Reconfiguring Myth and Narrative in Contemporary Opera (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
264
Utgivningsdatum
2015-11-30
Förlag
Indiana University Press
Illustrationer
3 Tables, black and white
Dimensioner
236 x 157 x 20 mm
Vikt
568 g
Antal komponenter
1
Komponenter
1652:Standard B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Case Laminate on White w/Gloss Lam
ISBN
9780253017994

Reconfiguring Myth and Narrative in Contemporary Opera

Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun

Inbunden,  Engelska, 2015-11-30
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Yayoi Uno Everett focuses on four operas that helped shape the careers of the composers Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun, which represent a unique encounter of music and production through what Everett calls "multimodal narrative." Aspects of production design, the mechanics of stagecraft, and their interaction with music and sung texts contribute significantly to the semiotics of operatic storytelling. Everett's study draws on Northrop Frye's theories of myth, Lacanian psychoanalysis via Slavoj iek, Linda and Michael Hutcheon's notion of production, and musical semiotics found in Robert Hatten's concept of troping in order to provide original interpretive models for conceptualizing new operatic narratives.
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  • Music of Louis Andriessen

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Recensioner i media

In the last 20 years, scholarly research on opera has encompassed cultural, media, gender, psychoanalytic, and literary theories. With this book, Everett makes an important, impressive contribution to that scholarship. . . . Highly recommended. * Choice * [O]ne of the most satisfying aspects of Reconfiguring Myth is Everett's sensitive attention to the way different productions articulate an opera as historical drama, allegory, and myth; such case studies set a new standard in our understanding of contemporary opera as not only a multi-dimensional, but also a constantly changing theatrical experience. * Music and Letters *

Övrig information

Yayoi Uno Everett is Professor of Music at University of Illinois at Chicago and author of Music of Louis Andriessen.

Innehållsförteckning

Preface Acknowledgments List of Abbreviations 1. Toward a Multimodal Discourse on Opera 2. Osvaldo Golijov's Ainadamar: A Myth of "Wounded" Freedom 3. Kaija Saariaho's Adriana Mater: A Narrative of Trauma and Ambivalence 4. John Adams' Doctor Atomic: A Faustian Parable for the Modern Age? 5. The Anti-hero in Tan Dun's The First Emperor Epilogue: Opera as Myth in the Global Age Glossary Notes Bibliography Index