Painting and Experience in Fifteenth-Century Italy (häftad)
Format
Häftad (Paperback)
Språk
Engelska
Antal sidor
192
Utgivningsdatum
1988-05-01
Upplaga
2
Förlag
OUP Oxford
Illustratör/Fotograf
Numerous Black and White Halftones 4 Colour Plates
Illustrationer
4col.pl. b&w halftones
Dimensioner
204 x 135 x 10 mm
Vikt
260 g
Antal komponenter
1
ISBN
9780192821447
Painting and Experience in Fifteenth-Century Italy (häftad)

Painting and Experience in Fifteenth-Century Italy

A Primer in the Social History of Pictorial Style

Häftad Engelska, 1988-05-01
169
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This book is both an introduction to fifteenth-century Italian painting, and a primer in how to read social history out of the style of pictures. It examines the commercial practice of the early Renaissance picture, trade in contracts, letters, and accounts; and it explains how the visual skills and habits evolved in the daily life of any society enter into its painters' style. Renaissance painting is related for instance to experience of such activities as
preaching, dancing, and gauging barrels.

This second edition contains an appendix, the original Latin and Italian texts referred to throughout the book, giving the student access to all the relevant, authentic sources.
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Recensioner i media

Dr Jonathan Sawday, University of Southampton Of interest not only to Art Historians, but to anyone concerned with the material culture of the Renaissance.


Genevieve Warwick, History Today It is now almost 50 years since Painting and Experience was first published, yet it retains its power to reconceptualise the History of Art in ways that both closely define and open up to the broadest possible interpretation of what is the very best about the discipline.


Övrig information

<br>Michael Baxandall, Reader of Renaissance Studies at the Warburg Institute, University of London, is also the author of Giotto and the Orators.<br>

Innehållsförteckning

Part 1 Conditions of trade: Introduction; contracts and the client's control; art and matter; the value of skill; perception of skill. Part 2 The period eye: Relative perception; pictures and knowledge; the cognitive style; the function of images; Istoria; the body and its language; figure patterns; the value of colours; volumes; intervals and proportions; the moral eye. Part 3 Pictures and categories: Words and pictures; Giovanni Santi's twenty-five painters; Cristoforo Landino; categories, including nature, relief, purity, ease, perspective, grace, ornateness, variety, composition, colouring, design, difficulty, foreshortening, promptness, blitheness, devotion; conclusion. Texts and references. Index.