Europe and Nation in the Eurovision Song Contest
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[Empire of Song] will definitely interest a wide group of scholars and students of European music, history, culture, and popular music. . . .Most importantly, the authors demonstrate that whether tasteless or seriously sensitive, the Eurovision Song Contest is a praxis in which European modernities, ever shifting mindsets, and expanding borders are celebrated. * Ethnomusicology *
Dafni Tragaki is the author of Rebetiko Worlds: Ethnomusicology and Ethnography in the City (2007). She is currently editing a book on popular music in Greece.