Art from San Francisco's Panama-Pacific International Exposition
"The editors of this densely illustrated volume have succeeded in describing the elaborateness of the PPIE production and the profound historic and cultural relevance of the entire exposition. VERDICT: Fascinating throughout, this is a definitive account of a historic San Francisco milepost and the development of its cultural firmament." Library Journal
James A. Ganz is curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco. His recent publications include the Rembrandt's Century, Arthur Tress: San Francisco 1964, and Impressionist Paris: City of Light.
Foreword (Colin B. Bailey) Lenders to the Exhibition Acknowledgements Introduction: "A Beautiful Jewel Set in the Turquoise of the Sea" (James A. Ganz) THE SPIRIT OF THE EXPOSITION Gem of the Golden Age of World's Fairs (Laura A. Ackley) Power of Beauty: Bernard Maybeck's Palace of Fine Arts (Victoria Kastner) The Classical Ideal in the New Athens (Renee Dreyfus) Harmony and Discord in the Murals (Anthony W. Lee) AMERICAN ART "A Pageant of American Art": Constructing Nation and Empire at the Fair (Emma Acker) Jewels of Light and Color: American Painting in the Palace of Fine Arts (Scott A. Shields) "Progressing Along Normal, Wholesome Lines": Modern American Painting (Heidi Applegate) PRINTMAKING AND PHOTOGRAPHY Prints at the Exposition (Colleen Terry) Gallery 34: Contemporary Color Prints (Karin Breuer) Exposing Photography at the Fair (James A. Ganz) THE FRENCH PAVILION AND THE ANNEX The French Pavilion (Martin Chapman) French Paintings at the Exposition: A Triumph of Diplomacy (Melissa E. Buron) A Debut of Hungarian Art in America (Gergely Barki) Ground Plan and Floor Plans Chronology Catalogue of the Exhibition Selected Bibliography Index