt
160 g
Antal komponenter
1
ISBN
9780156030809

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I Have The Right To Destroy Myself (häftad)

I Have The Right To Destroy Myself

av Young-Ha Kim
Häftad Engelska, 2007-01-01
159
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In the fast-paced, high-urban landscape of Seoul, C and K are brothers who have fallen in love with the same woman - Se-yeon - who tears at both of them as they all try desperately to find real connection in an atomized world. A spectral, nameless narrator haunts the edges of their lives as he tells of his work helping the lost and hurting find escape through suicide. Dreamlike and beautiful, the South Korea brought forth in this novel is cinematic in its urgency and its reflection of contemporary life everywhere - far beyond the boundaries of the Korean peninsula. Recalling the emotional tension of Milan Kundera and the existential anguish of Bret Easton Ellis, "I Have The Right To Destroy Myself" achieves its author's greatest wish - to show Korean literature as part of an international tradition. Young-ha Kim is a young master, the leading literary voice of his generation.
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"The interactions, thoughts and fantasies of four protagonists interweave in a dreamlike narrative that eschews chronology and sequence, examining the role of "morbid desires, imprisoned deep in the unconscious" in each''s experience. [T]he author is a stylish, inventive writer who builds eerie momentum out of cryptic conversations and deliberately imprecise characterizations. The brothers are both vividly differentiated and shown to possess similarly self-destructive traits. And the woman "a kind of Eternal Feminine temptress smiling and beguiling her way to oblivion"twirls around the text like a spinning jewel, appearing as an unresponsive drifter named Se-yeon, an avatar of the biblical heroine (and murderess) Judith as depicted by artist Gustav Klimt. The book''s dark doings are efficiently framed by descriptive allusions to famous paintings that celebrate death, and by the narrator''s assured orchestration of its siren call. Pretty sick, but absorbing. Noir with a piquant exotic twist."

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