Film Techniques and Aesthetics
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Köp båda 2 för 2109 kr"This is a remarkable book and an invaluable reference for directors at all levels. Not only does it thoroughly explore the essential and enduring knowledge of the craft, the human connection to storytelling, but it also shows a director how to harness modern workflows and technology for maximum creative impact. Its all there." Sameh Zoabi, writer-director, Tel Aviv on Fire; Under the Same Sun; Professor New York University. Praise for the previous edition "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square. "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining." DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft.For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." American Cinematographer "This is a remarkable book and an invaluable reference for directors at all levels. Not only does it thoroughly explore the essential and enduring knowledge of the craft, the human connection to storytelling, but it also shows a director how to harness modern workflows and technology for maximum creative impact. Its all there." Sameh Zoabi, writer-director, Tel Aviv on Fire; Under the Same Sun; Professor New York University Praise for the previous edition "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis-Cherrier's firsthand experience allows them to describe the day-to-day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning-by-
Michael Rabiger has directed or edited over 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in over 23 countries. He is an Honorary Professor at Buenos Aires University, and a Fulbright Specialist. Rabiger is also the author of Developing Story Ideas and the enormously successful Directing the Documentary, both for Routledge/Focal Press. Mick Hurbis-Cherrier teaches filmmaking at Hunter College in New York City. Professionally, he has worked as a screenwriter, director, cinematographer, and editor, and his films have garnered prizes at numerous festivals. He is the author of Voice & Vision: A Creative Approach to Filmmaking (Routledge/Focal Press), in its third edition.
CONTENTS Introduction PART 1: THE DIRECTOR AND ARTISTIC IDENTITY 1 THE WORLD OF THE FILM DIRECTOR 2 DEVELOPING AS A DIRECTOR PART 2: THE STORY AND ITS DEVELOPMENT 3 ESSENTIAL ELEMENTS OF DRAMA 4 SHAPING THE STORY INTO DRAMA 5 PLOT, TIME, AND STRUCTURE PART 3: THE DIRECTOR AND THE SCRIPT 6 SCREENPLAY GROUND RULES 7 RECOGNIZING THE SUPERIOR SCREENPLAY 8 SCRIPT ANALYSIS AND DEVELOPMENT PART 4: AUTHORSHIP AND AESTHETICS 9 CINEMATIC POINT OF VIEW 10 FORM AND STYLE 11 TONE, STYLE AND GENRE PART 5: A DIRECTORS SCREEN GRAMMAR 12 FILM LANGUAGE 13 THE FRAME AND THE SHOT 14 THE MOVING CAMERA 15 LANGUAGE OF THE EDIT 16 THE HUMAN VANTAGE OF CINEMATIC LANGUAGE PART 6: PREPRODUCTION 17 EXPLORING THE SCRIPT 18 CASTING 19 ACTING FUNDAMENTALS 227 20 DIRECTING ACTORS 21 REHEARSALS 22 ACTING EXERCISE 23 PLANNING THE VISUAL DESIGN 24 DEVELOPING THE SHOOTING SCRIPT 25 LINE PRODUCING AND LOGISTICS PART 7: PRODUCTION 26 DEVELOPING A PRODUCTION CREW 27 THE DIRECTOR AND PRODUCTION TECH 28 ON SET: PRODUCTION BEGINS 29 DIRECTING ON THE SET 30 MONITORING CONTINUITY AND PROGRESS PART 8: POSTPRODUCTION 31 POSTPRODUCTION OVERVIEW 32 EDITING BEGINS: GETTING TO KNOW THE FOOTAGE 33 THE ROUGH CUT 34 GETTING TO FINE CUT AND PICTURE LOCK 35 WORKING WITH MUSIC 36 THE FINISHING TOUCHES 37 GETTING IT OUT THERE Filmography Photograph and Illustration Acknowledgements Index