Painting the Hortus deliciarum

Danielle B. Joyner presents her analysis in a concise, fluid writing style and she has selected magnificent images from the HD to accompany her insightful text. Painting the Hortus Deliciarum is a welcome addition to any medieval collection. Mihaela L. Florescu Comitatus In order to identify what is distinctive about the Hortus, the author looks at the textual sources used, the twelfth-century monastic context, and comparable compendia with shared concepts. Also of interest to students of the history of science, the book pays serious attention to cosmological diagrams and computus tables for tabulating the dates of movable feasts, arguing that these tables are themselves a form of exegesis and essential elements in the overall educational message of the work and its biblical history and concern with moral struggle against vice. . . . Written in an engaging and accessible style, the book is copiously illustrated and well documented, and it has a lengthy bibliography. J. Oliver Choice Even in the post-Enlightenment academic world these emphatically medieval Christian works continue to nourish intellectual growth. Adam S. Cohen Common Knowledge Joyners book will be valuable to any scholar interested in the intellectual life of medieval monastic womens communities. It bolsters previous studies that have shown the level of sophisticated learning that was available at Hohenbourg, and thus furthers the case that medieval womens education could be more complex than currently thought. Sarah Celentano Peregrinations: Journal of Medieval Art and Architecture Though Joyner is an art historian and her study is primarily of the HDs images, one of its real strengths is her fresh appreciation for and approach to the texts whose ideas shaped the manuscripts sensibilities. Rather than relying simply on modern studies of twelfth-century thought, she reads the original texts in some of the same ways that Abbess Herrad must have, following medieval cues in order to situate the manuscript within the Hohenbourgs wider intellectual life. Nathaniel M. Campbell Peregrinations: Journal of Medieval Art and Architecture Painting the Hortus deliciarum reassesses the visual mechanics of the HD, expands our understanding of twelfth-century women's education, and rethinks the structure and dynamics of time as it was understood in the middle ages. Megan McNamee The Medieval Review Painting the Hortus deliciarum breaks new ground by addressing the central role of timehistorical, cosmological, exegetical, and liturgicalin Herrad's vision. Joyner brings to her art-historical analysis an exceptional grasp of both the intricate technicalities and the rich moral, ascetic, and theological resonances of time and time-reckoning for the Middle Ages. Her portrait of Herrad reveals a creative visual theologian who is also deeply rooted in the learned traditions of her age. Faith Wallis,McGill University Expanding positivist scholarship, Danielle Joyner considers the Hortus deliciarums function and the intellectual currents that generated its illustrations. Sensitive to slippages in the copying of pictorial, scientific, and textual sources, she argues that Herrad not only compiled an encyclopedia of traditional knowledge but also taught her community ways to seek new information from it and to formulate original ideas. Herbert L. Kessler,Johns Hopkins University Painting the Hortus deliciarum is an erudite, probing exploration of the sophisticated ways in which monastic authors and artists took up the challenge of visualizing a plural conception of time in the high Middle Ages. In Joyner's lucid and compelling account, we rediscover the important role played by images for female monastics' understandings of the rich interplay between calendar and cosmos. Sensitive to the imbrication of tradition and innovation in the images she

Danielle Joyner is Assistant Professor of Medieval Art History at Lawrence University.

List of Illustrations Acknowledgments introduction: The Garden of Delights 1 Feminae, Libri, et Hortus deliciarum 2 Stellae et Tempora 3 Artes et Computus 4 Horae, Elementa, et Sapientia 5 Ecclesia et Historia conclusion Notes Bibliography Index