Plagiarism and Originality in Nineteenth-Century Literature
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Köp båda 2 för 2013 krMeg Jensen MLR provocative and fruitful, offering new insights
Matthew Reynolds, Times Literary Supplement [a] fast-moving, broad-sweeping book
Kelly Grovier, The Observer [Macfarlane proposes] fresh insights...Crisp, elegant, and impeccably researched, Original Copy promises to challenge reader's assumptions about the true nature of creativity, even those who think they've read it all before.
Review of English Studies, Volume 58, Number 237 an excellent book. It is smart, well researched and, unquestionably, will prove to be an important contribution to the study of literary originality and the history of plagiarism...and impressive and important book.
<br>Dr Robert Macfarlane is a Fellow of Emmanuel College, Cambridge. His first book, Mountains of the Mind: A History of a Fascination (2003), won both the Somerset Maugham Award and the Guardian First Book Award.<br>
1. Introduction; 2. 'Romantic' originality; 3. Legitimising appropriation; 4. George Eliot, originality, and plagiarism; 5. Charles Reade: the realist as plagiarist; 6. Aesthetics of salvage in the fin-de-siecle: originality and plagiarism in Pater, Wilde, and Johnson