Imagining Sex and the Visceral in Premodern and Early Modern Spanish Cultural Production
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Köp båda 2 för 3112 krNicholas R. Jones is an Assistant Professor of Spanish and Africana Studies (Bucknell University) whose research agenda explores the agency, subjectivity, and performance of black diasporic identities in early modern Iberia and the Ibero-Atlantic world. He is the author of Staging Habla de Negros: Radical Performances of the African Diaspora in Early Modern Spain (Penn State University Press, May 2019) and a co-editor of Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, December 2018) with Cassander L. Smith and Miles P. Grier. Jones also is a co-editor of the Routledge Critical Junctures in Global Early Modernities book series with Derrick Higginbotham and has published widely in peer-reviewed venues such as Hispanic Review, Journal for Early Modern Cultural Studies, postmedieval: a journal of medieval cultural studies, and University of Toronto Quarterly. Chad Leahy is Assistant Professor of Spanish at the University of Denver, where his research and teaching focus on medieval and early modern Spanish cultural studies. He is currently completing a monograph entitled Jerusalem and the Early Modern Invention of Spain, and is also co-author (with Ken Tully) of Jerusalem Afflicted: Quaresmius, Spain, and the Idea of a 17th-Century Crusade (Routledge, 2019). His research has appeared in journals including Anuario Lope de Vega, Bulletin of Spanish Studies, Cervantes, Criticn, Hispanic Review, Lemir, Revista de Literatura Medieval, Romance Notes, and Translat Library.
Introduction Rethinking the Pornographic in Pre-modern and Early Modern Spanish Cultural Production Nicholas R. Jones, Bucknell University and Chad Leahy, University of Denver Part One Pornographic Hispanisms: Canon Formation, Erotic Concepts Chapter 1 "Una paja mental?": The Fiction of Friction in the Arcipreste de Hitas Story of Pitas Payas Ross Karlan, Geffen Academy at UCLA Chapter 2 Celestina, Prostitution, and Canonicityor, the Book as Brothel Emily C. Francomano, Georgetown University Chapter 3 "Y ass su alma con su mrmol arde": Garcilaso de la Vega and Renaissance Erotica Casey R. Eriksen, Shenandoah University Chapter 4 Witty and Brief Eroticism: The Epigrams of Baltasar del Alczar J. Ignacio Dez, Universidad Complutense de Madrid Chapter 5 Cervantine Obscenity in Translation Sherry Velasco, University of Southern California Chapter 6 Dys/Eu-phemisms: The Pornographic and the Erotic in 18th-Century Spanish Poetry Elena Deanda-Camacho, Washington College Part Two On the Visceral and its (Dis)Contents Chapter 7 On Thresholds, Pygmalionesque Fantasies, and the lascivo impulso in Erotic Poetry Alani Hicks-Barlett, Brown University Chapter 8 Picarasploitation: From the Early Modern Period to the 80s Spanish TV Series Enriqueta Zafra, Ryerson University Chapter 9 "Tan mal francs como gastas": Syphilis in the Poetry of Quevedo Adrin J. Sez, Universit Ca Foscari Venezia Chapter 10 Mara de Zayas and Woman-Authored Pornography Margaret Boyle, Bowdoin College Part Three: Haptic Arousals, Titillating the Senses Chapter 11 "Cuando te tocares, nia": An Approach to Images of Masturbation in Medieval and Early Modern Spanish Poetry lvaro Piquero, Universidad Complutense de Madrid / Fundacin Ramn Menndez Pidal Chapter 12 Pornophonic Noise and the Erotics of Listening in Juan Prez de Montalbns La mayor confusion Vctor Sierra Matute, New York University Chapter 13 Materializing Desire in Two Literary Traditions: Celestina and the Romance of the Western Chamber Yang Xiao, Zhejiang University Chapter 14 Police Voyeurism in Enlightenment Mexico City Nicole von Germeten, Oregon State University