Art and Punishment in the 'Metamorphoses'
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"A very readable close analysis of the key episodes about artists and their relationship to their audiences and those in power. Johnson shows that the sense of foreboding about artistic freedom of expression that pervades Ovid's exile-poetry had set in even when he was writing the earlier Metamorphoses."--Martin Helzle, Case Western Reserve University "Johnson offer[s] useful interpretive observations, especially on Ovid's use of his Greek and Latin influences."--Choice "[A]n engagingly-written and well-constructed book which should be of interest to students and scholars of Ovid alike."--Rebecca Armstrong, Journal of Roman Studies "A new and stimulating reading of three central episodes of Ovid's brilliant Metamorphoses: the artistic contests between the Muses and their challengers, and Minerva and her challenger Arachne, and the more extended tale of Orpheus singing his lays of boy-love and forbidden female passions. All three narratives are set in the full dimensions of Ovid's own literary and political context. Johnson's scholarship is up-to-date, and her subtle interpretation is supported by translation of all passages discussed. It is at the center of current Latin literary studies, and should provoke lively and positive reactions."--Elaine Fantham, Princeton University
Patricia J. Johnson is associate professor of classical studies at Boston University.