Staging Women's Experience
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Köp båda 2 för 2510 krHow is the individual and the nation constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the people in We the People? This brief study examines the intersection of the USAs sense of...
"["Feminist Theaters in the U.S.A.] offers a comprehensive examination of the heady movement (early 1970s to mid-1980s) that had its roots in avant-garde theatre of the 60s with its left-wing politics and communally created work: lots of group improv before the curtain went up and frequent audience participation afterwards." -"Back Stage
Charlotte Canning is Assistant Professor in the department of Theater and Dance at the University of Texas at Austin. She has published a wide varieky of articles about feminism and theater history.
Table of Contents Dedication Epigraph Table of Contents Illustrations Acknowledgements Introduction Two Projects 1 Writing the History of Feminist Theater Groups 2 Feminism, Theater, and Radical Politics: Intersecting at Experience 3 Collectivity and Collaboration 4 Representing Community and Experience: Plays About Mothers and Daughters 5 Representing the Patriarchy and Experience: Plays About Violence Against Women 6 The Community as Audience Conclusion: Changes and Legacies Appendix A List of Interviews Appendix B Interview Questions Appendix C Feminist Theaters and Producing Organisations Bibliography