Aristotle and Anglo-Italian Renaissance Genres
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Köp båda 2 för 847 krTragedy is one of the oldest and most revered forms of literature in the western world. Over the centuries, tragedy has shown a tremendous capacity to reinvent itself, often emerging at crucial moments in the evolution of cultural, political and i...
Sarah Dewar-Watson is Honorary Research Fellow at the University of Sheffield, UK.
Introduction 1. The Late Plays and their Genre 1.1 The First Folio, Shakespeare and Genre 1.2 Audiences and Dramatic Competence 1.3 Shakespeare and the Classics 2. Shakespeare and the Reception of the Poetics 2.1 Aristotles Poetics: A Brief Reception History 2.2 Cinthio 2.3 Fletcher and Guarini 3. Happy-Ending Tragedy 3.1 Tranquilla ultima 3.2 Tragicomedy: A Hybrid Genre 3.3 The Statue Scene and the Alcestis 4. Wonder and Empathy 4.1 Wonder and Spectacle 4.2 Wonder: Some Contemporary Contexts 4.3 Empathy and Audience Response 5. Shakespeare and Catharsis 5.1 Aristotle and the Critical Background 5.2 Catharsis and the English Stage 5.3 Purgation: Politics, Law, Penance 5.4 Cathartic Endings 6. The Odyssey and Island Romance 6.1 The Odyssey as Tragicomic Model 6.2 Shakespeare and the Odyssey 6.3 Literary Nostalgia and Textual Genealogies Epilogue