Theory for Art History (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
264
Utgivningsdatum
2005-08-01
Upplaga
New e.
Förlag
Routledge
Illustratör/Fotograf
black & white illustrations
Illustrationer
black & white illustrations
Dimensioner
230 x 150 x 10 mm
Vikt
320 g
Antal komponenter
1
Komponenter
2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam
ISBN
9780415973649

Theory for Art History

Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal

Häftad,  Engelska, 2005-08-01
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Theory for Art History provides clear and concise introductions to thirty key figures of contemporary theory: four essential predecessors - Freud, Marx, Nietzsche, and Saussure - and twenty-six major moderns from Adorno to Spivak. This book includes key concepts, biography, survey of work, bibliography of primary texts, and a bibliography of secondary criticism. Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal.
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Recensioner i media

"A lucid and profoundly hopeful inquiry into the possibilities for art history and critical theory by one of the most brilliant of the emerging generation of art historians." -Donald Preziosi, Oxford University

Övrig information

Jae Emerling has been Chancellor's Fellow in the Department of Art History at UCLA.

Innehållsförteckning

ACKNOWLEDGEMENTS INTRODUCTION I. PREDECESSORS 1. Sigmund FREUD 2. Karl MARX 3. Friedrich NIETZSCHE 4. Ferdinand de SAUSSURE II. THEORY FOR ART HISTORY 5. Theodor Wiesengrund ADORNO 6. Giorgio AGAMBEN 7. Louis ALTHUSSER 8. Alain BADIOU 9. Roland BARTHES 10. Georges BATAILLE 11. Jean BAUDRILLARD 12. Walter BENJAMIN 13. Pierre BOURDIEU 14. Judith BUTLER 15. Gilles DELEUZE and Felix GUATTARI 16. Jacques DERRIDA 17. Michel FOUCAULT 18. Martin HEIDEGGER 19. Luce IRIGARAY 20. Julia KRISTEVA 21. Jacques LACAN 22. Emmanuel LEVINAS 23. Jean-Francois LYOTARD 24. Maurice MERLEAU-PONTY 25. Edward W. SAID 26. Gayatri Chakravorty SPIVAK III. AFTERWORD: A Relation of Immanence: The Afterlife of Art History and Critical Theory