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Köp båda 2 för 450 krHow the deliberate cracking and breaking of playback media has produced experimental music and sound by artists and musicians ranging from Nam June Paik and Christian Marclay to Yasunao Tone and Oval. From the mid-twentieth century into the twenty...
This open access book synthesizes the swiftly growing critical scholarship on mistakes, glitches, and other aesthetics and logics of imperfection into the first transdisciplinary, transnational framework of imperfection studies. In recent years, t...
"Responding to the increasingly frequent contention that 'sound' itself is a category of contemporary art practice, this rewarding collection of voices illuminates the sometimes distinct, but more often overlapping zones of the auditory, the musical, and the sonic, from Luigi Russolo's Art of Noises to our heterogeneous present. Fascinating and useful."-Marina Rosenfeld, artist and composer, co-chair, Music/Sound, Milton Avery Graduate School of the Arts, Bard College
Caleb Kelly is a New Zealand-born writer, curator, and producer in the fields of experimental music, sound arts, and performance. A lecturer at Sydney College of the Arts, University of Sydney, he is the author of Cracked Media: The Sound of Malfunction (MIT Press, 2009).