The Changing Face of Korean Cinema (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
282
Utgivningsdatum
2015-12-14
Förlag
Routledge
Medarbetare
Shim, Aegyung
Illustratör/Fotograf
black and white 30 Illustrations 30 Halftones, black and white 3 Tables black and white
Illustrationer
3 Tables, black and white; 30 Halftones, black and white; 30 Illustrations, black and white
Dimensioner
234 x 157 x 15 mm
Vikt
363 g
Antal komponenter
1
Komponenter
52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam
ISBN
9780415707657

The Changing Face of Korean Cinema

1960 to 2015

Inbunden,  Engelska, 2015-12-14
2798
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The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history which runs parallel to the nations political, social, economic and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the 21st century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds, and demonstrates the forces behind Koreas positioning of itself as an important contributor to regional and global culture, and especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung-hees authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industrys professionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions between film policy, producing, directing, genre, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of Planet Hallyuwood. It will be of particular interest to students and scholars of Korean Studies and Film Studies.
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'This volume makes a valuable supplement to the existing scholarship on the Korean film industry... ' Jinhee Choi, Kings College London, London, United Kingdom

Övrig information

Brian Yecies is a Senior Lecturer in Cultural Studies at the University of Wollongong, Australia. Aegyung Shim is a past Korea Foundation Postdoctoral Research Fellow at the Institute for Social Transformation Research (ISTR) at the University of Wollongong, Australia.

Innehållsförteckning

Introduction: Introducing "Planet Hallyuwood" Part 1: The Golden Age of the 1960s 1 Hypergrowth of the Propaganda Factory and the Producing Paradox 2 At the Crossroads of Directing and Politics 3 Genre Intersections and the Literary Film 4 Feasting on Asian Alliances: Hong Kong Co-productions and Japanese Remakes Part 2: The Dark Age of the 1970s and Hollywoods Domination in the Aftermath 5 Policy and Producing Under Hollywoods Shadow in the 1970s and 1980s 6 Robust Invalids in a New Visual Era: Directing in the 1970s and 1980s 7 Weapons of Mass Distraction: The Erotic Film Genres of the 1970s and 1980s Part 3: The Golden Age of the Post-censorship Era 8 The Rise of the New Corporate and Female Producers 9 The Rise of the Female WriterDirector and the Changing Face of Korean Cinema10 Genre Transformations in Contemporary Korean Cinema 11 Korean Transnational Cinema and the Renewed Tilt Toward China 12 Conclusion Welcome to Planet Hallyuwood