Local Music Scenes and Globalization (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
304
Utgivningsdatum
2012-12-19
Förlag
Routledge
Illustratör/Fotograf
black and white 4 Tables 20 Halftones black and white
Illustrationer
20 Halftones, black and white; 4 Tables, black and white
Dimensioner
234 x 158 x 19 mm
Vikt
544 g
Antal komponenter
1
Komponenter
14:B&W 6 x 9 in or 229 x 152 mm Case Laminate on White w/Gloss Lam
ISBN
9780415808132
Local Music Scenes and Globalization (inbunden)

Local Music Scenes and Globalization

Transnational Platforms in Beirut

Inbunden Engelska, 2012-12-19
1869
Skickas inom 10-15 vardagar.
Fri frakt inom Sverige för privatpersoner.
Boken kan tyvärr inte levereras innan julafton.
Finns även som
Visa alla 3 format & utgåvor
This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for `insider' audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2.0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges "ethnocentric" perceptions of "locality" in music. It attacks both "Orientalist" readings of the Arab world, the Middle East, and Lebanon, and the focus on musical "difference" in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where "modernity" is not "euro-modernity" or "euro-american modernity," but where possible new configurations of modernity exist next to each other.
Visa hela texten

Passar bra ihop

  1. Local Music Scenes and Globalization
  2. +
  3. The Arab Avant-Garde

De som köpt den här boken har ofta också köpt The Arab Avant-Garde av Thomas Burkhalter, Kay Dickinson, Benjamin J Harbert (häftad).

Köp båda 2 för 2198 kr

Kundrecensioner

Har du läst boken? Sätt ditt betyg »

Fler böcker av Thomas Burkhalter

Recensioner i media

"In this welcome volume, Burkhalter introduces the reader to a string of flourishing, cosmopolitan alternative music scenes in Beirut, via a survey of several musical genres (electronica, jazz, rap, metal and others), an in-depth discussion of several tracks and a contextual history of Lebanese popular music." --Abigail Wood, University of Haifa, Israel, Ethnomusicology Forum "The book starts expressing its ethno-musicological attitude towards the whole subject...Thomas Burkhalter succeeded to give me as a reader the chance to understand the contemporary lifeworld behind it, from various viewpoints. It leaves me with checking the music, making my own selection based upon what I consider as discovering creative messages, while focusing on the creative quality alone this time." - Psychemusic.org

Bloggat om Local Music Scenes and Globalization

Övrig information

Thomas Burkhalter is an ethnomusicologist, music journalist, and cultural producer from Bern, Switzerland.

Innehållsförteckning

Introduction PART I: Theory and Methodology - Music Making in a Digitalized World 1. Globalization and Digitalization in Music 2. Theoretical Frame 3. Methodological Approach PART II: Ethnography - Musicians from Beirut Born During the Lebanese Civil War 4. Experimental Music 5. Metal Music and Classic Rock 6. Urban Music 7. Rap 8. Transnational Networks (Human Hubs) 9. Music as a Media Product 10. Musicians as Actors PART III: Analysis - Six Key Tracks from Beirut 11. Zeid Hamdan: "Aranis" (Remixed) 12. Garo Gdanian: "Remains of a Bloodbath" 13. Mazen Kerbaj: "Blblb Flblb," "ZRRRT," "PIIIIIIIIIIII" 14. Raed Yassin: "Civil War Tapes" 15. Charbel Haber: "Track 5" 16. Rayess Bek: "Schizophrenia" PART IV: History - Sonic Traces from the Past and Present 17. Ground Setting: The Urbanization and Europeanization of Music in the Arab World 18. Modern Music from Cairo - Old Music from Aleppo 19. European Music and Christian Hymns in Beirut (1926 - 1948) 20. The Creation of a "Lebanese Music" (1948 - 1967) 21. Nasserism versus Tourism (1952 - 1967) 22. The Rise of Dissident Culture and Alternative Music (1968 - 1975) 23. Bombs, Protest, Propaganda and Rock Music from the Lebanese Civil War (1975 - 1990) 24. Pan-Arabic Pop and the 2006 War PART V: Meaning - Reading Lebanese Music Making from Different Perspectives 25. Historical Perspectives 26. Socio-Political Perspectives 27. Geo-Political Perspectives 28. Psychological Perspectives 29. Aesthetical Perspectives 30. Euro-American Perspectives Conclusion