J. S. Bach's Cantata 21 in its Musical and Theological Contexts
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Köp båda 2 för 1530 krEric T. Chafe is Victor and Gwendolyn Beinfield Professor of Music at Brandeis University, where he has taught since 1982. His primary research areas are the music of J. S. Bach, on which he has published several books and numerous articles, Wagner (a book on Tristan und Isolde), and Monteverdi. His books have won the AMS Kinkeldey Award and the ASCAP Deems Taylor Award.
Acknowledgments ; A note on translations, spelling, orthography, and pitch designations ; Abbreviations and musical symbols ; List of figures and illustrations ; Introduction: Ich hatte viel Bekummernis: Stages of Revelation ; Part One: The Theological Context ; 1. Tears into Wine: Liturgical and Related Questions ; 2. Per ogni tempo: Text interrelatedness in Cantata 21 ; 3. Inner and Outer Revelation: Johann Arndt and Philip Nicolai ; 4. "Arndtian Pietism" and "Spiritual Orthodoxy": Joachim Lutkemann, Heinrich Muller, Christian Scriver ; Part Two: Music and the Foretaste of Eternity ; 5. Music and the Praise of God ; 6. Christoph Raupach and Johann Mattheson ; 7. Breakthrough and Foretaste: The Way to Heaven ; Part Three: Ich hatte viel Bekummernis ; 8. Spiritual Sorrow: Part 1 ; 9. Ascent of the Soul: Part 2 ; Part Four: Cantatas for Weimar 1714 ; 10. Perspectives on the Incarnation: Cantatas 61, 63, 152 ; 11. The Way of the Cross: Cantatas 182 and 12 ; 12. Descent and Indwelling: Cantata 172 ; Appendix A. Ich hatte viel Bekummernis: text and translation ; Appendix B. Gospel and Epistle readings for the third Sunday after Trinity ; Appendix C. Gospel and Epistle readings for the second Sunday after Epiphany ; Bibliography ; Index