a Cold War spy thriller like you've never read before
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Köp båda 2 för 480 krA whole lot more than just a spy thriller, wrapping together the ties of family, of love and of country -- Barack Obama American Spy updates the espionage thriller with blazing originality * Entertainment Weekly * A fresh perspective. Marie Mitchell, a black female spy, goes on a mission to track down Thomas Sankara, the African Che Guevara, and has to choose between love, her family and her country * Sunday Times * This debut gives a distinctive spin on the spy novel . . . A compelling read * Mail on Sunday * Wilkinson paints a convincing and lively portrait of this fascinating real-life figure. A non-privileged protagonist in this poshest of genres is rare enough to make that the USP, but by any standards this is a fine thriller, thoughtful and dryly witty, richly textured and, when required, pacy and very exciting * Daily Telegraph * A novel that will snatch your summer away. There has never been anything like it, and not because of the Black female spy telling the story, but the kind of story it is: espionage thriller, African political drama, wild romance and doomed family epic -- Marlon James * GQ * If your idea of a cold war thriller is a 'white saviour' hero with conservative values rescuing the world from the Soviet menace, think again: American Spy, Lauren Wilkinson's intelligent and pacy debut set against the background of a real coup d'tat, injects new life into this tired formula . . . this is a complex, powerful story of divided loyalties, double consciousness and moral ambiguity * Guardian * Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities-political, racial, and sexual-bare. Packed with unforgettable characters, it's a stunning book, timely as it is timeless * Paul Beatty, Man Booker Prize-winning author of The Sellout * An intelligent and propulsive debut tackles issues of politics, race, gender and moral ambiguity in a tale of espionage that moves between black FBI agent Marie Mitchell's 1960s New York childhood, her involvement in the 1987 Burkina Faso coup d'etat as a CIA operative and her retreat to Martinique in 1992 * Guardian * It might seem hyperbolic to say that this book is riveting and thrilling from the very first page, except that it totally is. . . . It's a refreshing take on an espionage story . . . that's sexy and suspenseful in equal measure * Marie Claire * The genre-breaking spy story . . . If this isn't made into a film/HBO series then there's something wrong with the world. Written with verve and detail, this is a fantastic thriller that explores the black experience in Reagan's America, the personal vs political of serving your country and just who is on the side of righteousness * Stylist * So much fun... Like the best of John le Carr, it's extremely tough to put down * NPR * Mitchell is an engaging, complex protagonist: feisty and brave but also vulnerable. The story is told in the first person; Wilkinson takes us inside Mitchell's head, which is an interesting place to be. The scenes of New York and African life are sharply observed, the narrative often lyrical. This is an impressive debut, with a multi-faceted and engaging protagonist * Financial Times * For the novel's engaging intelligence and serious reckoning with the world's postwar order, Wilkinson deserves the comparisons to John le Carr she's already receiving. But in bringing a virtually unheard-from fictional viewpoint to espionage literature, she has reinvigorated the genre * Time * A gutsy new thriller . . . challenging boundaries is what brave fiction does, and Wilkinson proves confident enough to carry it off * New York Times * Lauren Wilkinson reminds us of a less-covered side of the Cold War with her debut set in 1986 Africa. FBI agent Marie Mitchell is stationed in Burkina Faso, and when she's assigned to shadow Thomas Sankara, 'Africa's Che Guevara
Lauren Wilkinson grew up in New York City and lives in the Lower East Side. She earned her MFA in Fiction and Literary Translation from Columbia University and has taught writing at Columbia and the Fashion Institute of Technology. She has received writing fellowships from the Center for Fiction and the MacDowell Colony, and her fiction has appeared in Granta.