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Köp båda 2 för 384 krFrancophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timel...
Alexie Tcheuyap is Professor of French and Francophone Studies at the University of Toronto. -- .
List of images Acknowledgements Introduction: African cinema, nationalism and its discontents i African cinema and national(ist) constructions ii Wealth and poverty of nationalist scholarship iii Postnational(ist) imaginary and new paradigms 1. Comedy and film i Comedic archetypes ii Verbal and visual comedy 2. Choreographing subjects i Dance on stage ii Dance, syntax, and discourse 3. Crimes, society and the "commandement" i Africa and theories of (impossible) crime fiction ii Absent investigation and the triumph of the commandement iii Flawed investigations and the decline of the commandement 4. Myth, tragedy, and cinema i On African cultural "specificity" and tragic forms ii Oedipal conflicts, enemy brothers, and families in crisis iii Absolutism, oracles and the tragic 5. Epic constructions i Narrative performance ii Epic magnification 6. (Un)masked sexuality i African sexuality as category of analysis ii Sex in the nation and the trouble with representation iii Framing bodies and the temptation of pornography 7. Witchcraft and the postcolonial i From sorcery imaginary to the imaginary sorcerer ii Occult side of power, power of the occult Conclusion: What is African cinema (today)? Bibliography Filmography -- .