How Repeats Invented American Television
The management and labor culture of the entertainment industry. In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchersthe suitswho oppose the more ...
There are certain films and shows that resonate with audiences everywhere they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity. This new teachable canon of film and telev...
"In this compelling contribution to the field, Kompare argues that repetition, rather than liveness or presentness, is 'the primary structuring factor of commercial television in the United States.'"-- Sharon Sharp, Film Quarterly 2006 SCMS Kovacs Book Award: Honorable Mention
Derek Kompare is Assistant Professor of Cinema-Television at Southern Methodist University. He has published several articles on television history and genre, including his work on Nick at Nite, The Osbournes, and the "television heritage" of the 1970s.
INTRODUCTION 1. Industrializing Culture: The Regime of Repetition in the United States, 1790-1920 2. Transcribed Adventures: Radio and the Recording 3. (R) : Film on Early Television 4. Familiarity Breeds Content: Reconfiguring Television in the 1960s and 1970s 5. Our Television Heritage: Reconceiving Past Television 6. Old Wine in New Bottles: Broadcast Rerun Syndication since the 1980s 7. TV Land: Cable and Satellite as Boutique Television 8. Acquisitive Repetition: Home Video and the Television Heritage CONCLUSION NOTES BIBLIOGRAPHY