Russian Critics on the Cinema of Glasnost (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
176
Utgivningsdatum
1994-09-01
Förlag
Cambridge University Press
Medarbetare
Horton, Andrew
Illustrationer
10halftones
Volymtitel
Russian Critics on the Cinema of Glasnost
Dimensioner
241 x 158 x 19 mm
Vikt
385 g
Antal komponenter
1
Komponenter
viii, 167 p. :
ISBN
9780521444750
Russian Critics on the Cinema of Glasnost (inbunden)

Russian Critics on the Cinema of Glasnost

Inbunden Engelska, 1994-09-01
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Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: as importantly, they capture a sense of a society in flux during the waning years of communism, as well as the larger context within which Glasnost cinema and culture developed. This collection provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.
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  • The Zero Hour

    Andrew Horton, Michael Brashinsky

    Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How hav...

Recensioner i media

"Brashinsky and Horton have done it again...the work consists of 23 essays, which are sometimes witty, sometimes trenchant, and always replete with the requisite amount of Eastern European irony...teachers, students, and film buffs will find much of interest here." J. M. Curtis, Choice

"...not only presents the views of Soviet critics on the glasnost movies, it also casts light on film criticism as a type of active and assertive social behavior....a useful tool." Dina Iordanova, Slavic and East European Journal

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Innehållsförteckning

Part I: Films in a Shifting Landscape: 1. Cinema without cinema Mikhail Yampolsky; 2. Cinema for every day Yuri Bogomolov; 3. The last romantics Alexander Timofeevsky; 4. Jobless prophets Lev Karakhan; 5. Midseasonal anarchists Marina Drozdova; 6. The most avant garde of all parallel ones Sergei Dobrotvorsky; Part II. Glasnost's Top Ten: 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina; 8. Between the circus and the zoo Igor Aleinikov; 9. Is it easy to be young; is it easy to be grown up? Lev Anninsky; 10. Deafening voids Alexander Kiselev; 11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky; 12. The cold summer of '53 Mikhail Trofimenkov; 13. Birds of passage Mikhail Trofimenkov; 14. Assa; The tenderest shroud Alexander Timofeevsky; 15. Commissar Maya Turovskaya; 16. Little Vera: forward, singing Tatyana Moskvina; 17. Days of eclipse: out of bounds Victor Bozhovich; 18. The days of eclipse Maya Turovskaya; 19. The world as a mirror for the other world Mikhail Yampolsky; 20. A billion years before the end of cinema Tatyana Moskvina; 21. The needle: a dandy of the postpunk era Marine Drozdova; 22. Taxi blues: forgiveness Pyotr Shepotinnik; 23. Taxi fares, blues fans and film viewers Sergei Lavrentiev; Conclusion; Notes on the Contributors; Directors' Bio-filmography; Filmography; Index.