YouTube, Music Video, and the New Digital Cinema
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Köp båda 2 för 638 krCaryl Flinn, Professor of Screen Arts and Cultures, University of Michigan Unruly Media is ambitious in scope yet is written with a lightness of touch. Vernallis guides us through music video, YouTube, and digital cinema, tackling the rewards and challenges of their mutually-influencing 'accelerated aesthetic'. An insightful and original study.
Will Straw, Professor of Art History and Communication Studies, McGill University Carol Vernallis was already the best scholar of music video, and I've waited eagerly for this new book. In Unruly Media she offers a sharp, ground-breaking account of what happens when the boundaries between film, video and digital media are criss-crossed in a myriad of interesting ways.
George Toles, University of Manitoba Carol Vernallis's work on soundtracks in digital media seems to me the most exciting commentary on sound/image relationship since Michel Chion's Voice in Cinema. When I read one of Carol's virtuoso treatments of moment-to-moment musical shaping of image reception, I often feel that I have barely attended to sound components at all. Her jazzy prose has an exultant, frequently hallucinatory vividness that takes you all the way in to whatever experience she's describing. It is rare to find film (much less music video) criticism that delights and instructs, as Carol's does, in equal measure.
Twentieth Century Music Full of flair, unexpected twists and non-linear asides, Unruly Media resembles the unique flow of new audiovisual media, inviting the reader to assemble the parts herself and become part of this post-classical scholarship.
Jonas Akerlund, director of Spun, Small Apartments, Beyonce's "Haunted" and "Superpower," and Lady Gaga's "Paparazzi" and "Telephone". Carol's in-depth analysis of music-video culture and its fate is an eye-opening look into pop culture. It is an engrossing and thought-provoking read--worth checking out.
<br>Carol Vernallis teaches Media Studies at Stanford University. She is author of Experiencing Music Video: Aesthetics and Cultural Context (2004) and co-editor of The Oxford Handbook of New Audiovisual Aesthetics (2013) and The Oxford Handbook of Sound and Image in Digital Media (2013).<br>
INTRODUCTION ; I. NEW DIGITAL CINEMA ; 1. THE NEW CUT-UP CINEMA ; 2. THE AUDIOVISUAL TURN AND POST-CLASSICAL CINEMA ; 3. MUSIC VIDEO INTO POST-CLASSICAL CINEMA ; 4. MOULIN ROUGE: DELIRIOUS CINEMA ; 5. MUSIC VIDEO, SONGS, SOUND: ETERNAL SUNSHINE OF THE SPOTLESS MIND ; 6. RECIPROCITY, BOLLYWOOD AND MUSIC VIDEO: MANI RATNAM'S DIL SE AND YUVA ; II. YOUTUBE ; 7. YOUTUBE AESTHETICS ; 8. AUDIOVISUAL CHANGE: VIRAL WEB MEDIA AND THE OBAMA CAMPAIGN ; 9. REFIGURING MUSIC VIDEO: BEYONCE'S "VIDEO PHONE" ; III. MUSIC VIDEO ; 10. MUSIC VIDEO'S SECOND AESTHETIC? ; 11. DIGITAL STYLE: FRANCIS LAWRENCE AND DAVE MEYERS ; 12. A MUSIC VIDEO CANON? ; AFTERWORD: ACCELERATED AESTHETICS: A NEW LEXICON OF TIME, SPACE AND RHYTHM ; INDEX