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Köp båda 2 för 849 krThis comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant t...
Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance ...
"The outstanding originality of this book lies in the detail and perspicuity with which interrelations are traced between texts, it even seems that relations sometimes work backwards. Above all, this book does not offer a 'theory of intertextuality.' Rather, it is a many-sided survey of the topic, open-ended and truthful. It is fresh and inspirational." --Raymond Monelle, Reader in Music at the University of Edinburgh and author of Linguistics and Semiotics in Music
Michael L. Klein is Assistant Professor of Music Theory at Temple University. He has published articles on the music of Lutoslawski and Chopin.
Preface 1. Eco, Chopin, and the Limits of Intertextuality 2. The Appeal to Structure 3. On Codes, Topics, and Leaps of Interpretation 4. Bloom, Freud, and Riffaterre: Influence and Intertext as Signs of the Uncanny 5. Narrative and Intertext: The Logic of Suffering in Lutoslawski's Symphony No. 4 Glossary Notes Works Cited Index