The Yale Edition of The Complete Works of St. Thomas More (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
888
Utgivningsdatum
1981-09-01
Förlag
Yale University Press
Medarbetare
Marc'Hadour, Germain (red.)/Marius, Richard (red.)
Illustrationer
bibliography, index
Volymtitel
Volume 6, Part I & II The Yale Edition of The Complete Works of St. Thomas More A Dialogue Concerning Heresies
Dimensioner
243 x 163 x 31 mm
Vikt
772 g
Antal komponenter
2
Komponenter
2 Hardbacks
ISBN
9780300022117

The Yale Edition of The Complete Works of St. Thomas More

Volume 6, Parts I & II, A Dialogue Concerning Heresies

av Thomas More, Thomas M C Lawler, Germain Marc`Hadour, Richard C Marius
Inbunden,  Engelska, 1981-09-01
1601
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Publication of this volume brings to conclusion the Yale Edition of the Complete Works of St. Thomas More, a thirty-year publishing project of landmark importance in the study of humanism in Western history. The volume contains More's earliest works, probably written between 1492 and 1522, including English poems, a translation and devotional adaptation of Giovanni Francesco Pico's life of his famous uncle Giovanni Pico della Mirandola, and a devotional prose work. These texts together trace More's earliest career as a humanist through his transition to maturity as a defender of the faith.The English poems (c. 1492-1494) are lively and experimental works, written at a time when English poetry was in its doldrums. This collection includes verses for a series of painted hangings in More's father's house, a lament for Queen Elizabeth, wife of Henry VII, traditional and sober Fortune verses, and a lively medieval comic poem, A Merry Gest of a Sergeant and a Friar. The Life of Pico (C. 1510) is very likely More's earliest prose work and is his only extended translation of another writer's Latin into English. The translation is remarkable for its time, when sophisticated Latin was difficult to translate into more primitive English. The Last Things (c. 1522) is an incomplete prose work that re-creates the tradition of writing on death, judgment, hell, and heaven as objects of meditation.
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