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Shooting In Sh*tty Light: The Top Ten Worst Photography Lighting Situations And How To Conquer Them
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In Shooting in Sh*tty Light, professional photographers Lindsay Adler and Erik Valind cover the top ten worst lighting situations and provide a variety of solutions for each. They explain which solutions are most practical and why one option might be preferable over another, examining such problems as extremely low lighting when no flash is allowed, strong backlight, and the light on an overcast day.
Unlike other books that focus on natural light or lighting in general, this book addresses a very real need of beginning photographers, answering the question, What do I do when the lighting is terrible? Lindsay and Erik candidly show you the tools at your disposal, demonstrating the techniques essential to getting the job done with minimal fuss.
- Shows how to deal with ten of the worst lighting situations, such as harsh midday light, extremely low light, and mixed light.
- Offers real-life examples and practical solutions for handling poor light, such as identifying natural reflectors, bouncing light off a wall, or utilizing flash gels.
- Features a fun, conversational style to help you conquer the fear of poor lighting and approach any lighting situation with confidence!
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Lindsay Adler is a professional portrait and fashion photographer based in New York. Her editorials have appeared in dozens of publications internationally, including Bullett Magazine, Zink Magazine, and Fault, and she regularly contributes to a variety of major photo publications, including Professional Photographer, Rangefinder Magazine, and Popular Photography. A speaker at such industry events as WPPI, Photo Plus, and Imaging USA, she teaches thousands of photographers annually on topics ranging from retouching, to fashion techniques, to studio lighting. In addition to Shooting in Sh*tty Light, Lindsay is the author of The Linked Photographer,s Guide to Online Marketing and Social Media and Fashion Flair for Portrait and Wedding Photography.
chapter one Direct Sunlight
chapter two Direct Sunlight, No Shade in Sight
chapter three Fluorescent Light
chapter four Mixed Color Temperatures
chapter five Shooting at Night
chapter six Extremely Low Light, No Flash Allowed
chapter seven Low Light with Flash
chapter eight Dappled Light, High Contrast
chapter nine Strong Backlight
chapter ten Overcast Day
appendix a Glossary
appendix b Equipment