Beyond the Score (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
480
Utgivningsdatum
2014-03-13
Förlag
OUP USA
Illustrationer
15 halftones, 7 tables, 21 graphs, 17 music examples
Dimensioner
236 x 163 x 41 mm
Vikt
794 g
Antal komponenter
1
Komponenter
52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam
ISBN
9780199357406

Beyond the Score

Music as Performance

av Nicholas Cook
Inbunden,  Engelska, 2014-03-13
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In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches.
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Övrig information

Nicholas Cook is the 1684 Professor of Music at the University of Cambridge. Author of Music: A Very Short Introduction, which has been translated into fifteen languages, his book The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna won the Society for Music Theory's 2010 Wallace Berry Award. He is a Fellow of the British Academy and Academia Europaea.

Innehållsförteckning

CONTENTS ; ABOUT THE COMPANION WEB SITE ; LIST OF FIGURES ; LIST OF MEDIA EXAMPLES ; INTRODUCTION ; 1 PLATO'S CURSE ; SOUNDED WRITING ; PERFORMATIVE TURNS? ; 2 PAGE AND STAGE ; THEORIST'S ANALYSIS ; PERFORMER'S ANALYSIS ; PERFORMANCE ANALYSIS ; 3 WHAT THE THEORIST HEARD ; AFFECTING THE SENTIMENT ; SPOKEN MELODY, OR SUNG SPEECH ; SCHENKER VS. SCHENKER ; 4 BEYOND STRUCTURE ; STRUCTURE IN CONTEXT ; MOZART'S MINIATURE THEATRE ; RHETORIC OLD AND NEW ; IN TIME AND OF TIME ; 5 CLOSE AND DISTANT LISTENING ; REINVENTING STYLE ANALYSIS ; FORENSICS VS. MUSICOLOGY ; PERFORMING POLAND ; THE SAVOUR OF THE SLAV ; 6 OBJECTIVE EXPRESSION ; NATURE'S NUANCE ; PHRASE ARCHING IN HISTORY ; PHRASE ARCHING IN CULTURE ; 7 PLAYING SOMETHIN' ; REFERENTS AND REFERENCE ; THE WORK AS PERFORMANCE ; 8 SOCIAL SCRIPTS ; AN ETHNOGRAPHIC TURN ; SOCIALITY IN SOUND ; PERFORMING COMPLEXITY ; 9 THE SIGNIFYING BODY ; 31 AUGUST 1970, 3.30 AM ; THE WHITE MAN'S BLACK MAN ; 10 EVERYTHING COUNTS ; PLEASURES OF THE BODY ; BODIES IN SOUND ; BUILDING BRIDGES ; 11 THE GHOST IN THE MACHINE ; MUSIC EVERYWHERE ; ORIGINAL AND COPY ; SIGNIFYING SOUND ; 12 BEYOND REPRODUCTION ; THE BEST SEAT IN THE HALL ; ACOUSTIC CHOREOGRAPHY ; RETHINKING THE CONCERT ; MAKING MUSIC TOGETHER ; LIST OF REFERENCES

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