Modernism and Copyright (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
400
Utgivningsdatum
2011-01-27
Förlag
OUP USA
Illustrationer
illustrations
Dimensioner
236 x 157 x 28 mm
Vikt
699 g
Antal komponenter
1
ISBN
9780199731534
Modernism and Copyright (inbunden)

Modernism and Copyright

Inbunden Engelska, 2011-01-27
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How was modernism shaped by copyright law? How did modernists, for their part, exploit, reform, and evade intellectual property law? In pursuit of these questions, Modernism and Copyright brings together essays by well-known scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates.
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Fler böcker av Paul K Saint-Amour

  • Tense Future

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  • The Copywrights

    Paul K Saint-Amour

    They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are th...

Recensioner i media

Review of English Studies An absorbing inquiry, from multiple perspectives. into how intellectual property laws and practices in the last century have embodied, shaped, and responded to foundational assumptions about the nature of identity, property, creativity, and collectivity.


Övrig information

<br>Paul K. Saint-Amour is Associate Professor of English at the University of Pennsylvania and the author of The Copywrights: Intellectual Property and the Literary Imagination.<br>

Innehållsförteckning

ACKNOWLEDGMENTS; SERIES EDITORS' FOREWORD; PAUL K. SAINT-AMOUR; "INTRODUCTION: MODERNISM AND THE LIVES OF COPYRIGHT"; 1. Portraits of the Modernist As Copywright; ROBERT SPOO; "EZRA POUND, LEGISLATOR: PERPETUAL RIGHTS AND UNFAIR COMPETITION WITH THE DEAD"; CELIA MARSHIK; "THINKING BACK THROUGH COPYRIGHT: FREEDOM AND FAIR USE IN VIRGINIA WOOLF'S NONFICTION"; 2. Melodic Properties of the Culture System; MARK OSTEEN; "RHYTHM CHANGES: CONTRAFACTS, COPYRIGHT, AND JAZZ MODERNISM"; JOANNA DEMERS; "MELODY, THEFT, AND HIGH CULTURE"; 3. The Fall and Rise of Remix Culture; PETER DECHERNEY; "GAG ORDERS: COMEDY, CHAPLIN, AND COPYRIGHT"; W. RON GARD & ELIZABETH TOWNSEND GARD; "MARKED BY MODERNISM: RECONFIGURING THE 'TRADITIONAL CONTOURS OF COPYRIGHT LAW' FOR THE TWENTY-FIRST CENTURY"; 4. Regimes of Attribution and Publicity; CATHERINE L. FISK; "THE MODERN AUTHOR AT WORK ON MADISON AVENUE"; OLIVER GERLAND; "MODERNISM AND THE EMERGENCE OF THE RIGHT OF PUBLICITY: FROM HEDDA GABLER TO LUCY, LADY DUFF-GORDON"; 5. Biography, Privacy, and Copyright; MARK A. FOWLER; "'THE QUICK IN PURSUIT OF THE DEAD': IAN HAMILTON AND THE CLASH BETWEEN LITERARY BIOGRAPHERS AND COPYRIGHT OWNERS"; CAROL LOEB SHLOSS; "PRIVACY AND THE MISUSE OF COPYRIGHT: THE CASE OF SHLOSS V. THE ESTATE OF JAMES JOYCE"; 6. Calving the Wind; STANFORD G. GANN, JR; "BEYOND THE GRAVE: CONTINUING LIFE THROUGH GREAT WORKS"; MARY DE RACHEWILTZ; "MENS SINE AFFECTU"; 7. Modernism After Modernism; JOSEPH R. SLAUGHTER; "'IT'S GOOD TO BE PRIMITIVE': (RE)PLACING AFRICA AT THE ENDS OF MODERNISM"; ERIC HAYOT & EDWARD WESP; "SOLOMON'S BLUFF: VIRTUAL PROPERTY AND THE AESTHETICS OF MODERN WORLDMAKING"; APPENDIX: COPYRIGHT PROTECTION AND USERS' RIGHTS-FREQUENTLY ASKED QUESTIONS; BIBLIOGRAPHY; NOTES ON CONTRIBUTORS; INDEX