The Image in Early Cinema (häftad)
Fler böcker inom
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
392
Utgivningsdatum
2018-03-22
Förlag
Indiana University Press
Medarbetare
Gauthier, Philippe / Gunning, Tom
Illustrationer
55 Illustrations, black and white
Dimensioner
229 x 152 x 18 mm
Vikt
459 g
Antal komponenter
1
Komponenter
1623:Standard B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam
ISBN
9780253034397
The Image in Early Cinema (häftad)

The Image in Early Cinema

Form and Material

Häftad Engelska, 2018-03-22
359
Skickas inom 10-15 vardagar.
Fri frakt inom Sverige för privatpersoner.
Finns även som
Visa alla 2 format & utgåvor
In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.
Visa hela texten

Passar bra ihop

  1. The Image in Early Cinema
  2. +
  3. Postwar: the Films of Daniel Eisenberg

De som köpt den här boken har ofta också köpt Postwar: the Films of Daniel Eisenberg av Raymond Bellour, Nora M Alter, Tom Gunning, Jeffrey Skoller (häftad).

Köp båda 2 för 718 kr

Kundrecensioner

Har du läst boken? Sätt ditt betyg »

Bloggat om The Image in Early Cinema

Övrig information

Richard Abel is Professor Emeritus of International Cinema and Media Studies at the University of Michigan. His recent books include Americanizing the Movies and 'Movie-Mad' Audiences, 1910-1914, and Menus for Movie Land: Newspapers and the Emergence of American Film Culture, 1913-1916. Kaveh Askari is Associate Professor of English and Film Studies at Michigan State University. He is author of Making Movies into Art: Picture Craft from the Magic Lantern to Early Hollywood. Ian Christie is Professor of Film and Media History at Birkbeck College. His recent books include The Art of Film: John Box and Production Design and Doctor Zhivago. Denis Condon is Lecturer in Cinema at Maynooth University. He is author of Early Irish Cinema, 1895-1921. Scott Curtis is Associate Professor in the Department of Radio/Television/Film at Northwestern University. He is author of The Shape of Spectatorship: Art, Science, and Early Cinema in Germany. Marina Dahlquist is Associate Professor of Cinema Studies at Stockholm University. She is editor of Exporting Perilous Pauline: Pearl White and the Serial Film Craze. Leslie DeLassus recently completed a dissertation in Film Studies at the University of Iowa titled "Salvage Historiography: Viewing, Special Effects, and Norman Dawn's Unpreserved Archive" and teaches online courses in Gender Studies at the University of Mississippi. Rodolphe Gahery is a Doctoral Fellow at Universite Paris Nanterre. He is presently writing a doctoral dissertation entitled "Les premieres actualites filmees (1895-1914): des Cinematographes au Cinema?" Philippe Gauthier lectures in cinema and media at the University of Ottawa. He is author of Le montage alterne avant Griffith. Frank Gray is Director of Screen Archive South East at the University of Brighton. He is editor with Kaveh Askari, Scott Curtis, Louis Pelletier, Tami Wililams, and Joshua Yumibe of Performing New Media, 1890-1915. Tom Gunning is Edwin A. and Betty L. Bergman Distinguished Service Professor in the Department of Cinema and Media Studies at the University of Chicago. He is author of D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph, and The Films of Fritz Lang: Allegories of Vision and Modernity. Florian Hoof is Assistant Professor at the Institute for Advanced Studies, Media Cultures of Computer Simulation at Leuphana University Luneburg. He is author of Engel der Effizienz. Eine Mediengeschichte der Unternehmensberatung and Angels of Efficiency: A Media History of Consulting. Laura Horak is Assistant Professor of Film Studies at Carleton University. She is author of Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema and editor with Jennifer M. Bean and Anupama Kapse of Silent Cinema and the Politics of Space (IUP). Jeremy Houillere is a doctoral candidate in Film Studies at the University of Rennes 2 and the University of Montreal. His thesis is on intermedial relations between the early French comic films (1900-1914) and the satirical press of the period. Gunnar Iversen is Associate Professor of Film Studies at Carleton University. He is author with Astrid Soderbergh Widding and Tytti Soila of Nordic National Cinemas and editor with Jan Ketil Simonsen of Beyond the Visual: Sound and Image in Ethnographic and Documentary Film. Martin L. Johnson is Assistant Professor of Media Studies at The Catholic University of America. He is author of Main Street Movies: The History of Local Film in the United States (IUP). Frank Kessler is Professor of Media History at Utrecht University and Director of Utrecht University's Research Institute for Cultural Inquiry (ICON). He is author of Mise en scene, and co-editor or Networks of Entertainment. Early Film Distribution 1895-1915. Dimitrios Latsis is Assistant Professor of Film Studies at the School of Image Arts of Ryerson University in Toronto. Sabine Lenk is a film archivist, media historian, a

Innehållsförteckning

Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe Part I: Form 1. La part picturale du tableau-style / Valentine Robert 2. The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand 3. The Vision Scene: Revelation and Remediation / Frank Gray 4. Animating Antiquity / Laura Horak 5. Caricature et films comiques a la Belle Epoque: quand le dessin de presse rencontre le cinema / Jeremy Houillere 6. De la presse illustree a l'actualite filmee (1894-1910) : l'emergence d'une nouvelle culture visuelle de l'information ? / Rodolphe Gahery 7. From Pathe to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel 8. Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson 9. A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen Part II: Material 10. Between "Recognition" and "Abstraction": Early Vocational Training Films / Florian Hoof 11. Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus 12. Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin 13. The Color Image / Joshua Yumibe Part III: Networks 14. Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Joerg Schweinitz 15. Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari 16. Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist 17. A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie 18. Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-13) / Gregory A. Waller 19. The City View(ed): Muybridge's Panoramas of San Francisco and their Afterlives in Early Cinema / Dimitrios Latsis 20. California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe 21. What is a Fake Image? / Frank Kessler and Sabine Lenk 22. The Lantern Image between Stage and Screen / Artemis Willis Part IV: Discourses 23. Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional Era Quality Films / Tom Paulus 24. Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson 25. Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon 26. An "Advertising Punch" in Every Frame: Image Making in Early Advertising Films / Martin L. Johnson Appendix: Translations 27. English Translation of Chapter 1: Early Cinema's Realizations: The Pictorial in the Tableau Style / Valentine Robert 28. English Translation of Chapter 5: Caricature and Comic Films in the Belle Epoque: When the Illustrated Press Met the Cinema / Jeremy Houillere 29. English Translation of Chapter 6: From the Illustrated Press to Filmed Actualities (1894-1910): The Emergence of a New "Visual Information Culture"? / Rodolphe Gahery