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Köp båda 2 för 2555 krFabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011. Antti-Ville Karja works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.
Contents Figures Tables Acknowledgements Introduction: Music in a Globalizing Region Fabian Holt PART ONE Geography 1 Musical Borealism: Nordic Music and European History Philip V. Bohlman 2 Nordic Modernity and the Structure of the Musical Landscape Fabian Holt 3 Inclusive Popular Music Education? Alexis A. Kallio and Lauri Vakeva 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank Hans Weisethaunet 5 From the Faroes to the World Stage Joshua Green 6 Christian Metal and the Translocal North Henna Jousmaki 7 Music and Landscape in Iceland Tony Mitchell 8 Music and Environmentalism in Iceland Nicola Dibben PART TWO History 9 A Metahistorical Enquiry into Nordic Popular Music Historiography Antti-Ville Karja 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music Kimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless Utopia Sverker Hylten-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold War Pekka Suutari 13 The Memorial Ceremony after the 2011 Utoya Massacre Jan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sami Popular Music for the 21st Century Tina K. Ramnarine PART THREE Identity 15 Masculinity, Race and Transculturalism in a Norwegian Context Stan Hawkins 16 Hip Hop as Public Pedagogy Alexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia Henrik Marstal 18 Rap, Reggae, and White Minoritization Benjamin R. Teitelbaum 19 Sami Festivals and Indigeneity Thomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sami Artists Ann Werner Contributors Index