Speaking Pictures (häftad)
Häftad (Paperback / softback)
Antal sidor
Indiana University Press
black & white illustrations
228 x 152 x 12 mm
430 g
Antal komponenter
2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam
Speaking Pictures (häftad)

Speaking Pictures

Neuropsychoanalysis and Authorship in Film and Literature

Häftad Engelska, 2016-03-21
Skickas inom 10-15 vardagar.
Fri frakt inom Sverige för privatpersoner.
Boken kan tyvärr inte levereras innan julafton.
Finns även som
Visa alla 2 format & utgåvor
Alistair Fox presents a theory of literary and cinematic representation through the lens of neurological and cognitive science in order to understand the origins of storytelling and our desire for fictional worlds. Fox contends that fiction is deeply shaped by emotions and the human capacity for metaphorical thought. Literary and moving images bridge emotional response with the cognitive side of the brain. In a radical move to link the neurosciences with psychoanalysis, Fox foregrounds the interpretive experience as a way to reach personal emotional equilibrium by working through autobiographical issues within a fictive form.
Visa hela texten

Passar bra ihop

  1. Speaking Pictures
  2. +
  3. The Feeling Brain

De som köpt den här boken har ofta också köpt The Feeling Brain av Mark Solms (inbunden).

Köp båda 2 för 2008 kr


Har du läst boken? Sätt ditt betyg »

Recensioner i media

"Very rich argumentation that progressively constructs its object, shifting with much skill from the conceptual elaboration of its global perspective to the various concrete examples of works approached so to give it flesh and blood." -Raymond Bellour, film critic, theorist, and author of The Analysis of Film

Bloggat om Speaking Pictures

Övrig information

Alistair Fox is Professor Emeritus of English at the University of Otago, New Zealand. He is author of Jane Campion: Authorship and Personal Cinema (IUP, 2011), translator of Anne Gillain's Francois Truffaut: The Lost Secret (IUP, 2013), and editor (with Raphaelle Moine, Hilary Radner, and Michel Marie) of A Companion to Contemporary French Cinema.


Acknowledgments Introduction 1. Changing Configurations in Theories of Fictive Representation 2. Why Does Fictive Representation Exist? 3. The Wellsprings of Fictive Creativity 4. The Materials of Fictive Invention 5. The Informing Role of Fantasy 6. The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes 7. The Exploitation of Generic Templates and Intertexts as Vehicles for Affect-Regulation 8. Theories of Reception in the Twentieth and Twenty-First Centuries 9. A Neuropsychoanalytic Theory of Reception 10. Intersubjective Attunement, Filiation and the Re-creative Process: Jules and Jim-from Henri-Pierre Roche to Francois Truffaut 11. The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet 12. Tracking a Personal Myth through an Oeuvre: the Films of Francois Ozon Conclusion Filmography Select Bibliography Index