Digital Evidence and Literary Change
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Köp båda 2 för 481 krIn the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed...
"Distant Horizons not only proves that Ted Underwood is defining the field of cultural analytics as it emerges; it shows us why. Combining literary theory with a deep understanding of computational methods, this volume demonstrates and effectively argues that quantitative analysis is best used not to find objective truths but to explore perspectives, both historically local and theoretical. It is at once a primer for quantitative literacy and a historically sensitive exploration of gender, genre, character, and audience, putting paid once and for all to the notion that statistical methods have no place in hermeneutics."--Laura Mandell, author of Breaking the Book: Print Humanities in the Digital Age "Distant Horizons is of compelling interest to digital humanists. But its true audience is a wider society of literary and other humanities scholars spanning across fields, periods, approaches, and levels. For this larger audience, Ted Underwood goes out of his way to make distant reading accessible, inviting, and persuasive. This innovative book is the breakout work digital humanists have been waiting for, and it is positioned to be a landmark work in literary scholarship at large."--Alan Liu, author of Friending the Past: The Sense of History in the Digital Age
Ted Underwood is professor of information sciences and English at the University of Illinois, Urbana-Champaign. He is also the author, most recently, of Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies.