How Group Improvisation Works
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Köp båda 2 för 1381 krMusic plays an important role in all our lives, and is a channel through which we can express emotions, thoughts, political statements, and social relationships. However, just as music can be a channel through which we express ourselves, it can al...
At a time of unprecedented interest in improvisation across the arts, The Art of Becoming boldly asserts that everyone can and should improvise. Drawing on emerging psychological literature as well as their own research with musicians, authors Ray...
Matana Roberts, Musician The Art of Becoming is a delightful and inquisitive whirl through the many layered worlds of improvisation. It offers keen insight on the limitless possibility of improvisation as a community and social practice. Highly recommended.
Gary E. McPherson, Ormond Professor of Music, University of Melbourne Framed within a lifetime of professional practice, intellectual reflection, and rigorous research, this seminal volume explicates the mechanisms of group improvisation in ways that will inspire musicians for generations to come.
Rene C. Baker, PhD, Director, Chicago Modern Orchestra Project Like an undeveloped piece of real estate, The Art of Becoming beckons one to see the potential of improvised creativity in so many forms. The relay, mapping the pass and run encounter of improvisation, encourages and embraces the potentials of unique individuality in sonic creative expression. No wrong paths here, new arenas and happy accidents available to the keen listener and explorer.
Maggie Nicols, improvising vocalist An in-depth, lovingly crafted book, thoroughly researched and accessible.
Evan Parker, improviser The Art of Becoming by MacDonald & Wilson presents a wide ranging discussion and analysis of the myriad ways in which improvisation is currently viewed and approached by practitioners. Academic and street wise by turns, this book makes a very brave attempt to document the all and everything of an activity that by its nature eludes systematic analysis.
Raymond MacDonald is Professor of Music Psychology and Improvisation at Edinburgh University. His ongoing research focuses on issues relating to improvisation, musical communication, music health and wellbeing, music education and musical identities. He studies the processes and outcomes of music participation and music listening and has a particular interest in collaborative creativity. His work is informed by a view of improvisation as a social, collaborative and uniquely creative process that provides opportunities to develop new ways of working musically. Graeme Wilson is a Visiting Fellow at the University of Edinburgh. He has research interests in the theory and practice of group improvisation, and in musical participation to improve wellbeing. He has published and lectured widely as a psychologist on improvisation as well as on health, identities and discourse. He leads the Concurrent network for the study of interdisciplinary improvisation, initiated through a Network Grant from the Royal Society of Edinburgh. A founding member of Scottish National Jazz Orchestra and Glasgow Improvisers Orchestra, he has toured internationally and his saxophone playing features on over 30 CDs including his own quartet releases.
Preface Foreword Chapter 1. Improvisation and new frontiers in creative practice Chapter 2. What's so special about Improvisation? Chapter 3. Talking about Improvisation Chapter 4. Stones, Clouds: a new model for improvising Chapter 5. Distributed creativity and the myth of shared understanding Chapter 6. A new virtuosity: improvising over time Chapter 7. Improvisation and health: why improvising is good for you Chapter 8. The way forward References