The National Museum of the American Indian

Certain to become a standard text in museum studies classes and programs. That the essays are well written and compelling, passionate and yet solidly scholarly, makes this volume suitable not just for the scholar in museum studies, anthropology, or Native culture but, remarkably, an exciting read even for the general reader. Reading through these pages would instruct anyone planning to make a visit to the National Museum of the American Indian but it will, without question, be of great value to anyone interested in observing or communicating the past to the general public.Roger Welsch, Nebraska History "The goal of this excellent book is not to bring closure to these discussions but to make people think by conveying the complexity of the issues surrounding the NMAI and the unique perspectives of those who come in contact with it."Nancy J. Parezo, Western Historical Quarterly "The seventeen essays in the collection form a magnificent contribution to the field of American Indian studies. Indeed, along with their identification of a number of representational concerns within Native North America, the collective strength of these essays makes it among the most important anthologies in the field. Like the museum it so powerfully interrogates, its importance will endure."Ned Blackhawk, American Quarterly "A wide variety of significant topics offers readers an understanding of the cultural, academic, and political debates that have dominated the contemporary discourse. Themes from Indian sovereignty and historical truths regarding the struggles of the Indian nations since contact to museum exhibit design and cultural sensitivity give an exceptional balance to the framework of analysis presented by the work as a whole."T. Maxwell-Long, CHOICE "Given the large quantity of Plains ethnographic and archaeological materials in the NMAI, this volume should be of interest to all scholars in the region. It is a useful volume for teaching about the history of anthropology and for Native American studies, it is terrific for teaching about museums, and it is just plain interesting to read."Lynn Goldstein, Great Plains Quarterly "Museum experts and museumgoers should read this volume. . . . The wealth of information contained within it will encourage those interested in and curious about the placement and holdings of this public museum to visit, because Natives now claim a place in this discussion and in one of the most important public spaces of this countrythe National Mall."Rebecca Bales, SAIL

Amy Lonetree (Ho-Chunk) is an assistant professor of American studies at the University of California, Santa Cruz. She has conducted research on the representation of Indigenous peoples in both national and tribal museums and published articles in the American Indian Quarterly and the Public Historian. Amanda J. Cobb (Chickasaw), an associate professor of American studies at the University of New Mexico, oversees the Chickasaw Nations division of history and culture and serves as the editor of American Indian Quarterly. Cobbs book, Listening to Our Grandmothers Stories: The Bloomfield Academy for Chickasaw Females, 18521949, won the North American Indian Prose Award and the American Book Award, and is available in a Bison Books edition. Contributors: Elizabeth Archuleta, Sonya Atalay, Janet Berlo, Mario Caro, Myla Vicenti Carpio, Cynthia Chavez, Amanda J. Cobb, Robin Maria Delugan, Patricia Pierce Erikson, Gwyneira Isaac, Ira Jacknis, Aldona Jonaitis, Amy Lonetree, Judith Ostrowitz, Ruth B. Phillips, Beverly Singer, Paul Chaat Smith, and Pauline Wakeham.

List of Figures Acknowledgements Dedication Introduction The National Museum of the American Indian: Critical Conversations By Amy Lonetree and Amanda J. Cobb Conversation One: History and Development 1. A New Thing?: The NMAI in Historical and Institutional Context By Ira Jacknis 2. Decolonizing the Nations Attic: The NMAI and the Politics of Knowledge-Making in a National Space By Patricia Pierce Erikson 3. Concourse and Periphery: Planning the NMAI By Judith Ostrowitz Conversation Two: Indigenous Methodology and Community Collaboration 4. Critical Reflections on the Our Peoples Exhibit: A Curators Perspective By Paul Chaat Smith 5. Collaborative Exhibit Development at the Smithsonians National Museum of the American Indian By Cynthia Chavez 6. The Making of Who We Are Now Playing at the NMAI Lelawi Theater By Beverly Singer Conversation Three: Interpretations and Response 7. Gym Shoes, Maps, and Passports, Oh My!: Creating Community or Creating Chaos at the NMAI? By Elizabeth Archuleta 8. Indian Country on the National Mall: The Mainstream Press vs. the NMAI By Janet Berlo and Aldona Jonaitis 9. What Are Our Expectations Telling Us?: Encounters with the NMAI By Gwyneira Isaac 10. No Sense of the Struggle: Creating a Context for Survivance at the NMAI By Sonya Atalay 11. (Un)disturbing Exhibitions: Indigenous Historical Memory at the NMAI By Myla Vicenti Carpio 12. Acknowledging the Truth of History: Missed Opportunities at the NMAI By Amy Lonetree Conversation Four: Questions of Nation and Identity 13. The NMAI as Cultural Sovereignty By Amanda J. Cobb 14. Performing Reconciliation at the NMAI: Postcolonial Rapprochement and the Politics of Historical Closure By Pauline Wakeham 15. South of the Border at the NMAI By Robin Maria Delugan 16. Disrupting Past Paradigms: The NMAI and the Canadian Museum of Civilization By Ruth B. Phillips 17. The NMAI and the Siting of Identity By Mario Caro Contributor Biographies