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Living in Nature
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Sex, Power, and Perversion on Stageav Axel Englund314Skickas inom 7-10 vardagar.
Gratis frakt inom Sverige över 159 kr för privatpersoner.Imagine Armida, Handel's Saracen sorceress, performing her breakneck coloraturas in a black figure-hugging rubber dress, beating her insubordinate furies into submission with a cane, suspending a captive Rinaldo in chains from the ceiling of her dungeon. Mozart's peasant girl Zerlina, meanwhile, is tying up and blindfolding her fiance to seduce him out of his jealousy of Don Giovanni. And how about Wagner's wizard, Klingsor, ensnaring his choir of flower maidens in elaborate Japanese rope bondage? Opera, it would appear, has developed a taste for sadomasochism. For decades now, radical stage directors have repeatedly dressed canonical operas-from Handel and Mozart to Wagner and Puccini, and beyond-in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understand this phenomenon, approaching the contemporary visual code of perversion as a lens through which opera focuses and scrutinizes its own configurations of sex, gender, power, and violence. The emerging image is that of an art form that habitually plays with an eroticization of cruelty and humiliation, inviting its devotees to take sensual pleasure in the suffering of others. Ultimately, Deviant Opera argues that this species of opera fantasizes about breaking the boundaries of its own role-playing, and pushing its erotic power exchanges from the enacted to the actual.
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Fler böcker av Axel Englund
Axel Englund is Professor of Literature at the Department of Culture and Aesthetics, Stockholm University, and author of Still Songs: Music In and Around the Poetry of Paul Celan.
List of Illustrations Acknowledgments Preface Introduction. Staging Deviance 1. Opera and Sadomasochism 2. Sex in Excess: Rinaldo, Alcina, and the Contemporary Baroque 3. Schools of Libertinage: Don Giovanni with Sade 4. In-House Allegories: Enactment and Actuality in Parsifal and Tosca 5. More or Less Human: Wozzeck, Lulu, and the Soprano Conductor Epilogue. The Actuality Effect and Opera's Quest for Authenticity Notes Works Cited Index