Rednecks, Queers, and Country Music (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
240
Utgivningsdatum
2014-03-22
Förlag
University of California Press
Illustrationer
black & white illustrations, black & white halftones
Dimensioner
230 x 150 x 15 mm
Vikt
338 g
Antal komponenter
1
ISBN
9780520280663

Rednecks, Queers, and Country Music

av Nadine Hubbs
Häftad,  Engelska, 2014-03-22
410
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In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America's most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs's view, the popular phrase "I'll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how U.S. provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country's manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
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Recensioner i media

"This is one of the most intellectually stimulating books I have read in a long time." -- Benita Wolters-Fredlund Notes Rednecks, Queers, and Country Music is an intellectual tour de force that offers a nuanced exploration of the ways that white middle-class attitudes toward country music and white working-class modes of discourse have led to the marginalization of the white working class in political and cultural discourse. -- Travis Stimeling Journal of the Society for American Music "Rednecks, Queers, and Country Music" is a far-ranging, multi-layered analysis, full of provocative insights, packaged in crisp, engaging prose" -- John Hayes Agricultural History "Hubbs uses country music to uncover longstanding alliances between white working class and queer subcultures. Such alliances have been obscured by stereotypes of low-status whites, or "rednecks," as uniformly bigoted and homophobic, and of "middle America" as homogenous and provincial. Hubbs trenchantly critiques middle-class disavowals of working class culture (exemplified by the phrase "I'll listen to anything but country"), and meticulously analyzes songs by the Foo Fighters, Gretchen Wilson, David Allen Coe, and others. Hubbs writes that "To hear country on its own terms, we must seek out the particular values and devalued culture of the working class." IASPM-US (2015 Woody Guthrie Award, Honorable Mention)

Övrig information

Nadine Hubbs is Professor of Women's Studies and Music, Faculty Associate in American Culture, and Director of the Lesbian-Gay-Queer Research Initiative (LGQRI) at the University of Michigan; she is the author of the award-winning book The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (UC Press).

Innehållsförteckning

List of Illustrations Acknowledgments INTRO PART I. Rednecks and Country Music 1. Anything but Country 2. Sounding the Working-Class Subject PART II. Rednecks, Country Music, and the Queer 3. Gender Deviance and Class Rebellion in "Redneck Woman" 4. "Fuck Aneta Briant" and the Queer Politics of Being Political OUTRO Notes References Subject Index Song Index

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