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Köp båda 2 för 1250 krNow faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How hav...
Now faced with the "e;zero hour"e; created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How h...
"Brashinsky and Horton have done it again...the work consists of 23 essays, which are sometimes witty, sometimes trenchant, and always replete with the requisite amount of Eastern European irony...teachers, students, and film buffs will find much of interest here." J. M. Curtis, Choice
"...not only presents the views of Soviet critics on the glasnost movies, it also casts light on film criticism as a type of active and assertive social behavior....a useful tool." Dina Iordanova, Slavic and East European Journal
Part I: Films in a Shifting Landscape: 1. Cinema without cinema Mikhail Yampolsky; 2. Cinema for every day Yuri Bogomolov; 3. The last romantics Alexander Timofeevsky; 4. Jobless prophets Lev Karakhan; 5. Midseasonal anarchists Marina Drozdova; 6. The most avant garde of all parallel ones Sergei Dobrotvorsky; Part II. Glasnost's Top Ten: 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina; 8. Between the circus and the zoo Igor Aleinikov; 9. Is it easy to be young; is it easy to be grown up? Lev Anninsky; 10. Deafening voids Alexander Kiselev; 11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky; 12. The cold summer of '53 Mikhail Trofimenkov; 13. Birds of passage Mikhail Trofimenkov; 14. Assa; The tenderest shroud Alexander Timofeevsky; 15. Commissar Maya Turovskaya; 16. Little Vera: forward, singing Tatyana Moskvina; 17. Days of eclipse: out of bounds Victor Bozhovich; 18. The days of eclipse Maya Turovskaya; 19. The world as a mirror for the other world Mikhail Yampolsky; 20. A billion years before the end of cinema Tatyana Moskvina; 21. The needle: a dandy of the postpunk era Marine Drozdova; 22. Taxi blues: forgiveness Pyotr Shepotinnik; 23. Taxi fares, blues fans and film viewers Sergei Lavrentiev; Conclusion; Notes on the Contributors; Directors' Bio-filmography; Filmography; Index.