Whiteness, Heterosexuality, and the Fictions of White Supremacy
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"A stunningly conceived, lucidly written, well supported, nuanced, and absolutely compelling analysis of a culturally repressed and underanalyzed body of important literary materials. Stokes demonstrates with amplifying brilliance the operative interdependence of whiteness and normative heterosexuality."-Dana Nelson, author of National Manhood: Capitalist Citizenship and the Imagined Fraternity of White Men "An engaging and well written exploration of nineteenth-century 'fictions' of white supremacy that manages to combine wit and erudition."-Gayle Wald, author of Crossing the Line: Racial Passing in Twentieth Century U.S. Literature and Culture
Mason Stokes is Assistant Professor of English at Skidmore College.
Acknowledgments Introduction: White Fictions 1. "De White Man in Season" 2. Sympathy and Symmetry: The Romance of Slavery in Metta V. Victor's Maum Guinea and her Plantation "Children" 3. Someone's in the Garden with Eve: Race, Religion, and the American Fall 4. Charles Chesnutt and the Masturbating Boy: Onanism, Whiteness, and The Marrow of Tradition 5. White Sex: Thomas Dixon Jr. and the Erotics of White Supremacy 6. Becoming Visible: I'm White, Therefore I'm Anxious Epilogue: The Queer Face of Whiteness Notes Bibliography