Site-Specific Art (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
256
Utgivningsdatum
2000-06-01
Upplaga
illustrated ed
Förlag
Routledge
Medarbetare
Kaye, Nicy
Illustratör/Fotograf
bibliog notes
Illustrationer
notes, bibliog
Dimensioner
247 x 175 x 16 mm
Vikt
660 g
Antal komponenter
1
Komponenter
67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam
ISBN
9780415185592

Site-Specific Art

Performance, Place and Documentation

Häftad,  Engelska, 2000-06-01
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Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.
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Fler böcker av Nick Kaye

Övrig information

Nick Kaye is Professor and Chair of Drama at the University of Manchester. His publications include Postmodernism and Performance (1994) and Art into Theatre (1996). He is Contributing Editor for Performance Research and has edited special issues of Performance Research and Contemporary Theatre Review as well as contributing articles to numerous art and theatre journals.

Innehållsförteckning

Acknowledgments Introduction 1. Spaces 2. Site 3. Materials 4. Frames Conclusion Notes on Contributors Notes Bibliography